Startseite Literaturwissenschaften 19 Flannery O’Connor (1925–1964)
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19 Flannery O’Connor (1925–1964)

  • Mark S. Graybill
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Handbook of the American Short Story
Ein Kapitel aus dem Buch Handbook of the American Short Story

Abstract

Flannery O’Connor’s short fiction is generally regarded as “southern grotesque,” a label she encouraged. This essay explains the term as used by O’Connor and other theorists and extends its meaning via O’Connor’s notion (borrowed from Thomas Mann) that the “grotesque is the true anti-bourgeois style.” This idea makes her stories, particularly “Good Country People” and “A View of the Woods,” interpretable as critiques of philistinism, and further suggests intertextual connections with the work of Vladimir Nabokov, whom she named as a possible influence. The tales also suggest the promise and peril of applying disabilities studies and ecocritical perspectives to O’Connor’s work.

Abstract

Flannery O’Connor’s short fiction is generally regarded as “southern grotesque,” a label she encouraged. This essay explains the term as used by O’Connor and other theorists and extends its meaning via O’Connor’s notion (borrowed from Thomas Mann) that the “grotesque is the true anti-bourgeois style.” This idea makes her stories, particularly “Good Country People” and “A View of the Woods,” interpretable as critiques of philistinism, and further suggests intertextual connections with the work of Vladimir Nabokov, whom she named as a possible influence. The tales also suggest the promise and peril of applying disabilities studies and ecocritical perspectives to O’Connor’s work.

Kapitel in diesem Buch

  1. Frontmatter I
  2. Editors’ Preface V
  3. Contents VII
  4. 0 Introduction: The American Short Story – Past and Present 1
  5. Part I: Systematic Questions
  6. 1 Of Sketches, Tales, and Stories: Theoretical Reflections on the Genre of the Short Story 19
  7. 2 Canon Formation and the American Short Story 39
  8. 3 Current Approaches to the American Short Story 55
  9. 4 Textual Materiality, Magazine Culture, and the American Short Story 73
  10. Part II: Close Readings
  11. 5 Washington Irving (1783–1859) 103
  12. 6 Nathaniel Hawthorne (1804–1864) 119
  13. 7 Edgar Allan Poe (1809–1849) 133
  14. 8 Herman Melville (1819–1891) 153
  15. 9 Mark Twain (Samuel L. Clemens, 1835–1910) 171
  16. 10 Charles W. Chesnutt (1858–1932) 197
  17. 11 Kate Chopin (1850–1904) 209
  18. 12 Henry James (1843–1916) 227
  19. 13 Jack London (1876–1916) 249
  20. 14 Zitkala-Ša (1876–1938) 269
  21. 15 Sherwood Anderson (1876–1941) 289
  22. 16 Ernest Hemingway (1899–1961) 305
  23. 17 Zora Neale Hurston (1891–1960) 319
  24. 18 William Faulkner (1897–1962) 343
  25. 19 Flannery O’Connor (1925–1964) 361
  26. 20 James Baldwin (1924–1987) 385
  27. 21 Shirley Jackson (1916–1965) 403
  28. 22 Bernard Malamud (1914–1986) 425
  29. 23 Grace Paley (1922–2007) 445
  30. 24 Donald Barthelme (1931–1989) 461
  31. 25 Tim O’Brien (1946–) 477
  32. 26 Raymond Carver (1938–1988) 493
  33. 27 Alice Walker (1944–) 513
  34. 28 Leslie Marmon Silko (1948–) 533
  35. 29 Sandra Cisneros (1954–) 555
  36. 30 Louise Erdrich (1954–) 573
  37. 31 Lydia Davis (1947–) 593
  38. 32 George Saunders (1958–) 613
  39. 33 Junot Díaz (1968–) 627
  40. 34 Yiyun Li (1972–) 643
  41. 35 N.K. Jemisin (1972–) 661
  42. Index of Names 683
  43. Index of Subjects 691
  44. List of Contributors 699
https://doi.org/10.1515/9783110587647-020

Kapitel in diesem Buch

  1. Frontmatter I
  2. Editors’ Preface V
  3. Contents VII
  4. 0 Introduction: The American Short Story – Past and Present 1
  5. Part I: Systematic Questions
  6. 1 Of Sketches, Tales, and Stories: Theoretical Reflections on the Genre of the Short Story 19
  7. 2 Canon Formation and the American Short Story 39
  8. 3 Current Approaches to the American Short Story 55
  9. 4 Textual Materiality, Magazine Culture, and the American Short Story 73
  10. Part II: Close Readings
  11. 5 Washington Irving (1783–1859) 103
  12. 6 Nathaniel Hawthorne (1804–1864) 119
  13. 7 Edgar Allan Poe (1809–1849) 133
  14. 8 Herman Melville (1819–1891) 153
  15. 9 Mark Twain (Samuel L. Clemens, 1835–1910) 171
  16. 10 Charles W. Chesnutt (1858–1932) 197
  17. 11 Kate Chopin (1850–1904) 209
  18. 12 Henry James (1843–1916) 227
  19. 13 Jack London (1876–1916) 249
  20. 14 Zitkala-Ša (1876–1938) 269
  21. 15 Sherwood Anderson (1876–1941) 289
  22. 16 Ernest Hemingway (1899–1961) 305
  23. 17 Zora Neale Hurston (1891–1960) 319
  24. 18 William Faulkner (1897–1962) 343
  25. 19 Flannery O’Connor (1925–1964) 361
  26. 20 James Baldwin (1924–1987) 385
  27. 21 Shirley Jackson (1916–1965) 403
  28. 22 Bernard Malamud (1914–1986) 425
  29. 23 Grace Paley (1922–2007) 445
  30. 24 Donald Barthelme (1931–1989) 461
  31. 25 Tim O’Brien (1946–) 477
  32. 26 Raymond Carver (1938–1988) 493
  33. 27 Alice Walker (1944–) 513
  34. 28 Leslie Marmon Silko (1948–) 533
  35. 29 Sandra Cisneros (1954–) 555
  36. 30 Louise Erdrich (1954–) 573
  37. 31 Lydia Davis (1947–) 593
  38. 32 George Saunders (1958–) 613
  39. 33 Junot Díaz (1968–) 627
  40. 34 Yiyun Li (1972–) 643
  41. 35 N.K. Jemisin (1972–) 661
  42. Index of Names 683
  43. Index of Subjects 691
  44. List of Contributors 699
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Heruntergeladen am 25.1.2026 von https://www.degruyterbrill.com/document/doi/10.1515/9783110587647-020/html
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