28 Leslie Marmon Silko (1948–)
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Kerstin Knopf
Abstract
This article engages with two seminal short stories by Leslie Marmon Silko, “Yellow Woman” and “Storyteller.” It introduces Silko as a writer deeply embedded in the oral traditions, cultures, and landscapes of the Laguna Pueblo people. After briefly discussing the two editions of the book Storyteller that contains the stories, the article provides an overview over the Kochininako stories about Yellow Woman being abducted by a male spiritual being and sacrificing herself for the good of her people, or returning to the community. The analysis brings to the fore the beauty and richness of the story that is steeped in cultural lore, the land and its stories. Silko’s short stay in Alaska has inspired her to write “Storyteller,” a story narrating on three different levels, bringing alive oral traditions and connecting them with Western literary tradition. This text tells of a young Yupik woman who takes revenge upon the store clerk who killed her parents, ingeniously protecting herself against settler colonial law through Yupik knowledge and studying the land and river as the white intruders will never do. This story, on the realistic and symbolic level, engages with the onslaught of settler colonialism and violence perpetuated against Indigenous life, land, and knowledge. Finally, the article summarizes and evaluates theoretical approaches to Silko’s influential and distinguished work.
Abstract
This article engages with two seminal short stories by Leslie Marmon Silko, “Yellow Woman” and “Storyteller.” It introduces Silko as a writer deeply embedded in the oral traditions, cultures, and landscapes of the Laguna Pueblo people. After briefly discussing the two editions of the book Storyteller that contains the stories, the article provides an overview over the Kochininako stories about Yellow Woman being abducted by a male spiritual being and sacrificing herself for the good of her people, or returning to the community. The analysis brings to the fore the beauty and richness of the story that is steeped in cultural lore, the land and its stories. Silko’s short stay in Alaska has inspired her to write “Storyteller,” a story narrating on three different levels, bringing alive oral traditions and connecting them with Western literary tradition. This text tells of a young Yupik woman who takes revenge upon the store clerk who killed her parents, ingeniously protecting herself against settler colonial law through Yupik knowledge and studying the land and river as the white intruders will never do. This story, on the realistic and symbolic level, engages with the onslaught of settler colonialism and violence perpetuated against Indigenous life, land, and knowledge. Finally, the article summarizes and evaluates theoretical approaches to Silko’s influential and distinguished work.
Kapitel in diesem Buch
- Frontmatter I
- Editors’ Preface V
- Contents VII
- 0 Introduction: The American Short Story – Past and Present 1
-
Part I: Systematic Questions
- 1 Of Sketches, Tales, and Stories: Theoretical Reflections on the Genre of the Short Story 19
- 2 Canon Formation and the American Short Story 39
- 3 Current Approaches to the American Short Story 55
- 4 Textual Materiality, Magazine Culture, and the American Short Story 73
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Part II: Close Readings
- 5 Washington Irving (1783–1859) 103
- 6 Nathaniel Hawthorne (1804–1864) 119
- 7 Edgar Allan Poe (1809–1849) 133
- 8 Herman Melville (1819–1891) 153
- 9 Mark Twain (Samuel L. Clemens, 1835–1910) 171
- 10 Charles W. Chesnutt (1858–1932) 197
- 11 Kate Chopin (1850–1904) 209
- 12 Henry James (1843–1916) 227
- 13 Jack London (1876–1916) 249
- 14 Zitkala-Ša (1876–1938) 269
- 15 Sherwood Anderson (1876–1941) 289
- 16 Ernest Hemingway (1899–1961) 305
- 17 Zora Neale Hurston (1891–1960) 319
- 18 William Faulkner (1897–1962) 343
- 19 Flannery O’Connor (1925–1964) 361
- 20 James Baldwin (1924–1987) 385
- 21 Shirley Jackson (1916–1965) 403
- 22 Bernard Malamud (1914–1986) 425
- 23 Grace Paley (1922–2007) 445
- 24 Donald Barthelme (1931–1989) 461
- 25 Tim O’Brien (1946–) 477
- 26 Raymond Carver (1938–1988) 493
- 27 Alice Walker (1944–) 513
- 28 Leslie Marmon Silko (1948–) 533
- 29 Sandra Cisneros (1954–) 555
- 30 Louise Erdrich (1954–) 573
- 31 Lydia Davis (1947–) 593
- 32 George Saunders (1958–) 613
- 33 Junot Díaz (1968–) 627
- 34 Yiyun Li (1972–) 643
- 35 N.K. Jemisin (1972–) 661
- Index of Names 683
- Index of Subjects 691
- List of Contributors 699
Kapitel in diesem Buch
- Frontmatter I
- Editors’ Preface V
- Contents VII
- 0 Introduction: The American Short Story – Past and Present 1
-
Part I: Systematic Questions
- 1 Of Sketches, Tales, and Stories: Theoretical Reflections on the Genre of the Short Story 19
- 2 Canon Formation and the American Short Story 39
- 3 Current Approaches to the American Short Story 55
- 4 Textual Materiality, Magazine Culture, and the American Short Story 73
-
Part II: Close Readings
- 5 Washington Irving (1783–1859) 103
- 6 Nathaniel Hawthorne (1804–1864) 119
- 7 Edgar Allan Poe (1809–1849) 133
- 8 Herman Melville (1819–1891) 153
- 9 Mark Twain (Samuel L. Clemens, 1835–1910) 171
- 10 Charles W. Chesnutt (1858–1932) 197
- 11 Kate Chopin (1850–1904) 209
- 12 Henry James (1843–1916) 227
- 13 Jack London (1876–1916) 249
- 14 Zitkala-Ša (1876–1938) 269
- 15 Sherwood Anderson (1876–1941) 289
- 16 Ernest Hemingway (1899–1961) 305
- 17 Zora Neale Hurston (1891–1960) 319
- 18 William Faulkner (1897–1962) 343
- 19 Flannery O’Connor (1925–1964) 361
- 20 James Baldwin (1924–1987) 385
- 21 Shirley Jackson (1916–1965) 403
- 22 Bernard Malamud (1914–1986) 425
- 23 Grace Paley (1922–2007) 445
- 24 Donald Barthelme (1931–1989) 461
- 25 Tim O’Brien (1946–) 477
- 26 Raymond Carver (1938–1988) 493
- 27 Alice Walker (1944–) 513
- 28 Leslie Marmon Silko (1948–) 533
- 29 Sandra Cisneros (1954–) 555
- 30 Louise Erdrich (1954–) 573
- 31 Lydia Davis (1947–) 593
- 32 George Saunders (1958–) 613
- 33 Junot Díaz (1968–) 627
- 34 Yiyun Li (1972–) 643
- 35 N.K. Jemisin (1972–) 661
- Index of Names 683
- Index of Subjects 691
- List of Contributors 699