Home Education Examining the Interrelationships Among Curiosity, Creativity, and Academic Motivation Using Students in High Schools: A Multivariate Analysis Approach
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Examining the Interrelationships Among Curiosity, Creativity, and Academic Motivation Using Students in High Schools: A Multivariate Analysis Approach

  • Inuusah Mahama ORCID logo EMAIL logo , Kenneth Asamoah-Gyimah and Bakari Yusuf Dramanu ORCID logo
Published/Copyright: March 28, 2024

Abstract

Psychological variables are a key component of the general outcome of students. In this sense, their complementary role in the academic lives of students is not doubtful. Therefore, this study examined the interrelationship among curiosity, creativity, and academic motivation of students in high school. A total of 568 students were surveyed using the correlational design (purposive, simple random, stratified-proportionate, and systematic sampling techniques). Adapted and confirmed curiosity, creativity, and academic motivation scales were used to gather the data for the study. Multiple linear regression was used to test the interrelationships. The study found that curiosity, creativity, and academic motivation predicted among themselves, where curiosity predicted higher, followed by creativity, and academic motivation. In this, curious behaviours, creative abilities, and motivation of students are related. It is recommended among others that the Ghana Education Service, in collaboration with the Ministry of Education and Curriculum Developers, should harmonise curiosity, creativity, and motivation in the High School syllabus so that teachers can guide students to become curious, creative, and motivated.

1 Introduction

Learning requires curiosity, creativity, and motivation on the part of students. Surprisingly, curiosity, creativity, and motivation are not only a feature of students’ learning but also parts of the instructional practices of teachers in the learning environment. By nature, students are curious and through curiosity, students can be creative and become motivated in learning situations. According to Kashdan and Silvia (2009), curiosity is the appreciation, quest, and strong need to discover unique, stimulating, and undefined situations. When people become curious, they become conscious and approach situations with zeal and might engage in their current phenomenon. Curiosity as a psychological construct has an internal underpinning but manifested externally by people. The internal nature of curiosity becomes evident when the innate push makes visible signs of exploration in people (e.g., performance). Curiosity is an indispensable construct in teaching and learning. For instance, Coleman (2014), Litman and Jimerson (2004), and Pekrun (2019, 2011) indicated that curiosity allows students to own their expeditions, which closely correlates with the magnitude and worth of their learning processes.

Creativity is noted to be a psychological construct, which is a pathway of inheritances that regulate progress, opens human competence, and allows it to succeed (Alfuhaigi, 2015). Creativity, according to Dineen, Samuel, and Livesey (2005), is a process of generating a consequence that is innovative or unique and applicable or appreciated. Hoffman and Holzhuter (2012) posited that creativity looks like a modification, where organisms advance to strive for sustenance. It has been argued that when institutions accept, encourage, and support creativity with a course of action, it may serve as a response to employment-related problems and the struggle for superiority (Lucas, Claxton, & Spencer, 2013). This argument suggests that for an individual, a nation, and humankind to survive and progress, the growth of creativity is indispensable. According to Serdyukov (2017), the call for educational creativity has developed tremendously because many countries hold the view that social and economic well-being depends on the extent of quality education among their citizens. McWilliam (2007) noted that the current mainstream teaching methodological practices in education focus on retrieving information and exhausting them in explaining expected difficulties or comprehensive foreseeable and repetitive relations of one kind absorbed, instead of understanding the areas of concern in education. This development remains for more than a decade despite the narrow lifespan of disciplinary knowledge.

Motivation as a hypothetical construct is used to describe the start, path, force, and persistence of behaviour, especially goal-directed behaviour (Maehr & Meyer as cited in Dramanu & Mohammed, 2017). Likewise, in the classroom situation, motivation is used to elucidate the degree to which students devote attention and effort to various pursuits that may or may not be the ones desired by teachers (Brophy as cited in Dramanu & Mohammed, 2017). Researchers such as Bandalos, Geske, and Finney (2003), Chemers, Hu, and Garcia (2001), and Senko and Harackiewicz (2005) argued that students’ desired goals, concern for subjects, and feat prospects as components of motivation that are linked to students’ academic performance. According to Sharma and Sharma (2018), motivation is about engagements, wishes, and desires because it helps in directing behaviour towards a goal. Academically, motivation concerns itself with the process towards achievement rather than the results. In explaining the value of motivation in education, Adamma, Ekwutosim, and Unamba (2018), Elliot and Dweck (2005), and Muola (2010) indicated that nurturing learning and maintaining motivation among students should be a prime area for every teacher because it is an integral part in the overall performance of students. Akhtar, Iqbal, and Tatlah (2017) indicated that motivated students are those who take charge of knowledge development and serve as the fulcrum through which learning is enhanced. Students’ urge to learn is possible due to how motivated they are, as this becomes an aspirational push for academic excellence (Gupta & Mili, 2016).

In exploring constellation factors of success in learning situations, it is clear that curiosity, creativity, and motivation are complementary in nature and bring to bear positive learning outcomes among students. These factors are argued to bring about high imagination and novel outcomes among learners. For instance, Akhtar, Tatlah, and Iqbal (2018) alleged that curious, creative, and motivated students are those who perform better academically. According to Sansone and Smith (2000), as students’ become curious, creative, and motivated, they pay more attention to the learning process, exert a deeper level of understanding, retain information better, and can persevere in diverse learning tasks until the goals they set are met.

A sense of curiosity has been suggested as a necessary but not sufficient condition for creativity, in that, curiosity may enhance the desire to engage in creative behaviours but creativity cannot be more visible in learners than a sense of curiosity (Collins, Litman, & Spielberger, 2004). Recently, it has been discovered that curiosity has an impact on the generation stage of the creative process (Harrison & Dossinger, 2017). Researchers appear to establish a positive link between curiosity and intrinsic motivation (Hong-Keung, Man-Shan, & Lai-Fong, 2012). For example, Litman (2005) and Shroff, Vogel, and Coombes (2008) revealed that curiosity was positively related to intrinsic motivation. In this regard, curiosity can be labelled as a driving force behind the desire to explore and engage with new ideas or challenges. When students become curious, they are naturally more inclined to invest time and effort in an activity. In the context of creativity, this could mean that curious students are more likely to persist in the face of challenges, explore different avenues, and derive satisfaction from the act of generating ideas itself. This intrinsic motivation, fuelled by curiosity could lead to a more productive and innovative generation stage in the creative process. The findings of Hon-Keung et al. (2012) study were similar to a study conducted in Shiraz by Zare, Jamshidi, Rastegar, and Jahromi (2011) concerning the relationship between creativity and achievement motivation in entrepreneurship. The study revealed that a significant positive relationship existed between creativity and achievement motivation. The findings further showed that creativity predicted 93% of the variance of achievement-motivation in entrepreneurship of high school students in Shiraz.

Ainley, Hidi, and Berndorff (2002) noted that curiosity and creativity have been established to inspire learners and eventually result in better academic performance. Durik and Harackiewicz (2007) found a positive relationship between curiosity, creativity, and motivational concepts such as engagement, perceived competence, and cognitive processing. Shin and Kim (2019) indicated that the link between curiosity and creativity has long been acknowledged. For instance, Day and Langevin (as cited in Shin & Kim, 2019) projected that curiosity and intelligence power creativity, and Maw and Maw (as cited in Shin & Kim, 2019) similarly established that there exists a significant relationship between curiosity and creativity among students. Shin and Kim (2019) explained that highly curious students exhibit adaptive and creative thinking abilities than those who are less curious. By exploring the role of curiosity in creative abilities of students, Karwowski (2012) study revealed a strong association between curiosity and creativity. Assertions and empirical evidence presented by Shin and Kim (2019) buttressed the findings of Kashdan and Fincham (2002). In their efficient examination of curiosity’s role in developing creative mental processes, creative personalities, and the production of creative works, Kashdan and Fincham (2002) noted that there was an urgent need to provoke and nurture curiosity in students because it could propel them to greater heights in their scholastic endeavours. In a similar manner, the study was conducted among 480 participants, and the results indicated that individual work-related curiosity was a positive predictor of worker creativity in terms of innovation and that creative divergent thinking mediated this relationship (Celik, Storme, Davila, & Myszkowski, 2016).

1.1 The Present Study

Extant literature shows that curious abilities of people are favourable for their creative ideas and motivation to engage in a purposeful activity (Dahmen-Wassenberg, Kämmerle, Unterrainer, & Fink, 2016; Ding, Tang, Deng, Tang, & Posner, Tang, 2015; Horng, Tsai, Yang, & Liu, 2016). According to Ivcevic and Brackett (2015), Van Tilburg, Sedikides, and Wildschut (2015), curious behaviours of students influence their creative and motivational reactions and performance in many academic fields. These views are supported by other scholarly positions. For example, curiosity, creativity, and motivation are noted to be intertwined (Batey, Furnham, & Safiullina, 2010; Grosul & Feist, 2014; Jauk, Benedek, & Neubauer, 2014; Silvia et al., 2014; Zhang & Bartol, 2010). The dynamic interplay among curiosity, creativity, and motivation has captivated the attention of researchers and educators alike. These psychological constructs wield substantial influence over human behaviour, particularly within the realm of learning and academic achievement. Silvia et al. (2014) orchestrated an intricate research design meticulously structured to unearth the multifaceted connections between curiosity, creativity, and motivation. In this study, they found curiosity, creativity, and motivation related as curiosity predicted strongly on creativity-related activities of students (Silvia et al., 2014). The findings corroborated with Tan, Lau, Kung, and Kailsan (2019) study’s finding, as they opined that curious students are inspired and are inclined to creative actions. The preceding evidence indicate that creative production requires a high level of motivation, while several theories show that creative persons engage in tasks when they feel they are satisfying and enjoyable. Therefore, students can exert their creative potentials only when they are curious and motivated.

It is worthy of note that the interplay among curiosity, creativity, and academic motivation in high school students is a multifaceted and dynamic area of research that holds significant implications for educational psychology and student success. While existing literature has explored each of these constructs individually, there is a notable gap in understanding the intricate interrelationships among them. Addressing this gap and conducting comprehensive research in this area is crucial for several reasons. With respect to research focus, previous research has primarily focused on studying curiosity, creativity, and academic motivation in isolation, lacking a cohesive framework that comprehensively examines how these factors interact and influence each other. A deeper exploration is required to unravel the complex ways in which curiosity fuels creativity and how both impact academic motivation and vice versa. In establishing causal relationships, the existing literature often lacks a clear understanding of the causal relationships among curiosity, creativity, and academic motivation. While some studies suggest that curiosity and creativity drive academic motivation, others propose reverse or bidirectional causality. Unraveling the causal pathways can provide valuable insights into designing effective interventions to enhance student engagement and performance. Developmentally, there is a scarcity of research exploring how the interplay between these constructs evolves over time during high school years. Adolescence is a period of significant cognitive and emotional development, making it crucial to investigate how curiosity, creativity, and academic motivation change and interact throughout this period. Contextually, most research has been conducted within specific cultural and contextual settings, limiting the generalisability of findings. Exploring these interrelationships across diverse, high school populations and educational systems can shed light on potential cultural variations and inform more inclusive educational practices. Therefore, the need to investigate interrelationships among these variables using students in High Schools in the Central Region of Ghana. Based on the over-arching purpose, the study was guided by a multi-focus research hypothesis.

  • There will be predictions among (a) curiosity, (b) creativity, and (c) motivation of students in High Schools.

2 Methods

2.1 Research Design, Sampling, and Participants

As an extraction from a larger study, the correlational research design was employed. The design was appropriate for this study because it enabled relationships to be established between or among variables without determining the cause and effect of those related variables. The population for the study comprised two high school students of 25 schools with a total of 32,233. The population comprised students in mixed and single sex schools with an average age of 16 years. Curiosity, creativity, and motivation are major parts of a child’s developmental process. In this regard, the use of high school students for this study is justified. For example, Lyons and Beilock (2011), indicated that students habitually express emotions and inspirations towards their learning; hence, they are well-thought-out to understand curiosity, creativity, and motivation as potentials for effective learning and performance. The sample size for the study was 568 (female = 288 [50.7%] while male = 280 [49.3%]) respondents based on Gay, Mills, and Airasian’s (2012) suggestion that a population greater than 5,000 must have at least 400 respondents as a sample. The average age of the students was 16.80 ± 0.98. The sample was appropriate for the study because it exceeded the minimum sample size of 30 respondents for correlational research as suggested by Gay et al. (2012) and equally met the criterion that 30 and above sample size was good for quantitative studies (Boddy, 2016). The selection of respondents was based on a multiple sampling approach, where purposive sampling procedure, simple random sampling (lottery method with replacement), stratified-proportionate sampling procedure, and systematic sampling procedure were applied.

2.2 Instrumentation and Analysis

The curious abilities of the students were measured with an adapted scale named 5-Dimensions of Curiosity (5DC) with a composite reliability coefficient of 0.71 (Kashdan et al., 2018). Also, the creative abilities of students were assessed with an adapted scale named Kaufman Domains of Creativity Scale (K-DOCS) with a composite reliability coefficient of 0.86 (Kaufman, 2012). Academic motivation of students was determined with an adapted scale named Academic Motivation Scale (AMS-28) with a composite reliability coefficient of 0.79 (Vallerand et al., 1992). Table 1 shows the adapted scales, their dimensions, and reliability coefficients.

Table 1

Internal consistencies for (reliability) the adapted scales

Construct Pilot-testing of data results Final data collection results
Variable Items Reliability Items Reliability
Curiosity 25 0.842 25 0.764
Joyous exploration 5 0.834 5 0.770
Deprivation sensitivity 5 0.815 5 0.731
Stress tolerance 5 0.904 5 0.854
Social curiosity 5 0.829 5 0.724
Thrill seeking 5 0.830 5 0.740
Creativity 50 0.817 49 0.786
Everyday creativity 11 0.815 11 0.758
Scholarly creativity 10 0.817 10 0.793
Performance creativity 9 0.804 9 0.765
Mechanical/science creativity 10 0.826 10 0.789
Artistic creativity 10 0.822 9 0.824
Motivation 28 0.828 28 0.822
Intrinsic motivation knowledge 4 0.810 4 0.830
Intrinsic motivation accomplishment 4 0.819 4 0.818
Intrinsic motivation stimulation 4 0.822 4 0.827
Extrinsic motivation identified regulation 4 0.807 4 0.824
Extrinsic motivation introjected regulation 4 0.829 4 0.717
Extrinsic motivation extrinsic 4 0.826 4 0.839
Amotivation 4 0.876 4 0.900

Bold figures indicate total number of statements under each construct and composite scores of internal consistencies/reliability values.

After satisfying this process, it was prudent to further test the assumptions appropriately using descriptive statistics before running the individual tests for the research questions and hypotheses. This included the skewness of data, kurtosis data, means, and standard deviations of the variables used in the study. Table 2 presents the results.

Table 2

Descriptive statistics for all the scales

Measures N Min. Max. Mean SD Skewness Kurtosis
Stat. Stat. Stat. Stat. Stat. Stat. Std. E Stat. Std. E
Curiosity total 568 51.00 90.00 71.54 7.30 −0.255 0.103 −0.098 0.205
Creativity total 568 92.00 200.00 143.75 16.50 0.209 0.103 0.438 0.205
Motivation total 568 51.00 112.00 86.31 9.11 −0.654 0.103 0.483 0.205

Table 2 indicates the skewness of data based on custom rule values ranged between +1 and −1 and kurtosis custom rule values ranged between +1 and −1. Referring to curiosity, it produced a skewness statistic of −0.255 and a kurtosis statistic of −0.098. This implies that the distribution for curiosity was skewed to the left while kurtosis produced a negative value, making the data leptokurtic (negative kurtosis shows a distribution that does not peak and has lighter tails). This explained that the majority of responses or cases are falling above the average/midpoint in the normal curve (mean and median less than the mode). Referring to creativity, it produced a skewness statistic of 0.209 and a kurtosis statistic of 0.438. This implied that the distribution for creativity was skewed to the right while kurtosis produced a positive value, making it platykurtic kurtosis (positive kurtosis shows a distribution that is peaked and possessed thick tails). This explained that the majority of responses or cases are falling below the average/midpoint in the normal curve (mean and median greater than the mode). Referring to motivation, it produced a skewness statistic of −0.654 and a kurtosis statistic of 0.483. This implied that the distribution for motivation was skewed to the left while kurtosis showed a positive value, making the data leptokurtic (a negative kurtosis value indicates that the distribution has lighter tails than the normal distribution). This explained that the majority of responses or cases are falling above the average/midpoint in the normal curve (mean and median less than the mode). As Hair, Hult, Ringle, Sarstedt, and Thiele (2017) indicate, if the distribution of responses for a variable stretches towards the right or left tail of the distribution, then the distribution is referred to as skewed while kurtosis measures the extent to which the distribution becomes too peaked or light at the tail of the distribution. A custom rule for skewness says that if the number is greater than +1 or less than −1, it shows a considerably skewed distribution. For kurtosis, the custom rule says that if the number is greater than +1, the distribution is too peaked. Likewise, a kurtosis of less than −1 indicates a distribution that is too flat (Hair et al., 2017).

2.3 Data Analysis Procedure

Multivariate regression was employed to investigate the relationships among curiosity, creativity, and motivation. The choice of this tool accounted for the potential effects of the multiple predictors simultaneously. Again, the choice of multivariate regression analysis in this study was both strategic and methodologically robust because the researchers explored how variations in curiosity scores predict not only variations in creativity but also account for the potential influence of motivation. In this sense, creativity was paired with curiosity; curiosity was paired with motivation; and motivation was paired with creativity. With this, each variable served both as a predictor and a criterion.

3 Results

3.1 Research Hypothesis 1: There will be Predictions Among (a) Curiosity, (b) Creativity, and (c) Motivation of Students in High Schools

The objective of testing this hypothesis was to establish a non-recursive statistical relationship among (a) curiosity, (b) creativity, and (c) motivation using regression. Multivariate regression was used for the prediction because it has the power to produce correlations and predictions among the variables, where each variable predicts the other. Before performing the regression test, the normality test, linearity, homoscedasticity, multicollinearity, and collinearity assumptions were certified as preliminary tests.

From Table 3, concerning the multicollinearity and collinearity assumption test, correlation coefficients of 0.385–0.546 were produced, while collinearity statistics produced variance inflation factors (VIFs) between 1 and 10 for all variable pairings, and this signifies that there were fewer issues regarding collinearity and multicollinearity (Pallant, 2016). After satisfying the assumptions, the regression test results are presented in Table 4.

Table 3

Multicollinearity and collinearity assumptions for curiosity, creativity, and motivation

Variable Collinearity statistics
First test Tolerance Variance inflation factor
Curiosity 0.770 1.299
Creativity 0.770 1.299
Second test Tolerance Variance inflation factor
Curiosity 0.677 1.477
Motivation 0.677 1.477
Third test Tolerance Variance inflation factor
Creativity 0.634 1.575
Motivation 0.634 1.575

First dependent = motivation; Second dependent = Creativity; Third dependent = Curiosity.

Table 4

Regression results on curiosity, creativity, and motivation pairings

Variable B SE β R T R 2 AdR 2 F p
First pairing test
Creativity 0.218 0.048 0.199 0.385 4.51 0.230 0.227 84.45 0.000
Curiosity 0.315 0.041 0.341 0.450 7.45 0.230 0.227 84.45 0.000
Second pairing test
Curiosity 0.393 0.033 0.468 0.546 13.1 0.323 0.320 134.6 0.000
Motivation 0.159 0.035 0.175 0.385 4.51 0.323 0.320 134.6 0.000
Third pairing test
Motivation 0.305 0.039 0.281 0.450 7.75 0.366 0.363 162.9 0.000
Creativity 0.520 0.043 0.438 0.546 12.1 0.366 0.363 162.9 0.000

*First dependent = Motivation; *Second dependent = Creativity; *Third dependent = Curiosity.

Table 4 indicates the results of the regression analysis of curiosity, creativity, and motivation pairings. In the first pairing of curiosity and creativity as predictors of motivation, the results show that there were moderate positive relationships between students’ creativity and motivation (r = 0.385) and students’ curiosity and motivation (r = 0.450). The results of the regression indicated that students’ creativity and curiosity explained 23.0% of the variance in their motivation (R 2 = 0.230, F (2, 565) = 84.45, p < 0.000). It was found that students’ creativity significantly predicted students’ motivation (β = 0.199, p < 0.000), and students’ curiosity significantly predicted students’ motivation (β = 0.341, p < 0.000). Looking at these findings, it was evident that students’ curiosity predicted their motivation more than students’ creativity. The results imply that a unit increase in either students’ curiosity or creativity will lead to an increase in their motivation, but this increase will be more for curiosity against motivation than creativity against motivation. For the effect size contribution of students’ creativity and curiosity to their motivation, the results revealed an effect size of 0.30, which was moderate using Cohen’s (1988) formula. For example, f 2 = R 2/1 – R 2 = 0.230/1 – 0.230 = 0.230/0.77 = 0.30. These imply that the strength of the relationship among students’ curiosity, creativity, and motivation was average.

In the second pairing of curiosity and motivation as predictors of creativity, the results show that there were moderate positive relationships between students’ curiosity and creativity (r = 0.546) and students’ motivation and creativity (r = 0.385). The results of the regression indicated that students’ curiosity and motivation explained 32.3% of the variance in their creativity (R 2 = 0.323, F (2, 565) = 134.61, p < 0.000). It was found that students’ curiosity significantly predicted students’ creativity (β = 0.468, p < 0.000), and students’ motivation significantly predicted students’ creativity (β = 0.175, p < 0.000). Looking at these findings, it was evident that students’ curiosity predicted their creativity more than students’ motivation. The results mean that a unit increase in either students’ curiosity or motivation will lead to an increase in their creativity, but this increase will be more for curiosity against creativity than motivation against creativity. For the effect size contribution of students’ curiosity and motivation to their creativity, the results revealed an effect size of 0.48, which was large using Cohen’s (1988) formula. For example, f 2 = R 2/1 – R 2 = 0.323/1 – 0.323 = 0.323/0.68 = 0.48. These imply that the strength of the relationship among students’ curiosity, motivation, and creativity was high.

In the third pairing of creativity and motivation as predictors of curiosity, the results show that there was a moderate positive relationship between students’ creativity and curiosity (r = 0.546) and students’ motivation and curiosity (r = 0.450). The results of the regression indicated that students’ creativity and motivation explained 36.6% of the variance in their curiosity (R 2 = 0.366, F (2, 565) = 162.89, p < 0.000). It was found that students’ creativity significantly predicted students’ curiosity (β = 0.438, p < 0.000), and students’ motivation significantly predicted students’ curiosity (β = 0.281, p < 0.000). Based on these findings, it was evident that students’ creativity predicted their curiosity more than students’ motivation. The results mean that a unit increase in students’ creativity or motivation will lead to an increase in their curiosity, but this increase will be more for creativity against curiosity than motivation against curiosity. For the effect size contribution of students’ curiosity and motivation to their creativity, the results revealed an effect size of 0.58, which was large using Cohen’s (1988) formula. For example, f 2 = R 2/1 – R 2 = 0.366/1 – 0.366 = 0.366/0.63 = 0.58. These imply that the strength of the relationship among students’ curiosity, motivation, and creativity was high. The findings are presented with a conceptual model in Figure 1.

Figure 1 
                  Curiosity, creativity, and motivation model.
Figure 1

Curiosity, creativity, and motivation model.

Figure 1 indicates the predictive ability among the latent constructs. It revealed that curiosity predicted better on creativity and motivation. It means that curiosity can propel students to become creative and motivated in school work. The implication is that curiosity is an important component of students’ academic lives as it could invoke their ability to become creative and motivated in their academic work.

4 Discussion

The hypothesis aimed at testing the predictive abilities among curiosity, creativity, and motivation as innate potentials of students. In the testing process, curiosity and creativity were paired against motivation (test 1), curiosity and motivation were paired against creativity (test 2), and creativity and motivation were paired against curiosity. In test 1, the study revealed that curiosity predicted motivation better than creativity. This suggests that curious ability in students can lead them to become more motivated than their creative ability. Presumably, nurturing curiosity among students will help them to become motivated in their academic pursuits because the more curious they are, the more motivated they become. This finding suggests that curiosity is a major aspect of students’ success. When students are presented with the opportunity to investigate their environment through teachers’ guide, they are likely to uncover the knowledge that was hidden and use such knowledge for their academic and social lives.

With creativity and its prediction on motivation, students can be inspired by their creative products (innovation). Once they are able to produce novel things, the tendency for them to be motivated to pursue other areas of their academic work would be high. Both curiosity and creativity finding produced a moderate effect size for motivation. This confirms the assertion that curiosity and creativity work directly or indirectly to motivate students in academic surroundings (Shin & Kim, 2019). Also, the finding buttresses the view by Ainley et al. (2002) that curiosity and creativity inspire learners to perform better academically. With this effect size, it means that the relationship between creativity and motivation was never low nor high but appreciable (Cohen, 1988).

In the second test, the study revealed that curiosity significantly predicted students’ creativity and students’ motivation significantly predicted students’ creativity; however, curiosity was a better predictor of creativity than motivation. This means that as students become curious, they are likely to become creative and eventually become innovative than they become motivated. Unsurprisingly, students’ quest for knowledge is a natural and necessary condition for success. So, when students are given the opportunity to explore or investigate their academic environments purposely, it will help them to be creative way, where they could come up with novel products. Comparing the roles of curiosity and motivation in the creative abilities of students, curiosity is a major construct to be considered more than motivation because motivation can only be realised after students’ purposeful exploration produces creative behaviours that may be appreciated by students themselves or their teachers. Both curiosity and motivation produced a large effect size. With this effect size, it means that the relationship was strong. The finding of the current study supports the finding of a study conducted by Collins et al. (2004). In this study, creative behaviours and creative personality qualities were found to be associated with both forms of curiosity. A sense of curiosity has been suggested as a necessary but not sufficient condition for creativity in that curiosity may enhance the desire to engage in creative behaviours, but creativity cannot be more visible in learners than a sense of curiosity (Collins et al., 2004). Also, the finding of the current study confirms the finding of a study conducted by Celik et al. (2016). In this study, the researchers found that there was a correlation between curiosity and creativity exhibited by students.

In the third test, the study revealed that students’ creativity significantly predicted their curiosity and motivation, where creativity was a better predictor of curious abilities than students’ motivation. Presumably, it means that creativity can influence curiosity and as well motivation. Among students, it is possible that students’ ability to come up with new ideas that are helpful in their academic environment could improve upon their quest to search for new ideas. Again, students who are inspired from within or external sources are likely to engage in purposeful explorative behaviours, which may in turn help in their academic pursuits. It is important to note that both creativity and motivation have various roles to play in students’ quest to search for knowledge. However, such roles vary based on the immediate mental state of students. At a time where creativity is present, they may engage in curious behaviours more often, while at a time where motivation is present, they may engage in curious behaviours but less than when creativity was present. The finding of the current study confirmed the findings of Litman (2005) and Shroff et al. (2008). In their studies, students’ curiosity significantly predicted their motivation positively. Furthermore, the finding of the current study confirmed the findings of Hon-Keung et al. (2012). They found significant and positive predictions between curiosity and motivation of students, where higher levels of curiosity related positively to higher levels of motivation. Also, the finding of the current study confirmed the findings of Shin and Kim (2019), as they found highly curious students exhibiting creative thinking abilities, implying that curiosity predicts creativity in students. Furthermore, the finding supports that of Karwowski’s (2012), which revealed a strong positive relationship between curiosity and creativity: curiosity significantly predicted creativity among students. More so, the finding of the current study corroborates the findings of Kashdan and Fincham (2002), where they established that curiosity positively predicts creativity, where the nurturing curiosity in students could propel them to become creative in their lives. Again, the finding of the current study was congruent with the finding of Zare et al. (2011). They found that creativity positively and significantly predicted students’ achievement: creativity predicted 93% of the variance of achievement-motivation.

5 Conclusion

Students’ curious behaviours, creative abilities, and motivational orientations are related and complement one another in pursuit of academic goals, as revealed by the current study. The direction of the findings has created a platform for the paradigm. In this, the traditional studies that have often focused on exploring curiosity, creativity, and motivation as discrete entities, each offering valuable insights into students’ cognitive and affective dimensions, have been debunked for a good reason. While these studies have provided valuable foundational knowledge, they paint an incomplete picture of the complex dynamics at play within the educational landscape. The recent findings that students’ curious behaviours, creative abilities, and motivational orientations are interrelated and synergistically contribute to their academic endeavours mark a paradigm shift in how we perceive and investigate these constructs.

As students become curious, their creative abilities are energised, and they become motivated when creative products are realised. For this reason, it is important that their students’ curiosity is provoked; at the same time, their creative abilities are honed while their efforts are being reinforced so that they can achieve success in learning endeavours. Specifically, teachers and parents need to find appropriate pedagogical strategies that give room for students’ explorative behaviours to be exhibited, where students could be engaged in independent activities to realise their creativity and making an effort to reward the successes of the students in the process of acquiring knowledge.

6 Implication for Policy and Practice

It is recommended that organisations responsible for educational development collaborate with curriculum developers so that latent learner skills such as curiosity, creativity, and motivation can be harmonised with the required syllabus. In this direction, teachers can guide students to become curious, creative, and motivated in their learning expeditions without necessarily teaching the concepts to students as separate subject areas. Again, training programmes for in-service teachers and trainee teachers should be geared towards the inclusion of curiosity, creativity, and motivation to make it comprehensive for teachers as they engage students in teaching and learning activities in future. With this, teachers can become curious behaviours of their students through open-ended discussions that allow students to share their wonderings and curiosities, promoting a culture of inquiry in the classroom, develop their creative potential through project works where they choose an aspect of a subject that interests them, and inspire them by providing opportunities for self-assessment and reflection, allowing students to track their progress and celebrate milestones.

Furthermore, management of high schools should make efforts to develop holistic students to become more curious, creative, and motivated in pursuit of their academic goals. As psychologically oriented abilities, students need to be taught by their teachers how to improve their concentration; they should be allowed enough sleep to improve memory retention, taught how to be self-disciplined, encourage exercise, engage students in active learning, and teach meditation so that their general mental system can be enhanced. Also, schools can help develop students’ abilities in curiosity, creativity, and motivation by giving them less non-academic activities after school so that their minds can be engaged. Students on their part can be asked to engage in mental and physical exercises as these can help make every part of their brains active. Exercises allow the free flow of oxygen to vital parts of the brain and contribute to the improvement of cognitive skills, which are responsible for curiosity, creativity, and motivation (Lin & Kuo, 2013; Mikkelsen, Stojanovska, Polenakovic, Bosevski, & Apostolopoulos, 2017).

Acknowledgments

We appreciate the School of Graduate Studies, University of Cape Coast, Ghana, for giving us a research grant of GHS 3, 800 for the data collection. Without their timely support, we would have delayed the process of data collection.

  1. Funding information: However, the publication of this work does not need any approval from any source except the authors.

  2. Conflict of interest: The authors state no conflict of interest.

Appendix A1 Results of Confirmatory Factor Analysis

Table A1

Goodness-of-fit indicators of the curiosity model

Fit indices Data value Range
Chi square (χ 2) CMIN = 454.7; df = 265; p = 000 ≥0.000
RMR 0.019 ≤0.09
RMSEA 0.065 0.05–0.10
GFI 0.93 ≥0.90
AGFI 0.89 ≥0.80
CFI 0.90 ≥0.80
Table A2

Goodness-of-fit indicators of the creativity model

Fit indices Data value Range
Chi square (χ 2) CMIN = 2192.1; df = 1,165; p = 000 ≥0.000
RMR 0.064 ≤0.09
RMSEA 0.072 0.05–0.10
GFI 0.90 ≥0.90
AGFI 0.87 ≥0.80
CFI 0.89 ≥0.80
Table A3

Goodness-of-fit indicators of the motivation model

Fit indices Data value Range
Chi square (χ 2) CMIN = 604.8; df = 329; p = 000 ≥0.000
RMR 0.041 ≤0.09
RMSEA 0.051 0.05–0.10
GFI 0.91 ≥0.90
AGFI 0.86 ≥0.80
CFI 0.98 ≥0.80

A2 Linearity for Curiosity, Creativity, and Motivation

Figure A1 
                  Scatterplot for curiosity.
Figure A1

Scatterplot for curiosity.

Figure A2 
                  Scatterplot for creativity.
Figure A2

Scatterplot for creativity.

Figure A3 
                  Scatterplot for motivation.
Figure A3

Scatterplot for motivation.

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Received: 2022-09-15
Revised: 2023-08-06
Accepted: 2024-03-01
Published Online: 2024-03-28

© 2024 the author(s), published by De Gruyter

This work is licensed under the Creative Commons Attribution 4.0 International License.

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