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15. (Im)politeness and telecinematic discourse

  • Marta Dynel
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Pragmatics of Fiction
This chapter is in the book Pragmatics of Fiction

Abstract

The principal objective of this chapter is to shed some light on the prevailing topics and central methodological problems related to the study of (im)politeness in telecinematic discourse, as well as to furnish the readers with a wide selection of references regarding the issues pertinent to this field of investigation. First, the notions of politeness and impoliteness are briefly introduced. A distinction is also drawn between fictional and non-fictional telecinematic discourse, the former being here used synonymously with “film discourse”. The existing research on politeness and impoliteness in both discourse types is duly surveyed. Further, the author examines the issue of verisimilitude and (im)politeness evaluations, the two pivotal methodological problems which researchers studying (im)politeness in fictional telecinematic discourse need to face. The chapter closes with a number of suggestions for future research.

Abstract

The principal objective of this chapter is to shed some light on the prevailing topics and central methodological problems related to the study of (im)politeness in telecinematic discourse, as well as to furnish the readers with a wide selection of references regarding the issues pertinent to this field of investigation. First, the notions of politeness and impoliteness are briefly introduced. A distinction is also drawn between fictional and non-fictional telecinematic discourse, the former being here used synonymously with “film discourse”. The existing research on politeness and impoliteness in both discourse types is duly surveyed. Further, the author examines the issue of verisimilitude and (im)politeness evaluations, the two pivotal methodological problems which researchers studying (im)politeness in fictional telecinematic discourse need to face. The chapter closes with a number of suggestions for future research.

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