Chapter 11. English films vs Italian films
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Raffaele Zago
Abstract
The objective of this paper is to address issues of comparability between English and Italian film dialogues. A comparison is drawn between dispersed words and n-grams extracted from the original English component, from the dubbed Italian component and from the original Italian component of the Pavia Corpus of Film Dialogue (Freddi and Pavesi 2009a; Pavesi et al. 2014; Zago 2018) via the WordSmith Tools software (Scott 2011). Besides identifying cross-linguistic dimensions of comparability between non-translated films, the paper examines the linguistic profile of dubbed Italian films against the background of both the language of original English films – the source texts – and the language of original Italian films. The findings suggest that film dialogue is a cross-linguistically stable register driven by the need to represent orality as well as by diegetic concerns.
Abstract
The objective of this paper is to address issues of comparability between English and Italian film dialogues. A comparison is drawn between dispersed words and n-grams extracted from the original English component, from the dubbed Italian component and from the original Italian component of the Pavia Corpus of Film Dialogue (Freddi and Pavesi 2009a; Pavesi et al. 2014; Zago 2018) via the WordSmith Tools software (Scott 2011). Besides identifying cross-linguistic dimensions of comparability between non-translated films, the paper examines the linguistic profile of dubbed Italian films against the background of both the language of original English films – the source texts – and the language of original Italian films. The findings suggest that film dialogue is a cross-linguistically stable register driven by the need to represent orality as well as by diegetic concerns.
Chapters in this book
- Prelim pages i
- Table of contents v
- The dubbing revolution 1
-
Part I. Historical approaches
- Chapter 1. Undoing dubbing 17
- Chapter 2. When the Thief of Bagdad tried to steal the show 41
- Chapter 3. Locked into dubbing 63
- Chapter 4. Auteur dubbing 79
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Part II. New trends in dubbing research and practice
- Chapter 5. Audiovisual translation in the age of digital transformation 103
- Chapter 6. Are we all together across languages? 125
- Chapter 7. Fandubbing across time and space 145
- Chapter 8. To Europe with love 169
-
Part III. The linguistics of dubbing
- Chapter 9. More than words can say 191
- Chapter 10. Representing orality through questions in original and translated film dialogue 211
- Chapter 11. English films vs Italian films 229
-
Part IV. Identity construction in dubbing
- Chapter 12. Sleeping with the fishes 245
- Chapter 13. Constructing youth identities in dubbed movies 263
- General Index 281
- Name Index 283
Chapters in this book
- Prelim pages i
- Table of contents v
- The dubbing revolution 1
-
Part I. Historical approaches
- Chapter 1. Undoing dubbing 17
- Chapter 2. When the Thief of Bagdad tried to steal the show 41
- Chapter 3. Locked into dubbing 63
- Chapter 4. Auteur dubbing 79
-
Part II. New trends in dubbing research and practice
- Chapter 5. Audiovisual translation in the age of digital transformation 103
- Chapter 6. Are we all together across languages? 125
- Chapter 7. Fandubbing across time and space 145
- Chapter 8. To Europe with love 169
-
Part III. The linguistics of dubbing
- Chapter 9. More than words can say 191
- Chapter 10. Representing orality through questions in original and translated film dialogue 211
- Chapter 11. English films vs Italian films 229
-
Part IV. Identity construction in dubbing
- Chapter 12. Sleeping with the fishes 245
- Chapter 13. Constructing youth identities in dubbed movies 263
- General Index 281
- Name Index 283