18. Christopher Marlowe, Doctor Faustus (c. 1588–1592)
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Tobias Döring
Abstract
One of the most enduring plays of the English Renaissance, Doctor Faustus brings into focus key issues of modernity while also providing fascinating insights into the hopes, fears and projects of early modern England. Introducing one of the most popular characters of European literature to the stage, Marlowe’s Doctor Faustus is concerned with the boundaries of religion, magic and science, the human thirst for knowledge and power, and the fear of eternal damnation in hell. It is also a drama of travel and mobility exploring the representational possibilities of theatre. This chapter analyzes the play’s engagement with the category of the demonic and its delight with theatrical variety.
Abstract
One of the most enduring plays of the English Renaissance, Doctor Faustus brings into focus key issues of modernity while also providing fascinating insights into the hopes, fears and projects of early modern England. Introducing one of the most popular characters of European literature to the stage, Marlowe’s Doctor Faustus is concerned with the boundaries of religion, magic and science, the human thirst for knowledge and power, and the fear of eternal damnation in hell. It is also a drama of travel and mobility exploring the representational possibilities of theatre. This chapter analyzes the play’s engagement with the category of the demonic and its delight with theatrical variety.
Chapters in this book
- Frontmatter I
- Editors’ Preface V
- Contents VII
- Introduction 1
-
Part I: Systematic Questions
- 1. Editing English Renaissance Texts 27
- 2. Forms of Translation 46
- 3. New Ways of Worldmaking: English Renaissance Literature as ‘Early Modern’ 66
- 4. Theatre and Drama 89
- 5. Life-Writing: Encountering Selves 108
- 6. England and its Others 136
- 7. Literature and Religion in Early Modern England 155
- 8. Renaissance Englishwomen as Writers, Readers, and Patrons 182
- 9. Rhetoric and Literary Theory 203
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Part II: Close Readings
- 10. John Skelton, The Bowge of Courte (1499?) 225
- 11. Thomas More, Utopia (1516/1551) 244
- 12. William Baldwin, Beware the Cat (1553/1570) 265
- 13. Richard Tottel, Songes and Sonettes (1557) 280
- 14. John Lyly, Euphues (1578/1580) 295
- 15. Philip Sidney, The Two Arcadias (1577–1584) 311
- 16. Thomas Kyd, The Spanish Tragedy (c. 1587) 331
- 17. Edmund Spenser, The Faerie Queene (1590/1596) 352
- 18. Christopher Marlowe, Doctor Faustus (c. 1588–1592) 376
- 19. Thomas Nashe, The Unfortunate Traveller (1594) 395
- 20. William Shakespeare, Richard II (1595) 411
- 21. Francis Bacon, Essays (1597–1625) 425
- 22. Shakespeare’s Sonnets (1609) 444
- 23. Ben Jonson, The Alchemist (1610) 464
- 24. Aemilia Lanyer, “The Description of Cooke-ham” (1611) 478
- 25. Robert Burton, The Anatomy of Melancholy (1621–1651) 496
- 26. John Ford, ’Tis Pity She’s a Whore (c. 1632) 516
- 27. John Donne, Songs and Sonnets (1633) 537
- 28. Thomas Carew and Inigo Jones, Coelum Britannicum (1634) 557
- 29. Andrew Marvell, Upon Appleton House (1651) 573
- 30. Margaret Cavendish, Poems, and Fancies (1653) 594
- 31. William Davenant, The Siege of Rhodes (1656) 615
- 32. John Milton, Paradise Lost (1667/1674) 635
- Index of Names 661
- Index of Subjects 683
- List of Contributors 739
Chapters in this book
- Frontmatter I
- Editors’ Preface V
- Contents VII
- Introduction 1
-
Part I: Systematic Questions
- 1. Editing English Renaissance Texts 27
- 2. Forms of Translation 46
- 3. New Ways of Worldmaking: English Renaissance Literature as ‘Early Modern’ 66
- 4. Theatre and Drama 89
- 5. Life-Writing: Encountering Selves 108
- 6. England and its Others 136
- 7. Literature and Religion in Early Modern England 155
- 8. Renaissance Englishwomen as Writers, Readers, and Patrons 182
- 9. Rhetoric and Literary Theory 203
-
Part II: Close Readings
- 10. John Skelton, The Bowge of Courte (1499?) 225
- 11. Thomas More, Utopia (1516/1551) 244
- 12. William Baldwin, Beware the Cat (1553/1570) 265
- 13. Richard Tottel, Songes and Sonettes (1557) 280
- 14. John Lyly, Euphues (1578/1580) 295
- 15. Philip Sidney, The Two Arcadias (1577–1584) 311
- 16. Thomas Kyd, The Spanish Tragedy (c. 1587) 331
- 17. Edmund Spenser, The Faerie Queene (1590/1596) 352
- 18. Christopher Marlowe, Doctor Faustus (c. 1588–1592) 376
- 19. Thomas Nashe, The Unfortunate Traveller (1594) 395
- 20. William Shakespeare, Richard II (1595) 411
- 21. Francis Bacon, Essays (1597–1625) 425
- 22. Shakespeare’s Sonnets (1609) 444
- 23. Ben Jonson, The Alchemist (1610) 464
- 24. Aemilia Lanyer, “The Description of Cooke-ham” (1611) 478
- 25. Robert Burton, The Anatomy of Melancholy (1621–1651) 496
- 26. John Ford, ’Tis Pity She’s a Whore (c. 1632) 516
- 27. John Donne, Songs and Sonnets (1633) 537
- 28. Thomas Carew and Inigo Jones, Coelum Britannicum (1634) 557
- 29. Andrew Marvell, Upon Appleton House (1651) 573
- 30. Margaret Cavendish, Poems, and Fancies (1653) 594
- 31. William Davenant, The Siege of Rhodes (1656) 615
- 32. John Milton, Paradise Lost (1667/1674) 635
- Index of Names 661
- Index of Subjects 683
- List of Contributors 739