Book
Open Access
Comics Studies x Gender Studies
Schnittmengen von Forschung, Lehre und Praxis – Intersections of Research, Teaching, and Practice
-
Edited by:
Marina Rauchenbacher
, Katharina Serles and Naomi Sarah Lobnig -
Funded by:
Österreichischer Wissenschaftsfonds FWF
Languages:
German, English
Published/Copyright:
2025
About this book
"x" stands for intersection(s) and multiplication, as comic studies and gender studies complement each other productively. This alternative reader provides a compact anthology of artistic, didactic and pedagogial, academic, and (artistic) essayistic / student perspectives on intersectional categories and also illustrates the connection between research, teaching, and practice.
Author / Editor information
Marina Rauchenbacher, University of Vienna, Austria; Katharina Serles, University of Vienna, Austria.
Topics
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Frontmatter
I -
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Inhaltsverzeichnis / Table of Contents
V - Vorspann / Prefix
- Wieso dieses Buch? / Why This Book?
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Thinking and Inking
1 -
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Comics Studies x Gender Studies: Schnittmengen von Forschung, Lehre und Praxis / Intersections of Research, Teaching, and Practice
5 -
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Karl-Marx-Allee
17 - Wieso Comics im Unterricht? / Why Comics in the Classroom?
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Comics-Specific Graphic Sketchnoting as a Condensed Textual and Pictorial Representation of Lectures and Texts
21 -
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Comics and Critical Thinking: Intersections with Intersectionality in Comics Pedagogy
23 -
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Ich sehe was, was du nicht siehst oder: Wer sieht hier wen? LIGHTfaden für BILDERmacher_innen
37 - Comic-spezifische Grundlagen / Comics-Specific Fundamentals
- Wieso Erzählen? / Why Narration?
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Observe, Write, Draw, Repeat
49 -
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„In flux“: Gender-Narratologie und feministischer Posthumanismus in der Comicanalyse
51 -
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Heldinnenreise
65 - Wieso Intermedialität? / Why Intermediality?
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Scrapbook This!
74 -
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Comics, Intermediality, Remediation, and Gender: Subversive Strategies in The Diary of a Teenage Girl
77 -
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2020: Phänomen
88 - Wieso Superheld*innen? / Why Superheroes?
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Cars and Batmen
98 -
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Crafting Marvelous Men: Captain America, Enacting Masculinity, and the Marvel Method
101 -
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Women on Boards: The Superheroes of Tomorrow?
113 - Wieso Kunst? / Why Art?
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Bilder lesen: Anke Feuchtenbergers Das Lachen der Medusa
120 -
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Körper, Kunst und Kanon: (Queer-)feministische Bildermächtigungen in Comics
123 -
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Schön sein
140 - Wieso Witz? / Why Humor?
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Make Yourself a Cliché
152 -
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Why Humor?
155 -
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Babyelefanten-Manifest
167 - Wieso Autographics? / Why Autographics?
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The Autobiographical Self: Gender and Collage
176 -
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Autobiographical Graphic Narratives: Writing the Self and Drawing History in Nora Krug
179 -
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Queer(ing) Autographics
197 - Wieso feministischer Aktivismus? / Why Feminist Activism?
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“Cupcakes Are the Enemy of Feminism”: Making Zines with Rachael House
204 -
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Feminist Activist Comics
207 -
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Dildos, Dykes und Doing It: Die Hand als ultimativer lesbischer Dildo in Alison Bechdels Handling It
219 - Intersektionalitäten / Intersectionalities
- Wieso Race? / Why Race?
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Break the Stereotype
230 -
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„Who did your hair?“ Zur Verhandlung rassifizierter Körperund Schönheitsdiskurse in Ebony Flowers’ Hot Comb
233 -
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Wie heißt du eigentlich?
251 - Wieso Queer? / Why Queer?
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maschinen-lesbar
256 -
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Queere Beziehungsweisen in Küsse für Jet und abfackeln
259 -
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Boxes
275 -
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Detransition
278 - Wieso Alter? / Why Age?
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Spiraling Thoughts?
284 -
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Alter, Demenz, Körperlichkeit: Gender und Sorgearbeit im Comic
287 -
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Alternative Betrachtungsweisen des alternden Körpers in Lika Nüsslis Vergiss dich nicht
301 - Wieso Klasse? / Why Class?
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The Case for Drawing Monsters!
312 -
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Fantastillionen und arme Schlucker: Ein Essay über Gender, Begehren und soziale Klasse in Entenhausen
315 -
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190522
328 - Wieso Krankheit? / Why Illness?
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Das Interview als Comic
339 -
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Psyche zeigen: Comics über Essstörungen
341 -
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Reflections on Maternal Health Care
357 - Nachspann / Credits
- Wieso Zusatzinformationen? / Why Additional Information?
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Beiträger*innen / List of Contributors
369 -
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Personenregister / Index of Persons
375 -
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Sachregister
382 -
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Index of Subjects
393
Publishing information
Pages and Images/Illustrations in book
eBook published on:
October 1, 2025
eBook ISBN:
9783110775754
Hardcover published on:
October 1, 2025
Hardcover ISBN:
9783110775686
Edition:
zahlr. teils farbige ABb.
Pages and Images/Illustrations in book
Front matter:
12
Main content:
400
Illustrations:
77
Coloured Illustrations:
66
Audience(s) for this book
Scholars, teachers, and students in the fields of comics, gender and cultural studies; cultural mediators; comics artists
Creative Commons
BY-NC-ND 4.0
Safety & product resources
-
Manufacturer information:
Walter de Gruyter GmbH
Genthiner Straße 13
10785 Berlin
productsafety@degruyterbrill.com