21 Shirley Jackson (1916–1965)
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Michael Grimwood
Abstract
Shirley Jackson’s signature story “The Lottery” (1948) anticipates the agoraphobia that later immobilized her. “Biography of a Story” (1960), in which she recounts the origins of that story, replicates its basic plot. She may have written “The Lottery” partly in response to the New England tradition of town meeting, perhaps one meeting in particular, and under the influence of the Congressional anti-Communist investigations of the late 1940s. Its narrative structure relies upon an ironic management of information. The reader’s position both inside and outside the narrative point of view accentuates the story’s focus upon the benefits and liabilities of membership. Game theory illuminates the lottery’s capacity to generate communal solidarity. Public-sphere theory affords further insight into the lottery’s social functionality. Girard’s attribution of the origins of culture to ritual sacrifice can also advance understanding of the story’s meaning. The rollcall that occupies the central third of the story may be as significant as the story’s surprise ending. “Biography” revises “The Lottery” as a “scene of circulation” that imagines the entrance of writers and readers into the communal space of publication as trauma.
Abstract
Shirley Jackson’s signature story “The Lottery” (1948) anticipates the agoraphobia that later immobilized her. “Biography of a Story” (1960), in which she recounts the origins of that story, replicates its basic plot. She may have written “The Lottery” partly in response to the New England tradition of town meeting, perhaps one meeting in particular, and under the influence of the Congressional anti-Communist investigations of the late 1940s. Its narrative structure relies upon an ironic management of information. The reader’s position both inside and outside the narrative point of view accentuates the story’s focus upon the benefits and liabilities of membership. Game theory illuminates the lottery’s capacity to generate communal solidarity. Public-sphere theory affords further insight into the lottery’s social functionality. Girard’s attribution of the origins of culture to ritual sacrifice can also advance understanding of the story’s meaning. The rollcall that occupies the central third of the story may be as significant as the story’s surprise ending. “Biography” revises “The Lottery” as a “scene of circulation” that imagines the entrance of writers and readers into the communal space of publication as trauma.
Kapitel in diesem Buch
- Frontmatter I
- Editors’ Preface V
- Contents VII
- 0 Introduction: The American Short Story – Past and Present 1
-
Part I: Systematic Questions
- 1 Of Sketches, Tales, and Stories: Theoretical Reflections on the Genre of the Short Story 19
- 2 Canon Formation and the American Short Story 39
- 3 Current Approaches to the American Short Story 55
- 4 Textual Materiality, Magazine Culture, and the American Short Story 73
-
Part II: Close Readings
- 5 Washington Irving (1783–1859) 103
- 6 Nathaniel Hawthorne (1804–1864) 119
- 7 Edgar Allan Poe (1809–1849) 133
- 8 Herman Melville (1819–1891) 153
- 9 Mark Twain (Samuel L. Clemens, 1835–1910) 171
- 10 Charles W. Chesnutt (1858–1932) 197
- 11 Kate Chopin (1850–1904) 209
- 12 Henry James (1843–1916) 227
- 13 Jack London (1876–1916) 249
- 14 Zitkala-Ša (1876–1938) 269
- 15 Sherwood Anderson (1876–1941) 289
- 16 Ernest Hemingway (1899–1961) 305
- 17 Zora Neale Hurston (1891–1960) 319
- 18 William Faulkner (1897–1962) 343
- 19 Flannery O’Connor (1925–1964) 361
- 20 James Baldwin (1924–1987) 385
- 21 Shirley Jackson (1916–1965) 403
- 22 Bernard Malamud (1914–1986) 425
- 23 Grace Paley (1922–2007) 445
- 24 Donald Barthelme (1931–1989) 461
- 25 Tim O’Brien (1946–) 477
- 26 Raymond Carver (1938–1988) 493
- 27 Alice Walker (1944–) 513
- 28 Leslie Marmon Silko (1948–) 533
- 29 Sandra Cisneros (1954–) 555
- 30 Louise Erdrich (1954–) 573
- 31 Lydia Davis (1947–) 593
- 32 George Saunders (1958–) 613
- 33 Junot Díaz (1968–) 627
- 34 Yiyun Li (1972–) 643
- 35 N.K. Jemisin (1972–) 661
- Index of Names 683
- Index of Subjects 691
- List of Contributors 699
Kapitel in diesem Buch
- Frontmatter I
- Editors’ Preface V
- Contents VII
- 0 Introduction: The American Short Story – Past and Present 1
-
Part I: Systematic Questions
- 1 Of Sketches, Tales, and Stories: Theoretical Reflections on the Genre of the Short Story 19
- 2 Canon Formation and the American Short Story 39
- 3 Current Approaches to the American Short Story 55
- 4 Textual Materiality, Magazine Culture, and the American Short Story 73
-
Part II: Close Readings
- 5 Washington Irving (1783–1859) 103
- 6 Nathaniel Hawthorne (1804–1864) 119
- 7 Edgar Allan Poe (1809–1849) 133
- 8 Herman Melville (1819–1891) 153
- 9 Mark Twain (Samuel L. Clemens, 1835–1910) 171
- 10 Charles W. Chesnutt (1858–1932) 197
- 11 Kate Chopin (1850–1904) 209
- 12 Henry James (1843–1916) 227
- 13 Jack London (1876–1916) 249
- 14 Zitkala-Ša (1876–1938) 269
- 15 Sherwood Anderson (1876–1941) 289
- 16 Ernest Hemingway (1899–1961) 305
- 17 Zora Neale Hurston (1891–1960) 319
- 18 William Faulkner (1897–1962) 343
- 19 Flannery O’Connor (1925–1964) 361
- 20 James Baldwin (1924–1987) 385
- 21 Shirley Jackson (1916–1965) 403
- 22 Bernard Malamud (1914–1986) 425
- 23 Grace Paley (1922–2007) 445
- 24 Donald Barthelme (1931–1989) 461
- 25 Tim O’Brien (1946–) 477
- 26 Raymond Carver (1938–1988) 493
- 27 Alice Walker (1944–) 513
- 28 Leslie Marmon Silko (1948–) 533
- 29 Sandra Cisneros (1954–) 555
- 30 Louise Erdrich (1954–) 573
- 31 Lydia Davis (1947–) 593
- 32 George Saunders (1958–) 613
- 33 Junot Díaz (1968–) 627
- 34 Yiyun Li (1972–) 643
- 35 N.K. Jemisin (1972–) 661
- Index of Names 683
- Index of Subjects 691
- List of Contributors 699
