Abstract
This article analyzes how the conceptualization LIFE IS A JOURNEY is conveyed within a series of paintings ranging from the fifteenth century to the twentieth century. While the previous research on visual metaphor generally aims to describe how the domains of metaphorical conceptualization interact or discusses the rhetorical effect that visual metaphor is able to induce, this article takes a historical perspective in order to identify the main conceptual aspects shared by the paintings under consideration. It is proposed that the concept of a JOURNEY is associated with a PURPOSIVE ACTIVITY that involves the start of the journey and its termination as two qualitatively different moments that are faced as a collective/shared experience and that are inspired by some human wish. This article also shows how the conceptual potential of metaphor tends to maintain a coherent representation although the paintings represent different historical sensitivities and artistic approaches.
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© 2019 Walter de Gruyter GmbH, Berlin/Boston
Artikel in diesem Heft
- Frontmatter
- Introduction to Meaningful data/Données signifiantes
- A data-driven computational semiotics: The semantic vector space of Magritte’s artworks
- New approaches to plastic language: Prolegomena to a computer-aided approach to pictorial semiotics
- Mesures et savoirs : Quelles méthodes pour l’histoire culturelle à l’heure du big data ?
- Visual semiotics and automatic analysis of images from the Cultural Analytics Lab: How can quantitative and qualitative analysis be combined?
- Uncertain infographics: Expressing doubt in data visualization
- Quelques expériences pour développer l’expression de sens en cartographie thématique
- Raw data or hypersymbols? Meaning-making with digital data, between discursive processes and machinic procedures
- Differential heterogenesis and the emergence of semiotic function
- Regular Articles
- Semiotic alignment: Towards a dialogical model of interspecific communication
- Modal functioning of rhetorical resources in selected multimodal cartoons
- The mission of the Chinese puzzle: From a quest for order to seeking entertainment
- Memes, genes, and signs: Semiotics in the conceptual interface of evolutionary biology and memetics
- Formalisation sémiotique de la traduction : Le modèle transformationnel d’Alexandre Ljudskanov
- Glossopoesis in Thomas More’s Utopia: Beyond a representation of foreignness
- Playing peripatos: Creativity and abductive inference in religion, art and war
- Borders and translation: Revisiting Juri Lotman’s semiosphere
- Peirce’s philosophy of communication and language communication
- Mythic symbolic type, utopia, and body without organs
- The contribution of narrative semiotics of experiential imaginary to the ideation of new digital customer experiences
- Transference of brand personality in brand name translation: A case study on the Chinese-English translation of men’s clothing brands
- Intertextuality as a strategy of glocalization: A comparative study of Nike’s and Adidas’s 2008 advertising campaigns in China
- The semiotic web of the research proposal
- Sic vita est: Visual representation in painting of the conceptual metaphor LIFE IS A JOURNEY
Artikel in diesem Heft
- Frontmatter
- Introduction to Meaningful data/Données signifiantes
- A data-driven computational semiotics: The semantic vector space of Magritte’s artworks
- New approaches to plastic language: Prolegomena to a computer-aided approach to pictorial semiotics
- Mesures et savoirs : Quelles méthodes pour l’histoire culturelle à l’heure du big data ?
- Visual semiotics and automatic analysis of images from the Cultural Analytics Lab: How can quantitative and qualitative analysis be combined?
- Uncertain infographics: Expressing doubt in data visualization
- Quelques expériences pour développer l’expression de sens en cartographie thématique
- Raw data or hypersymbols? Meaning-making with digital data, between discursive processes and machinic procedures
- Differential heterogenesis and the emergence of semiotic function
- Regular Articles
- Semiotic alignment: Towards a dialogical model of interspecific communication
- Modal functioning of rhetorical resources in selected multimodal cartoons
- The mission of the Chinese puzzle: From a quest for order to seeking entertainment
- Memes, genes, and signs: Semiotics in the conceptual interface of evolutionary biology and memetics
- Formalisation sémiotique de la traduction : Le modèle transformationnel d’Alexandre Ljudskanov
- Glossopoesis in Thomas More’s Utopia: Beyond a representation of foreignness
- Playing peripatos: Creativity and abductive inference in religion, art and war
- Borders and translation: Revisiting Juri Lotman’s semiosphere
- Peirce’s philosophy of communication and language communication
- Mythic symbolic type, utopia, and body without organs
- The contribution of narrative semiotics of experiential imaginary to the ideation of new digital customer experiences
- Transference of brand personality in brand name translation: A case study on the Chinese-English translation of men’s clothing brands
- Intertextuality as a strategy of glocalization: A comparative study of Nike’s and Adidas’s 2008 advertising campaigns in China
- The semiotic web of the research proposal
- Sic vita est: Visual representation in painting of the conceptual metaphor LIFE IS A JOURNEY