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17. Language and emotion in fiction

  • Andreas Langlotz
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Pragmatics of Fiction
This chapter is in the book Pragmatics of Fiction

Abstract

Starting from a working definition of emotion, this chapter engages with the special ‘nature’ of emotions in fiction. It outlines the repertoire of verbal and non-verbal cues along which emotional utterances are patterned in literary and telecinematic fictional discourse. After scrutinizing different forms of staging such utterances in film and literature, it also engages with the ‘paradox of fiction’ and discusses how recipients of fictional utterances can be moved by ‘faked’ emotional experiences. It is finally argued that due to its constructed nature, fictional discourse must be attributed a special status for human emotional experience. The theoretical points are illustrated on the basis of examples from the novel and the movie Billy Elliot.

Abstract

Starting from a working definition of emotion, this chapter engages with the special ‘nature’ of emotions in fiction. It outlines the repertoire of verbal and non-verbal cues along which emotional utterances are patterned in literary and telecinematic fictional discourse. After scrutinizing different forms of staging such utterances in film and literature, it also engages with the ‘paradox of fiction’ and discusses how recipients of fictional utterances can be moved by ‘faked’ emotional experiences. It is finally argued that due to its constructed nature, fictional discourse must be attributed a special status for human emotional experience. The theoretical points are illustrated on the basis of examples from the novel and the movie Billy Elliot.

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