Abstract
This study investigates the relationship between literature and poetry reading frequency and participants’ ratings of metaphors on key features: quality, aptness, familiarity, and comprehensibility. Using a set of Serbian poetic metaphors, we explored two main questions: how reading habits correlate with metaphor feature ratings, and whether the type of reading material (i.e., literature vs poetry) influences sensitivity to these features. The sample consisted of 140 native Serbian-speaking students from varied academic disciplines. Participants rated metaphors based on reading frequency (literature and poetry) using a 7-point Likert scale. Analysis showed that frequent readers generally gave higher overall metaphor ratings than infrequent readers, with significant differences noted particularly in familiarity and comprehensibility. Specifically, familiarity ratings yielded the most substantial differences between infrequent and frequent readers, which can indicate the influence of reading experience on the perceived recognition and understanding of metaphors. Aptness and quality ratings showed no significant differences, which suggests that familiarity and comprehensibility are more sensitive to variations in reading habits.
1 Introduction
This study aims to explore the relationship between participants’ reading habits and their ratings of metaphors on four key features: aptness, quality, familiarity, and comprehensibility. Metaphors are central to human cognition and communication, functioning not just as linguistic expressions but also as tools for understanding abstract and complex ideas. Through metaphor, people can make sense of concepts that might otherwise be difficult to grasp, by drawing comparisons with more familiar domains (Lakoff and Johnson 1980, Holyoak 2019). Using a set of metaphors drawn from Serbian poetry, our study has two main research questions:
Can reading habits be linked to how participants rate features of metaphors/Are there differences in how reading habits affect ratings on different metaphor features?
Do the types of texts participants read (e.g., general literature vs poetry) influence their sensitivity to specific metaphor features?
The motivation for this research arises from the growing interest in understanding how metaphor processing is influenced by various cognitive and behavioural factors. These factors include individual differences such as creative potential (e.g., Kenett et al. 2018), fluid and crystallized intelligence (Beaty and Silvia 2013, Stamenković et al. 2019, 2020, 2023), measures of inhibitory control (Pierce and Chiappe 2008, Sana et al. 2021), working memory (Chiappe and Chiappe 2007), simulation and abstraction (Al-Azary and Katz 2021), as well as variations in personality traits, openness to experience, preference for imagery, and emotional understanding (Fetterman et al. 2016, Silvia and Beaty 2021). Reading habits can vary, ranging from the frequency of reading to the types of texts individuals choose, and the relations between one’s reading habits and cognition have been a subject of studies in neuroscience, psychology, and linguistics (e.g., Whyte 1983, Kidd and Castano 2013). To our knowledge, no prior study has directly examined the correlation between participants’ reading habits and their ratings of metaphors. This research seeks to address this by exploring how individual reading behaviours may influence the perception and evaluation of key metaphor features.
The structure of this article is as follows: We begin by outlining the theoretical background, focusing on the role of reading habits in metaphor comprehension and use. This is followed by a discussion of metaphor features and norming studies. The methodology section details our approach, including participant selection, materials, and procedures. We then present and analyse the results, followed by a discussion that considers the implications of our findings. The final section provides concluding remarks, summarizes the main outcomes, and suggests directions for future research.
2 Theoretical background
As part of the theoretical background, we are first going to introduce studies that explored the relationship between metaphor and reading habits, and given the nature of our research, we are also going to present the notion of metaphor features and several norming studies in which these features were evaluated.
2.1 Metaphor and reading habits
The complex link between metaphor understanding and reading has already been acknowledged, yet, as Low (2008, 227) notes, “innovative research is needed to establish just how metaphoric competence dovetails with general language competence.” The present approach hopes to work towards achieving one part of this goal. Tourangeau and Sternberg (1978, 29) emphasized, “some special process must be involved in understanding metaphors (and other figurative language) beyond what is required by ordinary (nonanomalous) sentences.” The authors claimed, “complete theory of metaphors would include a consideration of their functions and would predict how these different uses affect aptness and the interpretive process” (Tourangeau and Sternberg 1982, 239). Steen (1989, 119) discussed the following theses on the function of metaphor: the linguistic function of metaphor, its cognitive function, and its role in both literary and non-literary communication. He investigated whether and how the cognitive function of metaphor is influenced by its status within literary or non-literary discourse. The author proposed that “the understanding of metaphor in literary texts is influenced by the adoption of a literary attitude of reading” and that “the literary attitude should hence result in a higher percentage of metaphors identified, comprehended, and appreciated in literary texts in comparison with non-literary texts” (Steen 1989, 122). Furthermore, Steen found that non-literary reading does not prioritize metaphor identification, unlike literary reading. Considering the importance of identification, comprehension, and appreciation in cognitive processes, Steen concluded that “the language user attributes a particular status, meaning and value to the textual structure deemed metaphorical” (Steen 1989, 138).
According to Zhao et al. (2014), reading comprehension, whether in first- or second-language acquisition, is considered “a very complex mental process in which the reader uses his mentality to obtain meaning from written material” (Zhao et al. 2014, 168). The authors examined the correlation between metaphoric competence and reading proficiency in a study involving 80 students. They concluded that metaphoric competence and L2 reading proficiency are in a relationship which shows that “the higher the reading proficiency, the better the metaphoric competence” for L2 learners (Zhao et al. 2014, 177). In studying the impact of context on metaphor comprehension, Shinjo and Myers (1987, 238) acknowledged that both literal and metaphoric comprehension are influenced by primes, leading to the conclusion that “comprehension mechanisms may be very similar.” Congruent context is generally observed as something which can facilitate metaphor understanding (Gerrig and Healy 1983, Ortony et al. 1978, Stamenković et al. 2020), and if reading habits establish a form of a wider context, we may expect them to have an impact on how we assess metaphors.
Moving closer to how reading can interact with metaphor evaluation, we can introduce the relation between metaphor comprehension and individual differences linked to reading. Stamenković et al. (2019) examined the effect of cognitive factors on metaphor comprehension, and they experimentally tested the role of fluid intelligence and verbal crystallized intelligence. Fluid intelligence refers to the ability to solve new problems, reason quickly, and adapt to unfamiliar situations without relying on prior knowledge, while verbal crystallized intelligence involves accumulated knowledge and language-based skills such as vocabulary, reading comprehension, and general facts, reflecting experience and education. The authors note that “reading experience causes metaphor comprehension to become relatively more dependent on crystallized than on fluid intelligence,” crystallized intelligence being particularly related to reading and learning (Stamenković et al. 2019, 115). Moreover, Cunningham (1976) tested the hypothesis that “comprehension scores on prose passages containing metaphors are not significantly different from scores on passages without metaphors” on 190 sixth graders, but the results indicated the opposite (Cunningham 1976, 367). Based on his findings, Cunningham concluded that “there may be a need to better prepare students to interpret figurative language if they are to succeed in ‘individualized’ reading programs which rely on conventional tradebooks for reading matter” (Cunningham 1976, 367).
Furthermore, Boers (2000, 137) tested the hypothesis that “an enhanced metaphoric awareness on the part of language learners can be beneficial to their specialised reading” in a small-scale experiment. The results suggested that “an enhanced metaphoric awareness may help students to (i) recognise the inference patterns associated with given figurative expressions and (ii) remember unfamiliar figurative expressions” (Boers 2000, 145–6). Lastly, Al-Mashhadani et al. (2024, 317) emphasized that metaphor usage was culture-specific and that the factors affecting the understanding of metaphorical expressions could be both external – ‘related to cultural and social considerations’ – and internal – ‘related to linguistic and educational settings’, and more than that. They concluded that “mastery of metaphors goes beyond proficiency because they are closely associated with other cognitive skills, such as evaluative perception and logical reasoning” (Al-Mashhadani et al. 2024, 317). This indicates that whatever we learn about the relation between reading and metaphor evaluation in the present approach should, in the future, be coupled and tested with other factors, too.
2.2 Metaphor features and norming studies
As our approach draws on a set of previous procedures in which metaphors were normed using different features, we are going to introduce both the features and the studies that assessed them. Metaphor features are frequently studied in psycholinguistics, with aptness and conventionality/familiarity being perhaps the features that are most frequently studied. Aptness refers to how well the source domain conveys the target domain’s key traits by transferring the source’s prominent characteristics. It depends on how effectively the statement captures the target’s essential features, shaped by the interplay between source and target (Gerrig and Healy 1983, Blasko and Connine 1993, Chiappe and Kennedy 1999, Glucksberg and McGlone 1999, Chiappe et al. 2003). High aptness requires the source domain to possess the key feature being transferred, relevant to the target domain. Even if the connection is weak, new source concepts can still produce apt metaphors (Camac and Glucksberg 1984). Aptness reflects the relative positions of the source and target within their domains (Tourangeau and Sternberg 1981, 1982) and the strength of their link (Gentner and Wolff 1997, Giora 1997, Bowdle and Gentner 2005, Wolff and Gentner 2000). Conventionality, or familiarity, relates to how often a metaphor is encountered. Initially perceived as novel, repeated exposure can make it familiar, sometimes even leading to new literal interpretations (Kittay 1987/1990, Utsumi 2007). It also describes how quickly a source domain conveys a specific figurative meaning and how well-known the source-target pair is (Lakoff and Johnson 1980, Gibbs 1992, Bowdle and Gentner 2005). Thibodeau et al. (2017) emphasize additional features of metaphors, such as surprisingness, comprehensibility, familiarity, metaphoricity, and aptness, each playing a role in understanding metaphors. Other researchers, like Chiappe et al. (2003) and Gernsbacher et al. (2001), have explored meaningfulness, truthfulness, and the possibility of inverting the source and target domains, often noting that everyday metaphors tend to be unidirectional (Kövecses 2010). Factors like mental imagery (Gibbs and O’Brien 1990, Gibbs et al. 2006), abstraction, and asymmetry (Saeed 2009) are also discussed. Despite some overlap, different studies name these features distinctly (Holyoak and Stamenković 2018, Roncero and de Almeida 2015). Gagné (2002) showed that metaphor comprehension is influenced by aptness, expectedness, and prominence.
Subjective ratings are often used to assess metaphor features (Katz et al. 1988, Cardillo et al. 2010, Roncero and de Almeida 2015, Cardillo et al. 2017, Stamenković et al. 2019). The diversity in metaphor research methods stresses the need for norming studies to ensure consistency across studies. Here we are going to mention some of those. One of the most comprehensive was conducted by Katz et al. (1988), which included both literary and non-literary metaphors and measured dimensions like comprehensibility, ease of interpretation, metaphoricity, quality, imagery, familiarity, semantic relatedness, and interpretive diversity. This study revealed individual differences and significant correlations among the dimensions. Cardillo et al. (2010, 2017) conducted norming studies aimed at providing material for metaphor research in neuroscience. They assessed metaphorical and literal sentences across parameters such as familiarity, naturalness, imageability, figurativeness, and comprehensibility. Roncero and de Almeida (2015) compared metaphors and similes, finding metaphors to activate more salient features than similes, while the connotativeness levels were similar, with no significant differences in aptness, conventionality, familiarity, or interpretive diversity. Building on this, Bressler et al. (2025) recently developed the Figurative Archive, an open-access database that includes 997 Italian metaphors. The dataset, gathered from 11 studies, contains both literary and non-literary metaphors with different structures and semantic domains. It also includes various ratings and corpus-based measures and shows validation through correlations between familiarity and other linguistic features. Given the material used in this study, there are several previous studies related to norming metaphors in Serbian which should be briefly addressed. In studies on Serbian metaphors, Stamenković et al. (2019) developed a normed corpus, examining features across non-literary and literary metaphors along dimensions like metaphoricity, quality, aptness, familiarity, comprehensibility, source-target similarity, and interpretive diversity. Literary metaphors, despite higher metaphoricity, were rated lower in aptness, familiarity, and comprehensibility than non-literary metaphors. This corpus has been used in empirical studies (e.g., Milenković 2021, 2024, Stamenković et al. 2023, Ichien et al. 2024, 2025).
3 Methodology
The study was conducted using online questionnaires. A total of 140 students from the University of Niš participated, divided into four groups of 35. Each group rated a set of metaphors on one of these four features: quality, aptness, familiarity, or comprehensibility. Participants were evenly distributed across study programs (Serbian Language and Literature [36], English Language and Literature [34], Psychology [32], and Mechanical Engineering [38]). The even distribution implied that every empirical group (quality, aptness, familiarity, or comprehensibility) had a proportionally similar number of students from these four study programs. In that way, the internal composition of each group was similar. All were native speakers of Serbian, consisting of 101 females and 39 males, with an average age of 21.79 years.
The metaphors were taken from the poetry of Branko Miljković, Branko Radičević, Đura Jakšić, Jovan Dučić, Milan Rakić, Milutin Bojić, and Vladislav Petković Dis. We searched for them in 204 poems, all included in the Anthology of Serbian Literature. The poets were selected based on two main criteria: (a) their canonical status in Serbian literary tradition, and (b) the frequent use of metaphor in their work, as noted in previous research and supported by our own initial readings. Most of these authors are associated with Romanticism and Modernism/Symbolism, movements often marked by the use of figurative language. Metaphors were manually identified by the first two authors, both of whom have academic backgrounds in Serbian literature and linguistics, including formal training that covered different approaches to metaphor. The selection followed a commonly used definition of metaphor as understanding and experiencing one concept in terms of another (Lakoff and Johnson 1980). Metaphors were identified first by looking for explicit expressions that were not literally true, that combined words in unexpected ways, and by examining verb usage, which included elements of the MIPVU method for metaphor identification (Steen et al. 2010). All selected metaphors were later reviewed and discussed by all three authors to reach agreement and ensure consistency.
We opted for authentic metaphorical expressions from poetry, as these are typically more complex, cognitively demanding, and characterized by intricate grammar and high lexical diversity (Jacobs and Kinder 2018, Rasse 2022, Reid et al. 2023, Stamenković et al. 2019). For decades, research has mainly focused on isolated nominal metaphors (see Holyoak and Stamenković 2018), with predicate metaphors occasionally explored as an alternative (e.g., Cardillo et al. 2010, 2017). However, nominal metaphors may not be as prevalent as expected (for evidence, see Deignan et al. 2013, Steen 2014), which is why we included a broader syntactic range of metaphorical expressions (the Appendix in the Online supplementary material; for an overview of these structures, refer to Mitić et al. 2025).
We compiled a list of 76 metaphorical expressions, which were presented in a fully randomized order. The questionnaire was administered in Serbian to students whose native language was Serbian. During the selection process, examples containing archaic lexemes were excluded, and care was taken to avoid repeating the same lexemes in identical syntactic positions. Each survey consisted of 76 items, along with general questions about participants’ background, such as gender, age, and study program, as well as questions on how often they (a) read literature and (b) read specifically poetry. Questions about reading habits were rated on a four-point scale, from ‘never’ to ‘very frequently’, and we used the first two points on the scale to form the group of infrequent readers and the second two points to generate the one we called frequent readers. The participants’ primary task was to rate the aptness, quality, familiarity, and comprehensibility of the metaphorical examples on a 7-point Likert scale. We recognize that participants may have varying interpretations of these dimensions. Each questionnaire included a main question phrased as follows:
Quality: How would you rate the quality of the metaphorical expressions in the following list? (For each metaphor, seven possible answers were given ranging from 1 – ‘of poor quality’ to 7 – ‘of extraordinary quality’).
Aptness: How would you rate the aptness of the metaphorical expressions in the following list? In the sentence Dan raste ‘The day is growing’, i.e., how appropriate is concept B (in this case, raste ‘grow’) to describe concept A (in this case, dan ‘day’)? (For each metaphor, seven possible answers were given, ranging from 1 – ‘not apt’ to 7 – ‘very apt’).
Familiarity: How familiar are the metaphors in the following list? (For each metaphor, seven possible answers were given, ranging from 1 – ‘not familiar’ to 7 – ‘very familiar’).
Comprehensibility: How would you rate the comprehensibility of the metaphorical expressions in the following list? (For each metaphor, seven possible answers were given ranging from 1 – ‘not comprehensible’ to 7 – ‘very comprehensible’).
4 Results
First, we wanted to test whether the frequency of reading literature and poetry affects the overall rating levels of participants based on all four characteristics they have rated (quality, aptness, familiarity, and comprehensibility), and the results of this comparison are presented in Table 1 and Graph 1.
Mean ratings by reading frequency for both literature in general and poetry
Type | Frequency | N | Mean | SD |
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Literature | Infrequent reader | 49 | 4.21 | 1.38 |
Frequent reader | 91 | 4.97 | 1.11 | |
Poetry | Infrequent reader | 93 | 4.44 | 1.30 |
Frequent reader | 47 | 5.22 | 1.02 |

Mean ratings by reading frequency for both literature in general and poetry.
An independent samples t-test was conducted to compare the overall metaphor rating between infrequent and frequent readers. Infrequent readers (n = 49) had a mean rating (M) of 4.21 (SD = 1.38), while frequent readers (n = 91) had a mean rating of 4.97 (SD = 1.11). The results revealed a significant difference between the groups, t(138) = −3.57, p < 0.001, with a 95% confidence interval for the mean difference ranging from −1.19 to −0.34. A similar analysis was conducted for poetry reading frequency. Infrequent readers (n = 93) had a mean rating of 4.44 (SD = 1.30), and frequent readers (n = 47) had a mean rating of 5.22 (SD = 1.02). This difference was also statistically significant, t(138) = −3.60, p < 0.001, with a 95% confidence interval for the mean difference between −1.21 and −0.35.
Using the original 4-point scale for literature/poetry reading frequency, we have also conducted a Pearson correlation analysis to assess the relationships between literature reading frequency, poetry reading frequency, and the overall metaphor rating scores. The results indicated a significant positive correlation between literature reading frequency and overall metaphor rating, r(138) = 0.307, p < 0.001p, a significant positive correlation between poetry reading frequency and overall metaphor rating, r(138) = 0.410, p < 0.001p, as well as a significant positive correlation between literature reading frequency and poetry reading frequency, r(138) = 0.511, p < 0.001.
In the second step, we wanted to examine whether these differences affect all ratings or only some of them. A summary of the results based on literature reading frequency for all four ratings (now separate) is given in Table 2 and Graph 2. Similar overviews of these ratings based on the frequency of reading poetry specifically are given in Table 3 and Graph 3.
A summary of differences between infrequent and frequent literature readers per rating
Reading frequency | Infrequent reader | Frequent reader | ||||
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N | Mean | SD | N | Mean | SD | |
Quality | 10 | 4.18 | 1.01 | 25 | 4.61 | 0.67 |
Aptness | 16 | 4.64 | 0.79 | 19 | 4.62 | 1.01 |
Familiarity | 13 | 2.84 | 1.46 | 22 | 4.57 | 1.37 |
Comprehensibility | 10 | 5.32 | 0.95 | 25 | 5.97 | 0.60 |

A summary of differences between infrequent and frequent literature readers per rating.
A summary of differences between infrequent and frequent poetry readers per rating
Reading frequency | Infrequent reader | Frequent reader | ||||
---|---|---|---|---|---|---|
N | Mean | SD | N | Mean | SD | |
Quality | 25 | 4.41 | 0.85 | 10 | 4.67 | 0.63 |
Aptness | 25 | 4.58 | 0.93 | 10 | 4.74 | 0.86 |
Familiarity | 24 | 3.43 | 1.57 | 11 | 5.01 | 1.20 |
Comprehensibility | 19 | 5.58 | 0.78 | 16 | 6.02 | 0.69 |

A summary of differences between infrequent and frequent poetry readers per rating.
Given that the representation of frequency varied across groups (as the data were collected within the same procedure), the statistical power in these smaller groups could not be as high as when all ratings are joined. However, it was enough for us to explore some tendencies in all four characteristics, which will now be presented one by one:
4.1 Rating metaphor quality
Just like with the general results, we performed t-tests to check potential differences between groups of infrequent and frequent readers. An independent samples t-test was conducted to compare the mean metaphor quality rating between infrequent and frequent literature readers. Infrequent readers (n = 10) had a mean rating of 4.18 (SD = 1.01), while frequent readers (n = 25) had a mean rating of 4.61 (SD = 0.67). The results showed a difference between the groups, which was not statistically significant, t(33) = −1.47, p = 0.151, with a 95% confidence interval for the mean difference of [−1.02, 0.16]. Another independent samples t-test was conducted for poetry reading frequency. Infrequent readers (n = 25) had a mean quality rating of 4.41 (SD = 0.85), while frequent readers (n = 10) had a mean rating of 4.67 (SD = 0.63). This difference was again small and not statistically significant, t(33) = −0.88, p = 0.387, with a 95% confidence interval for the mean difference of [−0.86, 0.34]. Based on this, we can conclude that the contribution of metaphor quality rating to the overall rating score was not too big.
4.2 Rating metaphor aptness
An independent samples t-test was conducted to compare the metaphor aptness ratings between infrequent and frequent readers of literature. Infrequent readers (n = 16) had a mean rating (M) of 4.64 (SD = 0.79), while frequent readers (n = 19) had a mean rating of 4.62 (SD = 1.01). The results indicated no significant difference between the groups, t(33) = 0.07, p = 0.948, with a 95% confidence interval for the mean difference of [−0.61, 0.65]. For poetry reading frequency, an independent samples t-test was also performed. Infrequent readers (n = 25) had a mean aptness rating of 4.58 (SD = 0.93), while frequent readers (n = 10) had a mean rating of 4.74 (SD = 0.86). This difference was also not statistically significant, t(33) = −0.48, p = 0.634, with a 95% confidence interval for the mean difference of [−0.86, 0.53], which might allow us to say that aptness ratings had no contribution to the differences outlined in the first part of the analysis.
4.3 Rating metaphor familiarity
The scores related to the perceived metaphor familiarity showed the biggest differences between groups, both in the general literature reading frequency comparison and in the one based on reading poetry. Just like in the previous sections, an independent samples t-test was conducted to compare the metaphor familiarity ratings between infrequent and frequent readers of literature. Infrequent readers (n = 13) had a mean rating (M) of 2.84 (SD = 1.46), while frequent readers (n = 22) had a mean rating of 4.57 (SD = 1.37). The analysis showed a significant difference between the groups, t(33) = −3.53, p = 0.001, with a 95% confidence interval for the mean difference of [−2.73, −0.73]. Similarly, for poetry reading frequency, an independent samples t-test was conducted. Infrequent readers (n = 24) had a mean familiarity rating of 3.43 (SD = 1.57), while frequent readers (n = 11) had a mean rating of 5.01 (SD = 1.20). This difference was also statistically significant, t(33) = −2.95, p = 0.006, with a 95% confidence interval for the mean difference of [−2.66, −0.49]. Overall, the differences coming from rating familiarity seemed to contribute most to the overall differences between the groups.
4.4 Rating metaphor comprehensibility
Finally, an independent samples t-test was conducted to compare the mean metaphor comprehensibility ratings between infrequent and frequent literature readers. Infrequent readers (n = 10) had a mean rating (M) of 5.32 (SD = 0.95), while frequent readers (n = 25) had a mean rating of 5.97 (SD = 0.60) and these results revealed a statistically significant difference between the groups, t(33) = −2.42, p = 0.021, with a 95% confidence interval for the mean difference of [−1.19, −0.10]. On the other hand, the differences were not as powerful in the comparison based on reading poetry. For poetry reading frequency, an independent samples t-test was performed, and infrequent readers (n = 19) had a mean comprehensibility rating of 5.58 (SD = 0.78), while frequent readers (n = 16) had a mean rating of 6.02 (SD = 0.69). The difference was there, but it was not statistically significant, t(33) = −1.72, p = 0.094, with a 95% confidence interval for the mean difference of [−0.95, 0.08]. Based on this, we can say that the differences in rating comprehensibility were the second contributor to the overall differences.
Lastly, when it comes to observing some patterns in standard deviation differences, in most comparisons, the standard deviation for infrequent readers is higher than that for frequent readers, indicating more variability in these responses, which means their results were more scattered and inconsistent (there was less ‘agreement’ on how to rate different metaphors across participants).
5 Discussion
Regarding the research question on how reading habits influence participants’ ratings of metaphor features, our findings reveal statistically significant differences between frequent and infrequent readers, particularly evident among those who read poetry. Notably, different reading habits have distinct impacts on ratings for various metaphor features: there are statistically significant differences in familiarity (for both literature and poetry readers) and comprehensibility (for literature readers). These results align with Boers’ (2000, 137) conclusion that enhanced metaphor awareness facilitates recognition of inferential patterns associated with certain figurative expressions, aiding in the retention of unfamiliar expressions. Conversely, no statistically significant differences were found in quality (for both literature and poetry readers), aptness (for both groups), and comprehensibility (specifically for poetry readers).
Furthermore, the type of text participants engaged with (general literature vs poetry) did not appear to influence their sensitivity to specific metaphor features, such as aptness, familiarity, and quality. More precisely, the results were similar in those cases, and the only important difference between the readers of general literature and the readers of poetry was noted in their rating of the comprehensibility feature of metaphors. Higher mean values for frequent readers in familiarity and comprehensibility ratings further support Steen’s (1989) assumption that metaphor identification and comprehension rates are connected to text type (literary vs non-literary). These findings suggest that while general literature reading does not significantly affect aptness ratings, poetry reading does. Additionally, our results confirm that metaphor comprehension may be influenced by reading experience, becoming relatively more dependent on crystallized than fluid intelligence, as Stamenković et al. (2019, 115) observed. There are statistically significant differences between infrequent and frequent readers regarding rating metaphor familiarity, which can be explained by the number and frequency of metaphors they were exposed to during the reading process in the past. This makes our experience closer to overall metaphor familiarity if we imagine familiarity as a sort of continuum (Cersosimo et al. 2025, 133–4). This is in line with Boers’ (2000, 145–6) statement that there is a correlation between metaphorical awareness and remembering unfamiliar figurative expressions, as well as with the account that repeated exposure to metaphors that are initially perceived as novel can make those metaphors familiar (Kittay 1987/1990, Utsumi 2007). Additionally, these people could simply be better prepared or ‘tuned’ when it comes to encountering metaphors. Moreover, there are statistically significant differences between infrequent and frequent readers of literature in general regarding rating metaphor comprehensibility, which can be explained by the fact that rating just comprehensibility depends on reading literature in general, and it is not influenced by the type of literary text (poetry/prose). This is also relatable to the general positive correlation between metaphoric competence in L2 (Zhao et al. 2014, 177), which seems to be similar to what happens in L1, too. Reading more can prepare one better to comprehend different linguistic constructions, including those that are metaphorical.
The lack of statistical significance in rating metaphor quality and aptness between infrequent and frequent readers could imply that evaluating these two metaphor features does not depend that much on reading habits, and this can be related to some previous findings. Aptness, in particular, was shown to be more relatable to fluid intelligence (Stamenković et al. 2023) than other metaphor features, which might be the reason why it behaves differently in this context where the focus is on an activity significant for crystallized intelligence. There could be further reasons for this, of course, especially bearing in mind the conclusion that “mastery of metaphors goes beyond proficiency because they are closely associated with other cognitive skills, such as evaluative perception and logical reasoning” (Al-Mashhadani et al. 2024, 317).
Finally, when it comes to the results related to the standard deviation scores, infrequent readers tended to disagree more with one another when rating metaphors, while frequent readers showed more consistent and aligned responses. This could suggest that frequent exposure to literature or poetry may lead to more stable or shared interpretations of metaphorical language, possibly because of a more developed or similar frame of reference for processing such expressions.
6 Conclusions
In this study, we investigated how the frequency of literature and poetry reading influenced participants’ ratings of metaphors across four features: quality, aptness, familiarity, and comprehensibility. The study centered on two primary research questions, using a corpus of selected Serbian poetic metaphors: (1) What is the nature of the correlation between reading habits and metaphor feature ratings? and (2) What effect does the type of reading material (i.e., literature vs poetry) have on sensitivity to these features? Our analysis revealed that, in general, frequent readers provided higher overall metaphor ratings than infrequent readers, with significant differences notably in familiarity (especially for poetry readers) and comprehensibility. These findings have implications for understanding how reading experience shapes metaphor processing. Specifically, the significant effects of reading frequency on familiarity and comprehensibility suggest that regular exposure to literary language may improve recognition and ease of interpretation, whereas the lack of differences in ratings of quality and aptness implies that these dimensions may be less sensitive to reading habits. Furthermore, regarding the influence of reading literature in general and the influence of reading poetry in particular, general tendencies toward the perceived recognition and understanding of metaphors are mostly the same, with a difference in evaluating the feature of comprehensibility.
This research has certain limitations: all participants were from the same university, and there was an uneven distribution of participants with varying reading habits, particularly in cases of literature vs poetry reading (which we could not know before we composed the groups, but we tried to control for it by evenly distributing students coming from different departments). Besides this, one should generally remain cautious when assessing and interpreting the results related to metaphor features. Namely, while metaphor ratings can be reliable, their validity might be compromised by confusion between processing fluency and the feature being rated (Jacoby et al. 1988, Jacoby and Whitehouse 1989, Alter and Oppenheimer 2009, Kahneman 2011, Thibodeau and Durgin 2011). Another limitation of the study was presenting poetic metaphors outside of their context, and context can surely influence the evaluation of metaphor features, especially aptness and quality. The determinants of aptness depend on how the metaphor is used (Tourangeau and Sternberg 1982, 242), and this can include its contextual framing. Future research could consider the study program (philology-oriented vs non-philology students) as a factor, which would require a larger sample size to allow for meaningful comparisons. It could also involve a more detailed exploration of the participants’ reading habits and involve reading different genres. Besides this, it could combine reading habits with individual differences or personality traits and thus remove potential confounds. Lastly, a similar method could be to assess if reading habits influence evaluating metaphors which do not come from literary works (non-literary metaphors) and assessing poetic metaphors by reading whole poems (having stimuli which would include the context).
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Funding information: This research was funded by the Science Fund of the Republic of Serbia, Structuring Concept Generation with the Help of Metaphor, Analogy and Schematicity – SCHEMAS (Grant No. 7715934) and supported by the Ministry of Science, Technological Development and Innovations of the Republic of Serbia (Contract No. 451-03-137/2025-03/200165). Open-access publication was made possible with support from Södertörn University, Stockholm.
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Author contributions: All authors have accepted responsibility for the entire content of this manuscript and approved its submission. AJM, IM, DS: conceptualization, data curation, formal analysis, funding acquisition, investigation, methodology, project administration, resources, validation, visualization, writing – original draft, writing – review & editing.
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Conflict of interest: The authors state no conflict of interest.
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Informed consent: Informed consent was obtained from all participants involved in the study.
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Ethical approval: The study was conducted in accordance with ethical standards and was approved by the Research Ethics Committee of the Faculty of Philosophy.
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Data availability statement: The data used in this study are publicly available and can be accessed through OSF: https://www.doi.org/10.17605/OSF.IO/EZHW9. It includes the Appendix and the dataset.
Appendix: Metaphor list with average features
Metaphor (Serbian) | Metaphor (English) | Qua. | Apt. | Fam. | Com. | Syn. |
---|---|---|---|---|---|---|
Бec јe вyлкaн. | Anger is a volcano. | 4.77 | 5.71 | 4.11 | 6.74 | SCopP |
Бoл јe кoнaц. | Pain is a thread. | 3.54 | 3.34 | 2.46 | 4.54 | SCopP |
Бoлecт пијe oбpaзe. | The illness is drinking the cheeks. | 5.20 | 4.43 | 4.20 | 6.00 | SPO |
Бpeзe плaчy. | Birch trees are crying. | 4.09 | 4.71 | 4.89 | 5.71 | SP |
Бyднocт јe пecмa. | Wakefulness is a song. | 3.89 | 4.00 | 3.34 | 4.74 | SCopP |
Bacиoнa yздишe. | The universe is sighing. | 4.51 | 4.40 | 3.91 | 5.40 | SP |
Beтap cвиpa. | The wind is playing [an instrument]. | 4.63 | 4.91 | 5.29 | 6.63 | SP |
Beтap тyжнo цвили. | The wind is whining sadly. | 4.69 | 5.17 | 3.97 | 6.57 | SPA |
Bиcинe нac вpeбaјy. | The heights are lurking around us. | 4.46 | 4.86 | 3.37 | 5.17 | SPO |
Bpбa јe дeвoјкa. | A willow tree is a girl. | 3.37 | 3.49 | 3.00 | 5.11 | SCopP |
Bpбa јe pacплeлa кocy. | The willow has untangled her hair. | 4.94 | 4.94 | 4.03 | 5.94 | SPO |
Bpeмe oпијa пecникa. | Time is intoxicating the poet. | 5.09 | 5.14 | 3.71 | 5.91 | SPO |
Глac тeчe. | The voice is flowing. | 4.83 | 4.74 | 4.31 | 6.00 | SP |
Гopa cкpивa клeтвy. | The mountain is hiding a curse. | 4.63 | 5.00 | 3.34 | 4.54 | SPO |
Гpoм пeвa. | The thunder is singing. | 4.00 | 4.00 | 3.14 | 5.49 | SP |
Дaн pacтe. | The day is growing. | 3.80 | 4.46 | 4.06 | 6.26 | SP |
Дaни имaјy гpoбљe. | Days possess a cemetery. | 4.20 | 3.94 | 2.09 | 5.09 | SPO |
Дeвoјкa јe pyжa. | A girl is a rose. | 4.77 | 5.29 | 5.06 | 6.20 | SCopP |
Дим ждepe нeбo. | Smoke is devouring the sky. | 3.54 | 3.94 | 3.23 | 5.94 | SPO |
Дocaдa глeдa пecникa. | Boredom is gazing at the poet. | 4.14 | 4.57 | 3.17 | 5.51 | SPO |
Дocaдa ceди нa пpaгy. | Boredom is sitting on the threshold. | 4.80 | 4.57 | 3.83 | 5.77 | SPA |
Дyшa јe cтapaц. | A soul is an old man. | 4.14 | 4.00 | 4.00 | 5.43 | SCopP |
Жeнa вeзe бoл. | The woman is embroidering the pain. | 4.34 | 4.86 | 3.74 | 5.80 | SPO |
Жeнa јe paј. | A woman is a paradise. | 5.09 | 5.00 | 4.31 | 6.34 | SCopP |
Живoт јe caн. | Life is a dream. | 4.91 | 4.77 | 4.97 | 6.37 | SCopP |
Звeздa јe птицa. | A star is a bird. | 3.63 | 3.97 | 2.91 | 5.06 | SCopP |
Звeздe шyштe y нoћи. | The stars are rustling in the night. | 4.77 | 5.20 | 3.89 | 5.80 | SPA |
Звoнa кopaчaјy cтeпeништeм. | The bells are marching up the stairs. | 3.94 | 3.97 | 2.51 | 4.40 | SPA |
Иcтинa јe биљкa. | The truth is a plant. | 3.40 | 3.03 | 2.57 | 3.94 | SCopP |
Иcтoк ce кyпa y злaтy. | The East is bathing in gold. | 3.83 | 4.00 | 3.51 | 6.23 | SPA |
Кaмeн имa бope. | The stone bears wrinkles. | 5.11 | 4.91 | 3.97 | 5.77 | SPO |
Кaмeн пpичa. | The stone is talking. | 3.69 | 4.31 | 4.17 | 5.14 | SP |
Лeпoтa јe цapcтвo. | Beauty is a kingdom. | 4.09 | 5.14 | 4.43 | 6.17 | SCopP |
Љyбaв yмиpe. | Love is dying. | 4.94 | 5.51 | 5.51 | 6.71 | SP |
Meceц pacтypa oблaкe. | The moon is scattering the clouds. | 4.69 | 4.26 | 2.69 | 5.20 | SPO |
Mиcao гpaби кao звep. | Thought is grabbing like a beast. | 5.29 | 4.80 | 4.14 | 6.06 | SPA |
Mиcao јe звep. | A thought is a beast. | 5.06 | 4.89 | 4.29 | 6.03 | SCopP |
Mиcao oдлaзи. | A thought is leaving. | 4.86 | 5.51 | 5.37 | 6.66 | SP |
Mиcли ce бyјнo poјe. | Thoughts are swarming abundantly. | 5.29 | 5.60 | 4.97 | 6.60 | SPA |
Mлaдocт јe живoтињa. | Youth is an animal. | 4.37 | 3.71 | 3.31 | 5.63 | SCopP |
Moмaк јe змијa. | A boy is a snake. | 3.51 | 3.43 | 3.20 | 5.49 | SCopP |
Mope љyби cтeнe. | The sea is kissing the rocks | 4.46 | 4.80 | 4.86 | 6.11 | SPO |
Mpaк цвeтa y вpтy. | Darkness is blooming in the garden. | 3.54 | 4.14 | 2.91 | 5.91 | SPA |
Haјлeпшe пeвaјy зaблyдe. | Delusions are singing most beautifully. | 5.23 | 5.14 | 3.34 | 5.77 | SPA |
Heбo јe вaтpa. | The sky is fire. | 4.14 | 3.97 | 3.34 | 5.31 | SCopP |
Metaphor (Serbian) | Metaphor (English) | Qua. | Apt. | Fam. | Com. | Syn. |
---|---|---|---|---|---|---|
Heбo cпaвa. | The sky is sleeping. | 4.66 | 5.09 | 4.60 | 6.37 | SP |
Hoћ дишe. | The night is breathing. | 4.89 | 4.97 | 4.14 | 5.86 | SP |
Hoћ јe yдoвицa. | A night is a widow. | 4.54 | 4.40 | 4.11 | 5.94 | SCopP |
Hoћ пpocипa тaмy. | The night is pouring out darkness. | 5.66 | 5.63 | 5.34 | 6.63 | SPO |
Oкo ceвa. | The eye is flashing. | 4.43 | 4.34 | 4.71 | 6.00 | SP |
Пecмa јe тaмницa. | A song is a dungeon. | 4.11 | 3.80 | 3.80 | 4.83 | SCopP |
Плaмeн ждepe нeбo. | The flame is devouring the sky. | 5.31 | 5.17 | 4.80 | 6.37 | SPO |
Пoнoћ дoлaзи c oнoг cвeтa. | Midnight is coming from the other world. | 4.60 | 4.51 | 3.06 | 5.03 | SPA |
Пoтoк бeжи. | The brook is fleeing. | 4.54 | 4.91 | 4.06 | 6.06 | SP |
Пpaзнинa oпијa. | Emptiness is intoxicating. | 4.97 | 4.97 | 4.26 | 5.91 | SP |
Peкa cпopo xoдa. | The river is walking slowly. | 3.86 | 4.14 | 3.17 | 6.00 | SPA |
Caт yмиpe нeчyјнo. | The hour is dying silently. | 4.97 | 5.31 | 3.37 | 5.74 | SPA |
Cвeт миpнo cпaвa. | The world is sleeping peacefully. | 4.89 | 5.09 | 4.89 | 6.60 | SPA |
Cвeтлocт yмиpe yвeчe. | The light dies in the evening. | 4.29 | 5.66 | 3.80 | 6.51 | SPA |
Cлaвyји гoвope. | Nightingales are speaking. | 4.06 | 4.40 | 4.86 | 6.03 | SP |
Cлyтњa пpитиcкa гpyди. | Premonition is pressing against the chest. | 4.26 | 4.00 | 3.89 | 5.83 | SPO |
Cмpт тoнe. | Death is sinking. | 4.03 | 4.03 | 3.80 | 5.11 | SP |
Cнaгa јe зaшлa y гoдинe. | The strength has become old. | 4.94 | 4.91 | 4.29 | 6.11 | SPA |
Cpцe cкaчe. | The heart is jumping. | 4.46 | 5.43 | 5.63 | 6.74 | SP |
Cтapocт јe јeceн. | Old age is autumn. | 4.49 | 4.74 | 3.69 | 5.80 | SCopP |
Cyзe зpy y oкy. | Tears are ripening in the eye. | 4.94 | 5.60 | 4.49 | 6.54 | SPA |
Cyмњa дpжи cpцe. | Doubt is holding the heart. | 5.51 | 5.69 | 4.54 | 6.40 | SPO |
Cyнцe игpa y нeдpимa. | The sun is dancing in the bosom. | 4.43 | 4.23 | 4.06 | 5.86 | SPA |
Cyнцe ceди. | The Sun is sitting down. | 3.23 | 3.74 | 3.37 | 5.06 | SP |
Cyтoн шaпyћe чeжњy. | Dusk whispers longing. | 4.69 | 4.77 | 3.74 | 5.80 | SPO |
Tpaвa вpишти. | Grass is screaming. | 3.17 | 3.14 | 2.46 | 4.09 | SP |
Цвeт oбapa глaвy. | The flower is bowing its head. | 4.77 | 4.91 | 3.63 | 5.43 | SPO |
Цвeтoви ce пpeпиpy ca вpeмeнoм. | The flowers are arguing with the time. | 4.57 | 4.00 | 2.89 | 5.00 | SPA |
Чoвeк јe cтeнa. | A man is a rock. | 5.26 | 5.14 | 5.49 | 6.57 | SCopP |
Шyмa јe пoјeлa нeбo. | The forest has eaten the sky. | 5.00 | 5.40 | 4.17 | 6.23 | SPO |
Шyмe злoкoбнo ћyтe. | The woods ominously keep silent. | 5.14 | 4.89 | 3.89 | 5.86 | SPA |
Syntactic structures:
1. SP: Subject (N) + Predicate (V)
2. SCopP: Subject (N) + Predicate (aux. + N)
3. SPO: Subject (N) + Predicate (V) + Object
4. SPA: Subject (N) + Predicate (V) + Adverbial
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