Home Linguistics & Semiotics Chapter 3. Bartolomé de Las Casas’ Breve Relación de la Destrucción de Las Indias ( Brief Account of the Destruction of the Indies ) (1552) in translation
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Chapter 3. Bartolomé de Las Casas’ Breve Relación de la Destrucción de Las Indias ( Brief Account of the Destruction of the Indies ) (1552) in translation

The politics of linguistic and cultural appropriation
  • Helen Rawlings
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Key Cultural Texts in Translation
This chapter is in the book Key Cultural Texts in Translation

Abstract

Brief Account of the Destruction of the Indies (1542), written by a Spanish Dominican friar, was among the most controversial texts of the sixteenth century. It aimed to expose atrocities committed by Spanish conquistadors against the native population of the New World and prompt a review of the abuse of human rights. Spain’s Protestant enemies adapted it in translation into the so-called “Black Legend” of Spain as a colonial power, through which future generations would view Spain for centuries. A close reading of English, French and Dutch editions demonstrates how it was further misappropriated by Protestant powers to validate their own, similar, ambitions in the sixteenth and seventeenth centuries as inverse images of those of their common enemy, Catholic Spain.

Abstract

Brief Account of the Destruction of the Indies (1542), written by a Spanish Dominican friar, was among the most controversial texts of the sixteenth century. It aimed to expose atrocities committed by Spanish conquistadors against the native population of the New World and prompt a review of the abuse of human rights. Spain’s Protestant enemies adapted it in translation into the so-called “Black Legend” of Spain as a colonial power, through which future generations would view Spain for centuries. A close reading of English, French and Dutch editions demonstrates how it was further misappropriated by Protestant powers to validate their own, similar, ambitions in the sixteenth and seventeenth centuries as inverse images of those of their common enemy, Catholic Spain.

Chapters in this book

  1. Prelim pages i
  2. Table of contents vii
  3. About the contributors xi
  4. Introduction 1
  5. Part I. Gender and identity
  6. Chapter 1. Genos , sex, gender and genre 9
  7. Chapter 2. Dancing through the waves of feminism 25
  8. Part II. Texts and politics
  9. Chapter 3. Bartolomé de Las Casas’ Breve Relación de la Destrucción de Las Indias ( Brief Account of the Destruction of the Indies ) (1552) in translation 37
  10. Chapter 4. Have English translations of Wagner’s Ring of the Nibelung , an icon of German culture, been affected by the changing relationship between Germany and Britain in the twentieth century? 53
  11. Chapter 5. Communicating change 79
  12. Part III. Texts and places
  13. Chapter 6. Lithuanian literature in English 95
  14. Chapter 7. Woest of wild 115
  15. Chapter 8. Polish dance in Eugene Onegin 131
  16. Part IV. Occident and Orient
  17. Chapter 9. The image of H. C. Andersen’s tales in China (1909–1925) 153
  18. Chapter 10. The cultural transformation of classical Chinese poetry in translation into English 171
  19. Chapter 11. The immigration of key cultural icons 185
  20. Chapter 12. Reproduction and reception of the concepts of Confucianism, Buddhism and polygamy 203
  21. Part V. Translating philosophy
  22. Chapter 13. Hegel’s Phenomenology 221
  23. Chapter 14. Adorno refracted 235
  24. Part VI. Text types
  25. Chapter 15. Construction of a cultural narrative through translation 257
  26. Chapter 16. Cultural satirical features in translation 275
  27. Chapter 17. Alterity, orality and performance in Bible translation 299
  28. Index of concepts 315
  29. Index of names 319
https://doi.org/10.1075/btl.140.03raw

Chapters in this book

  1. Prelim pages i
  2. Table of contents vii
  3. About the contributors xi
  4. Introduction 1
  5. Part I. Gender and identity
  6. Chapter 1. Genos , sex, gender and genre 9
  7. Chapter 2. Dancing through the waves of feminism 25
  8. Part II. Texts and politics
  9. Chapter 3. Bartolomé de Las Casas’ Breve Relación de la Destrucción de Las Indias ( Brief Account of the Destruction of the Indies ) (1552) in translation 37
  10. Chapter 4. Have English translations of Wagner’s Ring of the Nibelung , an icon of German culture, been affected by the changing relationship between Germany and Britain in the twentieth century? 53
  11. Chapter 5. Communicating change 79
  12. Part III. Texts and places
  13. Chapter 6. Lithuanian literature in English 95
  14. Chapter 7. Woest of wild 115
  15. Chapter 8. Polish dance in Eugene Onegin 131
  16. Part IV. Occident and Orient
  17. Chapter 9. The image of H. C. Andersen’s tales in China (1909–1925) 153
  18. Chapter 10. The cultural transformation of classical Chinese poetry in translation into English 171
  19. Chapter 11. The immigration of key cultural icons 185
  20. Chapter 12. Reproduction and reception of the concepts of Confucianism, Buddhism and polygamy 203
  21. Part V. Translating philosophy
  22. Chapter 13. Hegel’s Phenomenology 221
  23. Chapter 14. Adorno refracted 235
  24. Part VI. Text types
  25. Chapter 15. Construction of a cultural narrative through translation 257
  26. Chapter 16. Cultural satirical features in translation 275
  27. Chapter 17. Alterity, orality and performance in Bible translation 299
  28. Index of concepts 315
  29. Index of names 319
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