32. John Milton, Paradise Lost (1667/1674)
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Anne-Julia Zwierlein
Abstract
Charting Milton’s radical republicanism and heterodox religious principles, this chapter examines how his epic poem Paradise Lost (1667/1674), which narrates the fall of Satan and mankind, negotiates crucial political and theological concerns. I focus on the topics of origin and exile; free will and purifying trial; and autonomy and servility. The chapter goes on to describe the epic’s politics of style and aesthetic strategies with an emphasis on how they are tied to Milton’s philosophical convictions. Central aspects are the multiplicity of genres in the epic, the peculiarities of the epic voice, the phenomenon of multilingualism and the problem of postlapsarian language (i.e. language ‘tainted’ by the biblical fall). Moving on to trace some outlines of the reception history of Paradise Lost from its first publication until today, the chapter ends by looking at theoretical perspectives of recent Milton scholarship: (post)colonialism and the gender debate.
Abstract
Charting Milton’s radical republicanism and heterodox religious principles, this chapter examines how his epic poem Paradise Lost (1667/1674), which narrates the fall of Satan and mankind, negotiates crucial political and theological concerns. I focus on the topics of origin and exile; free will and purifying trial; and autonomy and servility. The chapter goes on to describe the epic’s politics of style and aesthetic strategies with an emphasis on how they are tied to Milton’s philosophical convictions. Central aspects are the multiplicity of genres in the epic, the peculiarities of the epic voice, the phenomenon of multilingualism and the problem of postlapsarian language (i.e. language ‘tainted’ by the biblical fall). Moving on to trace some outlines of the reception history of Paradise Lost from its first publication until today, the chapter ends by looking at theoretical perspectives of recent Milton scholarship: (post)colonialism and the gender debate.
Chapters in this book
- Frontmatter I
- Editors’ Preface V
- Contents VII
- Introduction 1
-
Part I: Systematic Questions
- 1. Editing English Renaissance Texts 27
- 2. Forms of Translation 46
- 3. New Ways of Worldmaking: English Renaissance Literature as ‘Early Modern’ 66
- 4. Theatre and Drama 89
- 5. Life-Writing: Encountering Selves 108
- 6. England and its Others 136
- 7. Literature and Religion in Early Modern England 155
- 8. Renaissance Englishwomen as Writers, Readers, and Patrons 182
- 9. Rhetoric and Literary Theory 203
-
Part II: Close Readings
- 10. John Skelton, The Bowge of Courte (1499?) 225
- 11. Thomas More, Utopia (1516/1551) 244
- 12. William Baldwin, Beware the Cat (1553/1570) 265
- 13. Richard Tottel, Songes and Sonettes (1557) 280
- 14. John Lyly, Euphues (1578/1580) 295
- 15. Philip Sidney, The Two Arcadias (1577–1584) 311
- 16. Thomas Kyd, The Spanish Tragedy (c. 1587) 331
- 17. Edmund Spenser, The Faerie Queene (1590/1596) 352
- 18. Christopher Marlowe, Doctor Faustus (c. 1588–1592) 376
- 19. Thomas Nashe, The Unfortunate Traveller (1594) 395
- 20. William Shakespeare, Richard II (1595) 411
- 21. Francis Bacon, Essays (1597–1625) 425
- 22. Shakespeare’s Sonnets (1609) 444
- 23. Ben Jonson, The Alchemist (1610) 464
- 24. Aemilia Lanyer, “The Description of Cooke-ham” (1611) 478
- 25. Robert Burton, The Anatomy of Melancholy (1621–1651) 496
- 26. John Ford, ’Tis Pity She’s a Whore (c. 1632) 516
- 27. John Donne, Songs and Sonnets (1633) 537
- 28. Thomas Carew and Inigo Jones, Coelum Britannicum (1634) 557
- 29. Andrew Marvell, Upon Appleton House (1651) 573
- 30. Margaret Cavendish, Poems, and Fancies (1653) 594
- 31. William Davenant, The Siege of Rhodes (1656) 615
- 32. John Milton, Paradise Lost (1667/1674) 635
- Index of Names 661
- Index of Subjects 683
- List of Contributors 739
Chapters in this book
- Frontmatter I
- Editors’ Preface V
- Contents VII
- Introduction 1
-
Part I: Systematic Questions
- 1. Editing English Renaissance Texts 27
- 2. Forms of Translation 46
- 3. New Ways of Worldmaking: English Renaissance Literature as ‘Early Modern’ 66
- 4. Theatre and Drama 89
- 5. Life-Writing: Encountering Selves 108
- 6. England and its Others 136
- 7. Literature and Religion in Early Modern England 155
- 8. Renaissance Englishwomen as Writers, Readers, and Patrons 182
- 9. Rhetoric and Literary Theory 203
-
Part II: Close Readings
- 10. John Skelton, The Bowge of Courte (1499?) 225
- 11. Thomas More, Utopia (1516/1551) 244
- 12. William Baldwin, Beware the Cat (1553/1570) 265
- 13. Richard Tottel, Songes and Sonettes (1557) 280
- 14. John Lyly, Euphues (1578/1580) 295
- 15. Philip Sidney, The Two Arcadias (1577–1584) 311
- 16. Thomas Kyd, The Spanish Tragedy (c. 1587) 331
- 17. Edmund Spenser, The Faerie Queene (1590/1596) 352
- 18. Christopher Marlowe, Doctor Faustus (c. 1588–1592) 376
- 19. Thomas Nashe, The Unfortunate Traveller (1594) 395
- 20. William Shakespeare, Richard II (1595) 411
- 21. Francis Bacon, Essays (1597–1625) 425
- 22. Shakespeare’s Sonnets (1609) 444
- 23. Ben Jonson, The Alchemist (1610) 464
- 24. Aemilia Lanyer, “The Description of Cooke-ham” (1611) 478
- 25. Robert Burton, The Anatomy of Melancholy (1621–1651) 496
- 26. John Ford, ’Tis Pity She’s a Whore (c. 1632) 516
- 27. John Donne, Songs and Sonnets (1633) 537
- 28. Thomas Carew and Inigo Jones, Coelum Britannicum (1634) 557
- 29. Andrew Marvell, Upon Appleton House (1651) 573
- 30. Margaret Cavendish, Poems, and Fancies (1653) 594
- 31. William Davenant, The Siege of Rhodes (1656) 615
- 32. John Milton, Paradise Lost (1667/1674) 635
- Index of Names 661
- Index of Subjects 683
- List of Contributors 739