Issue
Open Access
Volume 51, Issue 1-3
Contents
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Requires Authentication UnlicensedSonstigesLicensedOctober 1, 2009
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Requires Authentication UnlicensedTiteleiLicensedOctober 1, 2009
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Requires Authentication UnlicensedPrefaceLicensedOctober 1, 2009
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Requires Authentication UnlicensedThe state of literary semiotics: 1983LicensedOctober 1, 2009
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Requires Authentication UnlicensedTrajectoire d’une pointe assassineLicensedOctober 1, 2009
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Requires Authentication UnlicensedPrefiguring history: La Ceppède and the representation of the sacredLicensedOctober 1, 2009
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Requires Authentication UnlicensedAndromaque under interrogationLicensedOctober 1, 2009
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Requires Authentication UnlicensedLe langage des passionsLicensedOctober 1, 2009
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Requires Authentication UnlicensedThe function of performative narrative in Corneille’s La Mort de PompéeLicensedOctober 1, 2009
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Requires Authentication UnlicensedLes mets et les mots: gastronomie et sémiotique dans L’Ecole des femmesLicensedOctober 1, 2009
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Requires Authentication UnlicensedPainting, poetry, and signs: Molière’s La Gloire du Val-de-Grâce and Perrault’s Poème de la PeintureLicensedOctober 1, 2009
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Requires Authentication UnlicensedReading La Fontaine: Le Chêne et le roseau (I, 22)LicensedOctober 1, 2009
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Requires Authentication UnlicensedThe law(s) of the pedagogical jungle: La Fontaine read by RousseauLicensedOctober 1, 2009
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Requires Authentication UnlicensedDescartes: langue, signe et relecture chomskyenneLicensedOctober 1, 2009
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Requires Authentication UnlicensedPascal’s fragmentary thoughts: Dis-order and its overdeterminationLicensedOctober 1, 2009
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Requires Authentication UnlicensedUne sorte d’agitation sans desordre: Untying the setting of La Princesse de ClèvesLicensedOctober 1, 2009
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Requires Authentication Unlicensed’Si vous allez derrière un théâtre ...’: La Bruyère’s moral gestures (BF 25: 203)LicensedOctober 1, 2009
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Requires Authentication UnlicensedThe semiotic criticism of Charles Perrault’s ContesLicensedOctober 1, 2009
