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16 The 9/11 memorial and museum: New York, New York, USA

  • John Bahadur Lamb
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50 Dark Destinations
This chapter is in the book 50 Dark Destinations

Abstract

As was famously written, ‘[t]errorists want a lot of people watching and a lot of people listening, not a lot of people dead’ (Jenkins, 1975: 158) and nothing invokes the theatrical nature of extreme violence as remembering the 9/11 attacks, carried out by Al Qaeda against the US in 2001. The sheer horror of 3,000-plus individuals being murdered created a spectacle the likes of which we can only hope not to see again. Like a theatrical event, the attacks attracted an audience of millions of people around the globe (The Guardian, 2001) who sat and watched the horror unfold on their television sets and millions more will have seen the footage replayed on the news, over the internet and, even, as part of university courses studying a range of topics as varied as international relations, military history, terrorism studies and law enforcement. Such a huge audience was inevitable as the attacks are indelibly stamped on the course of history and rank alongside events such as the fall of the Berlin Wall and the death of Princess Diana. Even twenty years later many people report being able to recall exactly where they were when either they saw the attacks unfold or heard about them (Hartig and Doherty 2021).

Such a traumatic event has clearly changed people’s lives and not just those who lost loved ones in the attacks themselves. First responders, who risked everything to save people on the day, have died in large numbers (Freedman 2004)9/1.

Abstract

As was famously written, ‘[t]errorists want a lot of people watching and a lot of people listening, not a lot of people dead’ (Jenkins, 1975: 158) and nothing invokes the theatrical nature of extreme violence as remembering the 9/11 attacks, carried out by Al Qaeda against the US in 2001. The sheer horror of 3,000-plus individuals being murdered created a spectacle the likes of which we can only hope not to see again. Like a theatrical event, the attacks attracted an audience of millions of people around the globe (The Guardian, 2001) who sat and watched the horror unfold on their television sets and millions more will have seen the footage replayed on the news, over the internet and, even, as part of university courses studying a range of topics as varied as international relations, military history, terrorism studies and law enforcement. Such a huge audience was inevitable as the attacks are indelibly stamped on the course of history and rank alongside events such as the fall of the Berlin Wall and the death of Princess Diana. Even twenty years later many people report being able to recall exactly where they were when either they saw the attacks unfold or heard about them (Hartig and Doherty 2021).

Such a traumatic event has clearly changed people’s lives and not just those who lost loved ones in the attacks themselves. First responders, who risked everything to save people on the day, have died in large numbers (Freedman 2004)9/1.

Chapters in this book

  1. Front Matter i
  2. Contents v
  3. List of figures x
  4. About the editors xi
  5. Acknowledgements xiii
  6. Introduction 1
  7. Cocaine Bear: Fun Mall, Lexington, Kentucky, USA 9
  8. Whitney Plantation: New Orleans, Louisiana, USA 14
  9. National Portrait Gallery, Smithsonian Institution: Washington, DC, USA 24
  10. From Newgate Prison to Tyburn Tree: the Old Bailey, London, UK 29
  11. Jack the Ripper tour: Whitechapel, London, UK 35
  12. The Alcatraz East Crime Museum: Pigeon Forge, Tennessee, USA 41
  13. The Museum of Death: Hollywood, Los Angeles, USA 50
  14. The Royal Armouries Museum: Leeds, UK 55
  15. The Black Dahlia tour: Los Angeles, California, USA 59
  16. The ‘Execution Dock’: Wapping, East London, UK 65
  17. Auschwitz: Oświęcim, Poland 71
  18. Jeju 4:3 memorial: Jeju Island, South Korea 80
  19. Museum Dr. Guislain: Ghent, Belgium 88
  20. Karosta Prison Hotel: Liepāja, Latvia 92
  21. The Clink prison-based restaurant: Brixton, London, UK 98
  22. The 9/11 memorial and museum: New York, New York, USA 104
  23. The Tuol Sleng Museum of Genocidal Crimes: Phnom Penh, Cambodia 107
  24. Choeung Ek killing field: Phnom Penh, Cambodia 116
  25. Blue lights in the Red Light District: Amsterdam, the Netherlands 122
  26. Trophy hunting: sub-Saharan Africa 128
  27. ‘The ugly side to the beautiful game’: Qatar 135
  28. Burning Man festival: Black Rock Desert, Nevada, USA 140
  29. Magaluf: Majorca 147
  30. ‘Holiday Hooters’: Hong Kong 153
  31. Scilla: Calabria, Italy 159
  32. The Kray twins tours: London, UK 165
  33. Backpacking in the outback: Uluru, Northern Territory, Australia 171
  34. The hippie trail: Nepal, South Asia 177
  35. The Museum of Confiscated Art: Brest, Belarus 182
  36. Steroid holidays: Sharm El Sheikh, Sinai Peninsula, Egypt 187
  37. The souks: Tunis, Tunisia 194
  38. Mezhyhirya Residence Museum: Novi Petrivtsi, Ukraine 200
  39. The great British seaside: various locations, UK 207
  40. The Biggie mural: Brooklyn, New York, USA 213
  41. The Rebus guided tour: Edinburgh, UK 217
  42. Volunteer tourism – ‘doing it for the ’gram’: Cambodia, Southeast Asia 223
  43. The staycation: home 230
  44. The ‘suicide forest’: Aokigahara, Japan 235
  45. Pitcairn Island: Pitcairn Islands, Pacific Ocean 245
  46. Favela tours: Rio de Janeiro, Brazil 251
  47. Skid Row walking tours: Los Angeles, California, USA 258
  48. The 2019–20 anti-extradition protests: Hong Kong 264
  49. The Maldives: Republic of Maldives, Indian Ocean 271
  50. Death Road: La Paz to Coroico, Bolivia 276
  51. Vulture brains and muthi markets: Johannesburg, South Africa 282
  52. Dark tourism, ecocide and Alpine ski resorts: the Alps, Europe 288
  53. Boho Zone: Middlesbrough, UK 293
  54. One Hyde Park: London, UK 299
  55. Amazon warehouse tours: Rugeley, UK or virtual tour 305
  56. Disney World: Orlando, Florida, USA 315
  57. Conclusion 322
  58. References 325
  59. Index 394
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