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Chapter 8. To Europe with love

Woody Allen’s liquid society
  • Delia Chiaro
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Reassessing Dubbing
This chapter is in the book Reassessing Dubbing

Abstract

Between 2008 and 2012, Woody Allen directed three films that have come to be known as his “European trilogy”, namely Vicky Cristina Barcelona (2008), Midnight in Paris (2011) and To Rome with Love (2012). Each storyline involves the temporary relocation of one or more north-American protagonists to the European city in the title, in which, as well as complicated trysts, we find displaced characters who undergo a great deal of culture shock as they clash and merge with the experiences of a foreign locale and, of course, a different language. This chapter will examine the trilogy from the perspective of Allen’s technical recreation of lingua-cultural otherness in his non-American characters in the original version of each film.

Abstract

Between 2008 and 2012, Woody Allen directed three films that have come to be known as his “European trilogy”, namely Vicky Cristina Barcelona (2008), Midnight in Paris (2011) and To Rome with Love (2012). Each storyline involves the temporary relocation of one or more north-American protagonists to the European city in the title, in which, as well as complicated trysts, we find displaced characters who undergo a great deal of culture shock as they clash and merge with the experiences of a foreign locale and, of course, a different language. This chapter will examine the trilogy from the perspective of Allen’s technical recreation of lingua-cultural otherness in his non-American characters in the original version of each film.

Chapters in this book

  1. Prelim pages i
  2. Table of contents v
  3. The dubbing revolution 1
  4. Part I. Historical approaches
  5. Chapter 1. Undoing dubbing 17
  6. Chapter 2. When the Thief of Bagdad tried to steal the show 41
  7. Chapter 3. Locked into dubbing 63
  8. Chapter 4. Auteur dubbing 79
  9. Part II. New trends in dubbing research and practice
  10. Chapter 5. Audiovisual translation in the age of digital transformation 103
  11. Chapter 6. Are we all together across languages? 125
  12. Chapter 7. Fandubbing across time and space 145
  13. Chapter 8. To Europe with love 169
  14. Part III. The linguistics of dubbing
  15. Chapter 9. More than words can say 191
  16. Chapter 10. Representing orality through questions in original and translated film dialogue 211
  17. Chapter 11. English films vs Italian films 229
  18. Part IV. Identity construction in dubbing
  19. Chapter 12. Sleeping with the fishes 245
  20. Chapter 13. Constructing youth identities in dubbed movies 263
  21. General Index 281
  22. Name Index 283
https://doi.org/10.1075/btl.148.08chi

Chapters in this book

  1. Prelim pages i
  2. Table of contents v
  3. The dubbing revolution 1
  4. Part I. Historical approaches
  5. Chapter 1. Undoing dubbing 17
  6. Chapter 2. When the Thief of Bagdad tried to steal the show 41
  7. Chapter 3. Locked into dubbing 63
  8. Chapter 4. Auteur dubbing 79
  9. Part II. New trends in dubbing research and practice
  10. Chapter 5. Audiovisual translation in the age of digital transformation 103
  11. Chapter 6. Are we all together across languages? 125
  12. Chapter 7. Fandubbing across time and space 145
  13. Chapter 8. To Europe with love 169
  14. Part III. The linguistics of dubbing
  15. Chapter 9. More than words can say 191
  16. Chapter 10. Representing orality through questions in original and translated film dialogue 211
  17. Chapter 11. English films vs Italian films 229
  18. Part IV. Identity construction in dubbing
  19. Chapter 12. Sleeping with the fishes 245
  20. Chapter 13. Constructing youth identities in dubbed movies 263
  21. General Index 281
  22. Name Index 283
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