Startseite Linguistik & Semiotik 13. Subtitling and dubbing in telecinematic text
Kapitel
Lizenziert
Nicht lizenziert Erfordert eine Authentifizierung

13. Subtitling and dubbing in telecinematic text

  • Marie-Noëlle Guillot
Veröffentlichen auch Sie bei De Gruyter Brill
Erkunden Sie dieses Fachgebiet So veröffentlichen Sie bei uns
Pragmatics of Fiction
Ein Kapitel aus dem Buch Pragmatics of Fiction

Abstract

This contribution focuses on audiovisual translation (AVT) and the relatively neglected domain of subtitling and dubbing in telecinematic text from a pragmatic perspective, in effect cross-cultural by dint of the interlingual transfer involved. AVT language is fictional language, with the additional twist of mediating text and meaning across languages and cultures in a multimodal context in which source and target remain intertextually linked. The chapter provides an overview of the main aspects involved in engaging with AVT from this perspective, and of the two main domains in which pragmatics has been represented within it: narrative aspects and characterization, and communicative practices in their interlingual representations. Audience design, stance, voice, versimilitude are key features for AVT in the pragmatics of its fiction, as in fiction in general. They are uniquely modulated in AVT by the idiosyncratic features of translation modalities, in ways which are yet to be fully mapped out.

Abstract

This contribution focuses on audiovisual translation (AVT) and the relatively neglected domain of subtitling and dubbing in telecinematic text from a pragmatic perspective, in effect cross-cultural by dint of the interlingual transfer involved. AVT language is fictional language, with the additional twist of mediating text and meaning across languages and cultures in a multimodal context in which source and target remain intertextually linked. The chapter provides an overview of the main aspects involved in engaging with AVT from this perspective, and of the two main domains in which pragmatics has been represented within it: narrative aspects and characterization, and communicative practices in their interlingual representations. Audience design, stance, voice, versimilitude are key features for AVT in the pragmatics of its fiction, as in fiction in general. They are uniquely modulated in AVT by the idiosyncratic features of translation modalities, in ways which are yet to be fully mapped out.

Kapitel in diesem Buch

  1. Frontmatter i
  2. Preface to the handbook series v
  3. Preface ix
  4. Table of contents xi
  5. 1. Introducing Pragmatics of Fiction: Approaches, trends and developments 1
  6. I. Pragmatics of fiction as communication: Foundations
  7. 2. Participation structure in fictional discourse: Authors, scriptwriters, audiences and characters 25
  8. 3. The pragmatics of the genres of fiction 55
  9. 4. Fictional characterisation 93
  10. 5. The role of dialogue in fiction 129
  11. 6. Narrative perspectives on voice in fiction 159
  12. 7. Pragmatics of style in fiction 197
  13. II. Features of orality and variation
  14. 8. Oral features in fiction 235
  15. 9. Doing dialects in dialogues: Regional, social and ethnic variation in fiction 265
  16. 10. Multilingualism in fiction 297
  17. 11. The pragmatics of estrangement in fantasy and science fiction 329
  18. III. Pragmatic themes in fiction
  19. 12. Pragmatics and the translation of fiction 367
  20. 13. Subtitling and dubbing in telecinematic text 397
  21. 14. (Im)politeness in fiction 425
  22. 15. (Im)politeness and telecinematic discourse 455
  23. 16. Stance in fiction 489
  24. 17. Language and emotion in fiction 515
  25. 18. Language change and fiction 553
  26. Bionotes 585
  27. Index of authors of scholarly work 591
  28. Index of authors of fictional work 603
  29. Index of fictional sources 605
  30. Subject index 609
https://doi.org/10.1515/9783110431094-013

Kapitel in diesem Buch

  1. Frontmatter i
  2. Preface to the handbook series v
  3. Preface ix
  4. Table of contents xi
  5. 1. Introducing Pragmatics of Fiction: Approaches, trends and developments 1
  6. I. Pragmatics of fiction as communication: Foundations
  7. 2. Participation structure in fictional discourse: Authors, scriptwriters, audiences and characters 25
  8. 3. The pragmatics of the genres of fiction 55
  9. 4. Fictional characterisation 93
  10. 5. The role of dialogue in fiction 129
  11. 6. Narrative perspectives on voice in fiction 159
  12. 7. Pragmatics of style in fiction 197
  13. II. Features of orality and variation
  14. 8. Oral features in fiction 235
  15. 9. Doing dialects in dialogues: Regional, social and ethnic variation in fiction 265
  16. 10. Multilingualism in fiction 297
  17. 11. The pragmatics of estrangement in fantasy and science fiction 329
  18. III. Pragmatic themes in fiction
  19. 12. Pragmatics and the translation of fiction 367
  20. 13. Subtitling and dubbing in telecinematic text 397
  21. 14. (Im)politeness in fiction 425
  22. 15. (Im)politeness and telecinematic discourse 455
  23. 16. Stance in fiction 489
  24. 17. Language and emotion in fiction 515
  25. 18. Language change and fiction 553
  26. Bionotes 585
  27. Index of authors of scholarly work 591
  28. Index of authors of fictional work 603
  29. Index of fictional sources 605
  30. Subject index 609
Jetzt anmelden und 20% sparen
Institutioneller Zugang
Wie funktioniert Authentifizierung?
Haben Sie eine Idee, wie wir unsere Website verbessern können?
Bitte schreiben Sie uns.
© 2025 De Gruyter Brill
Heruntergeladen am 10.12.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9783110431094-013/html?lang=de
Button zum nach oben scrollen