The Return of the Dinosaurs: About Scientific Imagination and its Affects
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Walter Moser
Is it coincidence that in 1778 Buffon published his Les Époques de la Nature, Friedrich Schiller started writing his Die Räuber and Johann Heinrich Füssli started working on his drawing titled Der Künstler, verzweifelnd vor der Grösse der antiken Trümmer (The despairing artist, viewing the giant debris of antiquity)? What do these three very different works have in common? In a more or less nostalgic mood, they all evoke the energy and great size of a time past. For Buffon, the natural historian, it is gigantism of animal species, for Füssli the monumentalism of ancient works of art and for Schiller's Karl von Moor, the great feats of ancient heroes.
© Walter de Gruyter
Artikel in diesem Heft
- Portrait of an Interdisciplinary Life. John Neubauer zum 70. Geburtstag
- Introduction
- Thought-Images: A Brief History of Time
- The Return of the Dinosaurs: About Scientific Imagination and its Affects
- Borders and Monuments: Goethe's Reconstruction of the World as Knowledge
- History, Theory and Abraham Gottlob Werner
- Mynheer Peeperkorn's Fever
- Introduction
- History, Empire, Opera
- Music Albums: A Tiny Gesamtkunstwerk?
- Listening to Kurt Schwitters' Ursonate. A Dadaistic-Romantic transposition d'arts?
- Introduction
- Reading Melling's Voyage pittoresque de Constantinople. Topography and Control
- Penumbra
- Bruno Freddi's Vissuto
- From Stony Facts to Paper Flowers
- Picturing It. The Issue of Visuality in the Classical Theory of Metaphor
- Introduction
- The Practical Use of Historiography: from Haffner to Herodotus
- The Gap between Hannah Arendt and Franz Kafka
- Literature and Art in History
- Cultural Memory, Cultural History and Cultural Canons in the Third Millennium
- Cross-border Histories
- Introduction
- The Intolerable
- History, Theory and the Middle Voice
- Sacred Memory or Relics: Should Holocaust Documents Be Altered?
- Blasting the Historical Continuum: Stories of my Grandmother
- Der Erlkönig in Sarajevo: Did the monument forecast the catastrophe?
- Introduction
- Hans Mayer – Ansichten eines komparatistischen Außenseiters
- Mastering Adolescence in the Age of Cultural Studies
- Bamboozled by Literature
- Arguments for a Cross-Cultural Literary History. Theoretical and Practical Implications
- Comparative Literary History, Theory and Practice: John Neubauer's Contribution
- “Rich Seeds We Must Sow … But If Only a Few Will Take”
- John Neubauer's Cultural Geographies
- The Marathon Man
- Embracing the Horizon
- Rezensionen
Artikel in diesem Heft
- Portrait of an Interdisciplinary Life. John Neubauer zum 70. Geburtstag
- Introduction
- Thought-Images: A Brief History of Time
- The Return of the Dinosaurs: About Scientific Imagination and its Affects
- Borders and Monuments: Goethe's Reconstruction of the World as Knowledge
- History, Theory and Abraham Gottlob Werner
- Mynheer Peeperkorn's Fever
- Introduction
- History, Empire, Opera
- Music Albums: A Tiny Gesamtkunstwerk?
- Listening to Kurt Schwitters' Ursonate. A Dadaistic-Romantic transposition d'arts?
- Introduction
- Reading Melling's Voyage pittoresque de Constantinople. Topography and Control
- Penumbra
- Bruno Freddi's Vissuto
- From Stony Facts to Paper Flowers
- Picturing It. The Issue of Visuality in the Classical Theory of Metaphor
- Introduction
- The Practical Use of Historiography: from Haffner to Herodotus
- The Gap between Hannah Arendt and Franz Kafka
- Literature and Art in History
- Cultural Memory, Cultural History and Cultural Canons in the Third Millennium
- Cross-border Histories
- Introduction
- The Intolerable
- History, Theory and the Middle Voice
- Sacred Memory or Relics: Should Holocaust Documents Be Altered?
- Blasting the Historical Continuum: Stories of my Grandmother
- Der Erlkönig in Sarajevo: Did the monument forecast the catastrophe?
- Introduction
- Hans Mayer – Ansichten eines komparatistischen Außenseiters
- Mastering Adolescence in the Age of Cultural Studies
- Bamboozled by Literature
- Arguments for a Cross-Cultural Literary History. Theoretical and Practical Implications
- Comparative Literary History, Theory and Practice: John Neubauer's Contribution
- “Rich Seeds We Must Sow … But If Only a Few Will Take”
- John Neubauer's Cultural Geographies
- The Marathon Man
- Embracing the Horizon
- Rezensionen