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Music Albums: A Tiny Gesamtkunstwerk?
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Margaret R Higonnet
Veröffentlicht/Copyright:
27. Februar 2008
Illustrated music albums for children can bring together three, or even four, arts: image, text, music, and performance of a game. The Golden Age of children's books produced a few unusually fine examples of visual layout and of counterpoint among the arts. In this period, outstanding artists produced music albums, especially in collections of folksongs and nursery rhymes that consolidated an image of the national past. But far from embodying, as Steven Scher suggests, the “symbiotic construct” of vocal music (1982: 226), these examples tend to confirm John Neubauer's thesis that music by the nineteenth century, understood increasingly as a nonrepresentational art, “emancipated” itself from language (1986: 2). Curiously, the “Pythagorean” trend toward abstraction in music finds a happy conceptual marriage with the abstract nonsense of nursery rhymes and with the “round” form of children's circle games.
Published Online: 2008-02-27
Published in Print: 2003-10-14
© Walter de Gruyter
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- Arguments for a Cross-Cultural Literary History. Theoretical and Practical Implications
- Comparative Literary History, Theory and Practice: John Neubauer's Contribution
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Artikel in diesem Heft
- Portrait of an Interdisciplinary Life. John Neubauer zum 70. Geburtstag
- Introduction
- Thought-Images: A Brief History of Time
- The Return of the Dinosaurs: About Scientific Imagination and its Affects
- Borders and Monuments: Goethe's Reconstruction of the World as Knowledge
- History, Theory and Abraham Gottlob Werner
- Mynheer Peeperkorn's Fever
- Introduction
- History, Empire, Opera
- Music Albums: A Tiny Gesamtkunstwerk?
- Listening to Kurt Schwitters' Ursonate. A Dadaistic-Romantic transposition d'arts?
- Introduction
- Reading Melling's Voyage pittoresque de Constantinople. Topography and Control
- Penumbra
- Bruno Freddi's Vissuto
- From Stony Facts to Paper Flowers
- Picturing It. The Issue of Visuality in the Classical Theory of Metaphor
- Introduction
- The Practical Use of Historiography: from Haffner to Herodotus
- The Gap between Hannah Arendt and Franz Kafka
- Literature and Art in History
- Cultural Memory, Cultural History and Cultural Canons in the Third Millennium
- Cross-border Histories
- Introduction
- The Intolerable
- History, Theory and the Middle Voice
- Sacred Memory or Relics: Should Holocaust Documents Be Altered?
- Blasting the Historical Continuum: Stories of my Grandmother
- Der Erlkönig in Sarajevo: Did the monument forecast the catastrophe?
- Introduction
- Hans Mayer – Ansichten eines komparatistischen Außenseiters
- Mastering Adolescence in the Age of Cultural Studies
- Bamboozled by Literature
- Arguments for a Cross-Cultural Literary History. Theoretical and Practical Implications
- Comparative Literary History, Theory and Practice: John Neubauer's Contribution
- “Rich Seeds We Must Sow … But If Only a Few Will Take”
- John Neubauer's Cultural Geographies
- The Marathon Man
- Embracing the Horizon
- Rezensionen
