Chapter
Publicly Available
Contents
Chapters in this book
- Frontmatter I
- Editors’ Preface V
- Contents VII
- Introduction 1
-
Part I: Systematic Questions
- 1. Editing English Renaissance Texts 27
- 2. Forms of Translation 46
- 3. New Ways of Worldmaking: English Renaissance Literature as ‘Early Modern’ 66
- 4. Theatre and Drama 89
- 5. Life-Writing: Encountering Selves 108
- 6. England and its Others 136
- 7. Literature and Religion in Early Modern England 155
- 8. Renaissance Englishwomen as Writers, Readers, and Patrons 182
- 9. Rhetoric and Literary Theory 203
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Part II: Close Readings
- 10. John Skelton, The Bowge of Courte (1499?) 225
- 11. Thomas More, Utopia (1516/1551) 244
- 12. William Baldwin, Beware the Cat (1553/1570) 265
- 13. Richard Tottel, Songes and Sonettes (1557) 280
- 14. John Lyly, Euphues (1578/1580) 295
- 15. Philip Sidney, The Two Arcadias (1577–1584) 311
- 16. Thomas Kyd, The Spanish Tragedy (c. 1587) 331
- 17. Edmund Spenser, The Faerie Queene (1590/1596) 352
- 18. Christopher Marlowe, Doctor Faustus (c. 1588–1592) 376
- 19. Thomas Nashe, The Unfortunate Traveller (1594) 395
- 20. William Shakespeare, Richard II (1595) 411
- 21. Francis Bacon, Essays (1597–1625) 425
- 22. Shakespeare’s Sonnets (1609) 444
- 23. Ben Jonson, The Alchemist (1610) 464
- 24. Aemilia Lanyer, “The Description of Cooke-ham” (1611) 478
- 25. Robert Burton, The Anatomy of Melancholy (1621–1651) 496
- 26. John Ford, ’Tis Pity She’s a Whore (c. 1632) 516
- 27. John Donne, Songs and Sonnets (1633) 537
- 28. Thomas Carew and Inigo Jones, Coelum Britannicum (1634) 557
- 29. Andrew Marvell, Upon Appleton House (1651) 573
- 30. Margaret Cavendish, Poems, and Fancies (1653) 594
- 31. William Davenant, The Siege of Rhodes (1656) 615
- 32. John Milton, Paradise Lost (1667/1674) 635
- Index of Names 661
- Index of Subjects 683
- List of Contributors 739
Chapters in this book
- Frontmatter I
- Editors’ Preface V
- Contents VII
- Introduction 1
-
Part I: Systematic Questions
- 1. Editing English Renaissance Texts 27
- 2. Forms of Translation 46
- 3. New Ways of Worldmaking: English Renaissance Literature as ‘Early Modern’ 66
- 4. Theatre and Drama 89
- 5. Life-Writing: Encountering Selves 108
- 6. England and its Others 136
- 7. Literature and Religion in Early Modern England 155
- 8. Renaissance Englishwomen as Writers, Readers, and Patrons 182
- 9. Rhetoric and Literary Theory 203
-
Part II: Close Readings
- 10. John Skelton, The Bowge of Courte (1499?) 225
- 11. Thomas More, Utopia (1516/1551) 244
- 12. William Baldwin, Beware the Cat (1553/1570) 265
- 13. Richard Tottel, Songes and Sonettes (1557) 280
- 14. John Lyly, Euphues (1578/1580) 295
- 15. Philip Sidney, The Two Arcadias (1577–1584) 311
- 16. Thomas Kyd, The Spanish Tragedy (c. 1587) 331
- 17. Edmund Spenser, The Faerie Queene (1590/1596) 352
- 18. Christopher Marlowe, Doctor Faustus (c. 1588–1592) 376
- 19. Thomas Nashe, The Unfortunate Traveller (1594) 395
- 20. William Shakespeare, Richard II (1595) 411
- 21. Francis Bacon, Essays (1597–1625) 425
- 22. Shakespeare’s Sonnets (1609) 444
- 23. Ben Jonson, The Alchemist (1610) 464
- 24. Aemilia Lanyer, “The Description of Cooke-ham” (1611) 478
- 25. Robert Burton, The Anatomy of Melancholy (1621–1651) 496
- 26. John Ford, ’Tis Pity She’s a Whore (c. 1632) 516
- 27. John Donne, Songs and Sonnets (1633) 537
- 28. Thomas Carew and Inigo Jones, Coelum Britannicum (1634) 557
- 29. Andrew Marvell, Upon Appleton House (1651) 573
- 30. Margaret Cavendish, Poems, and Fancies (1653) 594
- 31. William Davenant, The Siege of Rhodes (1656) 615
- 32. John Milton, Paradise Lost (1667/1674) 635
- Index of Names 661
- Index of Subjects 683
- List of Contributors 739