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Russian dystopia in exile

Translating Zamiatin and Voinovich
  • Natalia Olshanskaya
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Contexts, Subtexts and Pretexts
Ein Kapitel aus dem Buch Contexts, Subtexts and Pretexts

Abstract

This chapter describes how two Russian dystopian novels, Evgenii Zamiatin’s We (1921) and Vladimir Voinovich’s Moscow 2042 (1987) reached their readers through translations. The analysis centers on similarities and differences in the presentation of the dystopian world in modern and post-modern discourses and their translations into English. The author argues that dystopia, a genre well established in the Western literary tradition, encounters many more difficulties in reaching the readership of the target culture in its postmodern form.

Abstract

This chapter describes how two Russian dystopian novels, Evgenii Zamiatin’s We (1921) and Vladimir Voinovich’s Moscow 2042 (1987) reached their readers through translations. The analysis centers on similarities and differences in the presentation of the dystopian world in modern and post-modern discourses and their translations into English. The author argues that dystopia, a genre well established in the Western literary tradition, encounters many more difficulties in reaching the readership of the target culture in its postmodern form.

Kapitel in diesem Buch

  1. Prelim pages i
  2. Table of contents v
  3. Acknowledgments vii
  4. Notes on contributors ix
  5. Introduction 1
  6. Part I. Contexts
  7. Shifting contexts 19
  8. Nation and translation 33
  9. Vasilii Zhukovskii as translator and the protean Russian nation 55
  10. Romania as Europe’s translator 79
  11. Translating India, constructing self 97
  12. The water of life 117
  13. Translation trouble 137
  14. Part II. Subtexts
  15. Between the lines 149
  16. Translation theory and cold war politics 171
  17. The poetics and politics of Joseph Brodsky as a Russian poet-translator 187
  18. Squandered opportunities 205
  19. Meaningful absences 219
  20. Part III. Pretexts
  21. Translated by Goblin 235
  22. “No text is an island” 249
  23. Russian dystopia in exile 265
  24. Between cosmopolitanism and hermeticism 277
  25. The other polysystem 295
  26. Translation as condition and theme in Milan Kundera’s novels 317
  27. Index 323
https://doi.org/10.1075/btl.89.21ols

Kapitel in diesem Buch

  1. Prelim pages i
  2. Table of contents v
  3. Acknowledgments vii
  4. Notes on contributors ix
  5. Introduction 1
  6. Part I. Contexts
  7. Shifting contexts 19
  8. Nation and translation 33
  9. Vasilii Zhukovskii as translator and the protean Russian nation 55
  10. Romania as Europe’s translator 79
  11. Translating India, constructing self 97
  12. The water of life 117
  13. Translation trouble 137
  14. Part II. Subtexts
  15. Between the lines 149
  16. Translation theory and cold war politics 171
  17. The poetics and politics of Joseph Brodsky as a Russian poet-translator 187
  18. Squandered opportunities 205
  19. Meaningful absences 219
  20. Part III. Pretexts
  21. Translated by Goblin 235
  22. “No text is an island” 249
  23. Russian dystopia in exile 265
  24. Between cosmopolitanism and hermeticism 277
  25. The other polysystem 295
  26. Translation as condition and theme in Milan Kundera’s novels 317
  27. Index 323
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Heruntergeladen am 8.10.2025 von https://www.degruyterbrill.com/document/doi/10.1075/btl.89.21ols/html
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