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Ketzerstadt Basel. Das mittelalterliche Basel als Projektionsfläche des 19. Jahrhunderts

  • Maria Tranter
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Raum und Medium
This chapter is in the book Raum und Medium

Abstract

This contribution is concerned with the concept of Basel as a ›cultural space‹, in particular for the fourteenth century, in the historiography of the nineteenth century. The ›Friend of God from the Oberland‹, nowadays recognized to have been a fictional figure, is central to these considerations. The attempts of the Alsatian historian Charles Schmidt (1812-1895) to identify this ›Friend of God‹, held to have been a figure of some importance for the circle of ›mystics‹ associated with Strasbourg, with a real person in Nicolas of Basel, a beghard who was condemned for heresy in Vienna in the early years of the fifteenth century, and to locate him in Basel, brought him into contact with the Basel Germanist Wilhelm Wackernagel (1806-1869). Each of them, in his assessment of the sources, draws on his own personal conception of the city of Basel and allows it to influence, to a greater or lesser extent, his historical analysis. They both offer a picture of the medieval city of Basel as a cultural space in which theological issues could be discussed freely and and which provided fertile ground for early Protestant ideas. This example of how the projection of the writer’s own concepts onto a real city underlines just how greatly all discussions of medieval cultural space are indebted to the preconceived concepts of historians. They reveal just how present this aspect of cultural reception is in the history of the medieval town.

Abstract

This contribution is concerned with the concept of Basel as a ›cultural space‹, in particular for the fourteenth century, in the historiography of the nineteenth century. The ›Friend of God from the Oberland‹, nowadays recognized to have been a fictional figure, is central to these considerations. The attempts of the Alsatian historian Charles Schmidt (1812-1895) to identify this ›Friend of God‹, held to have been a figure of some importance for the circle of ›mystics‹ associated with Strasbourg, with a real person in Nicolas of Basel, a beghard who was condemned for heresy in Vienna in the early years of the fifteenth century, and to locate him in Basel, brought him into contact with the Basel Germanist Wilhelm Wackernagel (1806-1869). Each of them, in his assessment of the sources, draws on his own personal conception of the city of Basel and allows it to influence, to a greater or lesser extent, his historical analysis. They both offer a picture of the medieval city of Basel as a cultural space in which theological issues could be discussed freely and and which provided fertile ground for early Protestant ideas. This example of how the projection of the writer’s own concepts onto a real city underlines just how greatly all discussions of medieval cultural space are indebted to the preconceived concepts of historians. They reveal just how present this aspect of cultural reception is in the history of the medieval town.

Chapters in this book

  1. Frontmatter 1
  2. Inhalt 7
  3. Vorwort 9
  4. Raum und Medium. Fragestellungen und Bausteine zu einer Literaturgeschichte Basels 13
  5. Basler Liederbücher? Lyrikhandschriften im Kontext der Basler Literaturszene 87
  6. Otto von Passau and the literary history of Basel in the later fourteenth century 107
  7. Konziliare, kuriale und städtische Reformen in den Basler Frauenklöstern und die Bedeutung von sozialen Räumen 153
  8. Women as scribes and illustrators in the age of reform. The Basel connection 177
  9. Margarethe von Savoyen in Basel 1445. Herrschaftsrepräsentation und ihre Medien im städtischen Kontext 201
  10. Die Rezeption der ›Melusine‹ vor dem Hintergrund persönlicher und medialer Verflechtungen 219
  11. Marquards von Stein ›Der Ritter vom Turn‹. Ein Produkt internationaler Kulturkontakte und literarischer Interessen zwischen adlig-höfischer Tradition, humanistischem Impetus und frühkapitalistischer Verlagspolitik 245
  12. Bibliotheca cartusiae Basiliensis. Die Bibliothek der Basler Kartause mit besonderem Fokus auf die Zeit unter Prior Heinrich Arnoldi (1449–1480) 287
  13. Der Basler Kartäuser Heinrich Arnoldi und seine an heilige Frauen gerichteten Meditationes et orationes. Mit einer Textausgabe der Katharina von Alexandrien und Odilia gewidmeten lateinischen Gebete 315
  14. Basilea aut Christianitatis centrum aut ei proxima est. Eine Gebrauchshandschrift erzählt Geschichten über Basel 373
  15. Die Basler Sammelausgaben von Sebastian Brants Dichtungen. Genese und Programmatik der ›Carmina in laudem beatae Mariae virginis‹ (1494) und der ›Varia carmina‹ (1498) 403
  16. Drucke(n) fürs Seelenheil. Johannes Amerbachs deutschsprachige Publikationen 443
  17. Schauspiel in der Stadt. Der ›Weltspiegel‹ des Valentin Boltz 459
  18. Ketzerstadt Basel. Das mittelalterliche Basel als Projektionsfläche des 19. Jahrhunderts 475
  19. Abkürzungsverzeichnis 493
  20. Register der Personen, Werke, Institutionen und Orte 495
  21. Handschriftenregister 515
  22. Abbildungsnachweise 521
  23. Abbildungen 523
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