Impact Factor: 1.2

Zeitschrift Open Access

Semiotica

Journal of the International Association for Semiotic Studies / Revue de l'Association Internationale de Sémiotique

Editors-in-Chief: Stephanie Walsh Matthews , Massimo Leone und Jamin Pelkey

Sprachen: Englisch, Französisch

Erstveröffentlichung: 1. Januar 1969

Erscheinungsweise: 6 Hefte pro Jahr

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Open Access from 2024

Starting with Volume 2024 (Issue 256), Semiotica is transformed into a Diamond Open Access journal thanks to our subscribers participating in the Subscribe to Open (S2O) project. All current content will be published under a Creative Commons License (CC-BY 4.0) at no cost to authors and will be freely available to readers.

All authors retain copyright, unless – due to their local circumstances – their work is not copyrighted.

Objective
Semiotica is published in six annual issues, in two languages (English and French). From time to time, Special Issues, devoted to topics of particular interest, are assembled by Guest Editors. The publishers of Semiotica offer an annual prize, the Mouton d'Or, to the author of the best article each year. The article is selected by an independent international jury.

Topics
We welcome papers reporting results of research in all branches of semiotic studies.

Article formats
Research articles, in-depth reviews, guest editorials, reports

Announcement: Winner of the Mouton d'Or Award 2024 　

Title: A semiotic lifeworld. Semiotics and phenomenology: Peirce, Husserl, Heidegger, Deleuze, and Merleau-Ponty

Author: Claudio Paolucci

Volume 2024 Issue 260

Pages: 25-43

The committee members made this choice because the paper explores the fundamental phenomenological premises underlying semiotic theory, advocating for a distinctive semiotic Lebenswelt (Peirce, and Deleuze at the end) that sets it apart from other foundational discourses (Husserl, Heidegger and Merleau-Ponty). One of its greatest strengths is the author's ability to bridge structuralism and interpretive semiotics, identifying common ground between these approaches. Despite tackling complex philosophical concepts, the writing remains accessible and is directed toward a broad audience within the semiotic community. This accessibility distinguishes it from other philosophically oriented papers, which often cater exclusively to philosophers or strict Peircean scholars.

The Jury for the 2024 award consisted of Kristian Bankov (Bulgaria), Chair, Donna West (USA), and L’udmila Lacková (Czechia).
De Gruyter Mouton extends its warm congratulations to the winner and thanks the Jury members for their participation.

Ihre Vorteile

Your benefits:

inclusive scope focusing on all branches of semiotic studies
multidisciplinary approach to semiotics
comprehensive overview of current literature in semiotics
prestigious publication of the International Association for Semiotic Studies
international and renowned editorial board
bilingual publication: English and French

Geschichte

Semiotica was founded in 1969.

Other publications in the field
Journals:
Chinese Semiotic Studies
Cognitive Semiotics

Language and Semiotic Studies

Book series:
Semiotics, Communication and Cognition [SCC]

Open Access
Revisiting Greimasian figurativity, and making the notion do more work in semiotics of text

29. September 2025

Paulius Jevsejevas

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This article is a concise reconstruction of the notion of figure in Greimas’ work. The article begins by briefly discussing a couple of recent contributions to a general outlook on Greimasian figure and figurativity. It then proceeds with a more detailed reconstruction of the notion of figure in Greimas’ work, which has been lacking in English. Besides the attempt at reconstruction, the article presents a thesis that, in so-called standard Greimasian semiotics of text, figure has been reduced to an empty site for two kinds of indexicals, and thus deprived of its original textual-analytic potential. This textual-analytic potential concerns spanning the divide between text and percept, which reflects the interest of Greimas’ original notion of figure. With this in mind, the final chapter of the article presents a couple of brief attempts at a figurative textual-semiotic analysis.
Open Access
La forme d’existence, un régime sémiotique: acte délictueux et modes de sémiotisation

29. September 2025

Ralitza Bonéva

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Résumé Cette étude a pour objectif de déterminer la forme d’existence en tant que régime sémiotique. La forme d’existence est un agencement de propriétés, appartenant à divers modules d’analyse, dont l’entité renvoie à un code, se constituant ainsi en isotopie par rapport à elle. En particulier, l’étude examine le flagrant délit comme un modèle de forme d’existence dont les spécificités sont circonscrites par le code juridique. D’intenses interférences entre les formes d’existence et le code se produisent de manière à ce que l’espace sémiotique de celui-ci soit contraint à se modifier, s’intensifiant/relâchant ou s’élargissant/rétrécissant, afin que de nouvelles formes d’existence y soient prises en compte ou réfutées. En dernier ressort, nous constatons que de nouveaux modes de sémiotisation apparaissent, par séparation ou par bifurcation, et augmentent l’intensité de l’espace sémiotique du code ou repoussent ses limites. La forme d’existence en tant que régime sémiotique nous permet d’appréhender les différences entre divers environnements sémiotiques ainsi que d’évaluer les évolutions ou les régressions apparues dans le même environnement sémiotique au cours du temps. Elle se manifeste alors telle une expression des tensions, des accumulations et des interdits, des refoulements et des compromis qui tissent l’environnement sémiotique.
Open Access
« Référence » et « référent », un essai de mise au point

23. September 2025

Qichao Wang

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Résumé Pour traiter de la relation entre le langage et la réalité, les deux notions de référence et de référent sont souvent utilisées avec une ambiguïté qui fait rarement l’objet d’une réflexion critique. La présente étude propose une distinction entre la référence sémantique, la référence extra-verbale et la référence discursive, en vue de mieux dissiper quelques confusions courantes dans cette question. Tout message verbal a un sens a priori autonome vis-à-vis de la réalité extra-verbale, mais tout son référent possible ne peut être déterminé qu’à partir de ce sens. Comme la réalité verbale et la réalité extra-verbale restent a priori indépendantes l’une de l’autre, la détermination du sens d’un message n’égale pas celle de son référent, et la relation exacte entre ces deux exige un examen au cas par cas.
Open Access
Stylistic and semiotic analysis of modern Chinese piano performance

4. September 2025

Chengsui Zhou

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The aim of this study is to conduct a comprehensive stylistic and semiotic analysis of contemporary Chinese piano performance to identify its distinctive characteristics, cultural influences, and artistic significance. A total of 60 Chinese pianists – categorized according to their affiliation with the Beijing conservative school, the Shanghai modernist-synthetic school, the diaspora, and postmodern innovators – and 60 Western performers (German-Austrian tradition, n = 20; Russian pedagogy, n = 15; American eclecticism, n = 15; specialists in Asian repertoire, n = 10) participated in a ten-week intercultural pedagogical project. Performance recordings obtained before and after the intervention were evaluated by expert raters using a 10-point scale across five dimensions: technical proficiency, musicality, interpretative depth, emotional expressiveness, and stage presence. Interrater reliability exceeded the accepted threshold (ICC > 0.85). In addition, participants completed questionnaires developed using a mixed-methods approach, incorporating both Likert-scale items and open-ended questions. A survey of 60 Western pianists highlighted high evaluations of Chinese performers in intercultural exchange (4.10 out of 5), technical proficiency (4.05), and influence on competition culture (4.00). The study’s results indicate that Chinese pianists excel in technical proficiency (8.5 vs. 8.3) but lag behind in musicality (8.2 vs. 8.6), interpretation (7.9 vs. 8.4), and emotional expressiveness (7.7 vs. 8.5) compared to their Western counterparts. This research contributes significantly to understanding current trends in global piano artistry and outlines prospects for further study of the interaction between different performance schools.
Open Access
Earthships as a de-sign process to harmonize with the environment

28. August 2025

Alec Kozicki

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The concept of Earthship is a type of contemporary living space that potentially functions as self-sustainable processes within a closed semi-natural ecosystem for its inhabitants through the integration of repurposed commodities and natural local resources. This approach of inhabitation offers a trajectory for co-development with the environment and a creative evolutionary process of Farouk Seif’s de-sign . The research identifies how the object(s) (Earthship and materials used), the subject(s) (creator and inhabitant) and the environment(s) (natural and built) are interrelated during the co-development process for a trajectory of semiosis. What we will see in this research is that the trajective process of an inhabitant aiming for self-sustainable off-the-grid living within an environment requires a competency and balance to resonate with the surrounding ecological system. Within this framework, the concept of de-sign serves as a means to examine how intentionality and deliberate acts within the creative process to live self-sustainably is oriented towards ecological and anthropocentric systems. The purpose of this research is to elaborate how the concept of Earthships as a self-sustainable living space may have a point of centrality focused on human inhabitation and can be further developed to evoke ecological awareness and sensitivity.
Open Access
Constructed dialogue in signed-to-spoken interpreting: renditions as a reconfiguration of utterance semiotics

25. August 2025

Vibeke Bø

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This study investigates how two interpreters mobilize different language resources when faced with a semiotically complex construction in Norwegian Sign Language (NTS): constructed dialogue. Drawing on a semiotic approach to languages and multimodal conversation analysis, I analyze four sequences of interpreted semi-naturalistic conversation. Applying a semiotic approach to languages, three main types of resources serve as analytical categories of source utterances and renditions: descriptions , depictions , and indications . Part of interpreters’ task entails either maintaining or changing the depictive character of the source utterance’s constructed dialogue sequences, but this is only one of many choices. Fine-grained analysis reveals that interpreters recruit from a semiotically diverse repertoire to reconfigure the semiotics of the source utterance. The interpreter’s task of situating the complex semiotics of source utterances is highlighted. When the interpreter renders another participant’s utterance, they reconfigure the semiotic resources to ensure the rendition fits appropriately within its target language ecology, thus assuring common ground between participants. This study contributes to existing knowledge of interpreting as a discourse process by analyzing the semiotics of signed-to-spoken interpreting.
Open Access
Analysis and research on symbolic emptiness in traditional architecture in the Shangri-La Tibetan area

3. Juli 2025

Pengjun Wu, Wencui Zhang, Dandan Xu, Yao Liu

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Shangri-La Tibetan architecture is rich in artistic content and steeped in cultural heritage. However, during the rural transformation process, due to incomplete understanding of the traditional architectural culture and symbols with ethnic regional characteristics, many architectural cultural symbols have often been misused or confused. The Blank-sign, as a unique adjustable symbol system, is often overlooked in traditional architectural studies due to its “gaps.” Yet, studying it is crucial for addressing the misuse of architectural symbols. This study employs deconstructive analysis and dimensional analysis of Blank-signs, meticulously deconstructing the elements of Blank-sign in Shangri-La Tibetan architecture. The research reveals that the Blank-sign in Shangri-La Tibetan architecture not only constitutes a significant part of architectural aesthetics but also reflects profound cultural and religious concepts. By analyzing the external manifestations and internal cultural causes of architectural Blank-signs, the study elucidates their specific roles in expressing Tibetan views on space and time, nature worship, safety and territory, and cleanliness. Furthermore, architectural Blank-signs imbue buildings with dynamism, reinforce architectural levels, highlight architectural prominence, and create artistic ambiance, thus holding substantial artistic value.
Open Access
Sexualized social and dress codes of girl performers in the West

23. Juni 2025

Clara Chapdelaine-Feliciati

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The mainstream media, especially in the west, increasingly portrays girl performers as objectified sexual beings, from movies, TV programs, music videos, magazines, videogames, beauty pageants, and fashion shows, to social media platforms, such as Instagram and TikTok that amplify these depictions of girlhood, reaching millions of young people at any time of day and night. This article conducts a semiotic analysis of “sexualized social and dress codes,” i.e., codes promoted by the mainstream and social media that oversexualize and objectify girl child performers as commodities, foster unhealthy beauty ideals, and glorify the practices of online pornography and even prostitution involving girl and young women performers as “girl empowerment.” The article employs Victoria Welby’s Significs theory to explore the philosophical and sociological ramifications of these codes for both girl children and western society. For this purpose, it applies the Meaning Triad to examine the sense, meaning, and significance of sexualized social and dress codes. It analyses the sense of these codes, their ultimate significance, and questions the meaning-intention behind their widespread promotion on all platforms.
Open Access
Exploring text-image relations in museum contexts: a multimodal analysis of sub-genre variations across interpretive captions

20. Juni 2025

Weijing Li, Jiajin Xu

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Interpretive captions play a crucial role in museum contexts by providing verbal information that complements and enhances visual artworks, thereby facilitating communication between visitors and the museum. However, despite their significance, there remains uncertainty about how these captions, generally perceived as secondary to the artworks, vary in their enhancing roles. In response to this gap, this study employs the multimodal corpus SemArt, taking a corpus-driven approach to explore the correlations between interpretive captions and classical European paintings. By applying the Latent Dirichlet Allocation method, themes and keywords were extracted from the interpretive captions and analyzed within a visual communication framework to uncover sub-genre variations and different text-image relations. The findings reveal seven sub-genres within interpretive captions and two types of text-image enhancement relations: content-enhanced and form-enhanced. This research highlights the benefits and challenges of using exploratory quantitative analysis to facilitate multimodal research, paving the way for broader applications of unsupervised machine-learning techniques in digital humanities.
Open Access
The six types of sign action

13. Juni 2025

Hugo F. Alrøe

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The Peircean doctrine of signs is incomplete. This paper rethinks the standard model of sign action to provide a common framework for analyzing all the different kinds of semiotic processes, including the workings of thinking creatures, sentient beings, single cell organisms, social systems, and sciences. Through a detailed theoretical analysis, the paper shows how we can separate mediation (featuring the steps: source, mediator, and outcome) from representation (featuring the conventional sign correlates: object, sign, and interpretant) in Peircean semiotics and combine the two to establish a general model of sign action. This leads to the fundamental and, in a Peircean context, somewhat controversial ideas that there are not two but three dynamical sign correlates and, notably, that there is not one direction of mediation in the sign triad, but six directions, which constitute six fundamental types of sign action: perceiving , acting , interpreting , expressing , sensing , and reacting . The sixfold model of sign action is a step toward a general theory of semiosis, it promises to reconcile the split in biosemiotics, and it provides a coherent semiotic foundation for a general theory of observation in science. Chiefly, it offers a workable framework for semiotics.

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Special Issue/Numéro Spécial: Mystique et politique : Tension sémiotique entre l’être et le faire; Guest Editors/Rédacteurs Invités: Juan Alonso Aldama et Denis Bertrand

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Special Issue: Aspects of AI semiotics: enunciation, agency, and creativity; Guest Editors: Maria Giulia Dondero, Juan Alonso Aldama and Massimo Leone

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Special Issue: How to build a lifeworld: In-between relevance and the encyclopedia; Guest Editors: Göran Sonesson† and Jan Strassheim

Special Issue: Inhuman horizons of semiotics and subjectivity; Guest Editors: Martin Švantner and Ondřej Váša

Special Issue: Semiotricity; Guest Editors: Raúl Martínez-Santos, Pascal Bordes and Jaime Nubiola

“Use and meaning”: Special Issue devoted to Jerzy Pelc; Guest Editor: Tadeusz Ciecierski

Points aveugles et points borgnes: Quelques réflexions sur l'innovation en sémiotique; Guest Editors: Stéphanie Walsh Matthews, Louis Hébert, Éric Trudel, Thomas Broden, Sémir Badir & Pascal Michelucci

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Special Issue: The Making of Them and Us – Cultural encounters conveyed also through pictorial means, Guest Editors: Göran Sonesson, Sara Lenninger and Anna Cabak Rédei

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Special Section: Meaningful data/Données signifiantes, Guest Editors: Dario Compagno and Matteo Treleani

Les frontières du discours Guest editors: Nathalie Garric et Marius Nagy Social representations, ICTs, and community empowerment Guest editors: Sara Vannini, Isabella Rega and Lorenzo Cantoni

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Double special issue: Multimodality in argumentation, Guest editors: Andrea Rocci and Chiara Pollaroli Peirce's rhetoric and methodeutic, Guest editors: Mats Bergman and Gabriele Gava

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Special Issue: La Sémiotique post-Greimassienne / Semiotics post-Greimas, Guest editors: Thomas F. Broden and Stéphanie Walsh Matthews

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Special Issue on the 100th anniversary of the publication of the Cours de linguistique générale, Guest Editor / Rédacteur du numéro: Russell Daylight

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Special Issue: Signs, symbols, and meanings in law, Guest Editors: Anne Wagner and Ning Ye

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Special Issue / Numéro spécial: A. J. Greimas – Life and semiotics / La vie et la sémiotique d’A. J. Greimas, Guest Editors / Rédacteurs du numéro: Thomas F. Broden & Stéphanie Walsh Matthews

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Special Issue: On edusemiotics, Guest Editors: Inna Semetsky, Andrew Stables and Sébastien Pesce

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Special Issue: Semiotics of food, Guest Editor: Simona Stano

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Special Issue: Hidden meanings in legal discourse, Guest Editors: Le Cheng and Susan Petrilli

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Special Issue: Umberto Eco’s interpretative semiotics: Interpretation, encyclopedia, translation, Guest Editors: Cinzia Bianchi and Clare Vassallo

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Double Special Issue: Linguistic and literary aspects of perspectivity De-essentializing authenticity: A semiotic approach

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Special Issue: Decision-making in translation, interpretation, and speech act: Legal semiotic culture-mediation techniques

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Double Special Issue: Dimensions of zoosemiotics␤Observation ↔ Text/e ↔ Culture

Semiotics of the ideal: Ideality between reality and fiction Semiotics and ontology: Roman Ingarden

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Vers une sémiotique du medium : Outil, objet, pratique Meaning in motion: Interaction in cars

Diagrammatical reasoning and Peircean logic representations

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Semiotics and Postmodernity

to be implemented...

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Die Zeitschrift Semiotica veröffentlicht Sonder- und Themenhefte, die sich auf wichtige und neu aufkommende Themen im Bereich der Forschung konzentrieren. Die Zeitschrift hat ein strenges Verfahren eingeführt, um sicherzustellen, dass alle Manuskripte für Sonderausgaben denselben Qualitätsstandards und Peer-Review-Verfahren unterliegen wie reguläre Manuskripte. Weitere Informationen über die Peer-Review-Politik der Zeitschrift finden Sie in den "Hinweisen für Autoren".

Aktuelle Themenhefte

Journal Impact Factor	1.2	2024, Journal Citation Reports (Clarivate, 2025)
5-year Journal Impact Factor	0.6	2024, Journal Citation Reports (Clarivate, 2025)
Journal Citation Indicator	1.20	2024, Journal Citation Reports (Clarivate, 2025)
CiteScore	1.8	2024, Scopus (Elsevier B.V., 2025)
SCImago Journal Rank	0.300	2024, SJR (Scimago Lab, 2025; Data Source: Scopus)
Source Normalized Impact per Paper	0.692	2024, CWTS Journal Indicators (CWTS B.V., 2025; Data Source: Scopus)

Weitere Informationen über Zeitschriftenmetriken

Submission
You can easily submit your manuscript online. Simply go to https://mc.manuscriptcentral.com/semi and you will be guided through the whole peer-reviewing and publishing process.

Your benefits of publishing with us

Rapid online publication ahead-of-print with short turnaround times
Annual prize, the Mouton d'Or, to the author of the best article each year
High quality peer-review
Easy-to-use online submission system
Free publication of color figures both in online and print editions and no page charges
Optional open access publication
Every article easily discoverable because of SEO and comprehensive abstracting and indexing services
Secure archiving by De Gruyter and the independent archiving service Portico

Submission process

Submissions should be formatted according to the De Gruyter Mouton journal style sheet, especially regarding the proper format for citations and reference entries
Submission of your paper via our submission management tool
Peer review process (you will be guided through every step)
The editorial office will forward your manuscript for double-blind peer-review. This takes on average 3-4 months
If accepted: you have the option to publish your article open access

Additional information for manuscript formatting

Manuscripts should be no longer than 30–35 pages.
Review articles should be headed 'Review article' and given an appropriate title that is different from the title of the work(s) under review. The title should be followed by an asterisked footnote, placed at the bottom of the first page of text, containing the bibliographical details of the work(s) under review: *Ray Jackendoff, Languages of the mind: Essays on mental representation. Cambridge, MA: MIT Press, 1992.
References to the work under review should be cited by page number alone (e.g., 'p. 16'). Otherwise, the references should conform to the style for articles.
Corrections. Authors are asked to check their manuscripts very carefully before submitting them in order to prevent delays at the proof stage. Especially check in-text citations against listings in the References section, to be sure dates and spelling match, and that all works cited are listed.
Proofs. Authors will receive PDF page proofs for correction which must be returned by dates determined by the publication schedule.
Author copy. Upon publication, authors will receive electronic access to their contribution. Guest editors of special issues will receive complimentary print copies of the issue.

Please note

Before submitting your article please have a look at our Author Publication Policy, Publication Ethics Statement and our copyright agreement
Manuscripts must be written in clear and concise English or French (please also see the Notes aux Auteurs)
Once your article is accepted you have the option to publish it open access.
Our repository policy allows you to distribute 30 PDF copies of your published article to colleagues (the PDF has to include the information that it is an author's copy). Please also feel free to distribute the link to the online abstract
If you have any general questions please visit our FAQ page for journal authors

We look forward to receiving your manuscript!

Editors-in-Chief
Stéphanie Walsh Matthews
Toronto Metropolitan University, Toronto, Canada

Massimo Leone
University of Turin, Turin, Italy

Jamin Pelkey
Toronto Metropolitan University, Toronto, Canada

e-mail: semioticaeds@degruyter.com

Managing Editor
Paolo Ammirante
e-mail: semiotica@torontomu.ca

Editorial Committee
Myrdene Anderson, Professor of Anthropology at Purdue University, USA.
Prisca Augustyn, Professor of German Language and Linguistics at Florida Atlantic University, USA.
Paolo Balboni, Professor of Language Education at Ca' Foscari University of Venice, Italy.
Marcello Barbieri, Professor of Embryology at University of Ferrara, Italy.
Arthur Asa Berger, Emeritus Professor of Communication at San Francisco State University, USA.
Mohamed Bernoussi, Professor of Cultural Semiotics at the Université Moulay Ismail de Meknes, USA.
+ Per Aage Brandt, Professor of Cognitive Science at Case Western Reserve University, USA.
Thomas Broden, Professor of French at Purdue University, USA.
Patrizia Calefato, Professor of Sociology of Cultural and Communicative Processes at University of Bari "Aldo Moro", Italy.
Le Cheng, Professor of Forensic Linguistics at City University of Hong Kong, China.
Paul Cobley, Professor of Semiotics at Middlesex University, London, UK.
Robbie B. H. Goh, Professor of Literature at Singapore University of Social Sciences, Singapore.
Louis Hébert, Professor of Literature at Université du Québec à Rimouski, Canada.
André Helbo, Emeritus Professor of Communication at Université Libre de Bruxelles, Belgium.
Kalevi Kull, Professor of Biosemiotics at University of Tartu, Estonia.
Dragana Martinovic, Professor of Mathematics Education at University of Windsor, UK.
Frank Nuessel, Professor of Modern Languages at University of Louisville, USA.
Susan Petrilli, Professor of Philosophy and Theory of Language at University of Bari "Aldo Moro", Italy.
Eddo Rigotti, Emeritus Professor of Linguistics at Università della Svizzera italiana, Italy.
Shi-xu, Professor of Discourse and Communication at Zhejiang University, China.
Eero Tarasti, Emeritus Professor of Musicology at University of Helsinki, Finland.
Bill Thompson, Emeritus Professor, School of Psychological Sciences, Macquarie University, Australia.
Didier Tsala Effa, Professor of Semiotics, Department of Language Sciences, University of Limoges, France.
Massimo Vedovelli, Emeritus Professor of Educational Linguistics at University for Foreigners of Siena, Italy.
Hongbing Yu, Associate Professor of Culture and Semiotics at Toronto Metropolitan University, Canada.
Giovanna Zaganelli, Professor of Semiotics at University for Foreign Students of Perugia, Italy.
Yiheng Zhao, Professor of Semiotics, Department of Semiotics, Sichuan University, China.

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Linguistik und Semiotik Semiotik Semiotik, andere

Zeitschriften Informationen

Weitere Informationen

eISSN:

1613-3692

ISSN:

0037-1998

Sprachen:

Englisch, Französisch

Verlag:

De Gruyter Mouton

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Erstveröffentlichung:

1. Januar 1969

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