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Embracing the Horizon
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Mieke Bal
Published/Copyright:
February 27, 2008
Abstract
Borders and their crossings play an immensely important part in our lives, in every aspect – as they do in literature. The main character in Tchicaya U Tam'si's novel Ces fruits si doux de l'arbre à pain (1987) is a judge, that is, a professional guard of boundaries of a specific kind: those between good and evil. As a judge, he stands for the need to uphold boundaries and for the survival of the community, indeed, of the species. But, as Judge Raymond Poaty soon finds out, it is impossible to maintain the clarity of the domain he serves. This confusion is an allegory for the state of the contemporary world.
Published Online: 2008-02-27
Published in Print: 2003-10-14
© Walter de Gruyter
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Articles in the same Issue
- Portrait of an Interdisciplinary Life. John Neubauer zum 70. Geburtstag
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- Thought-Images: A Brief History of Time
- The Return of the Dinosaurs: About Scientific Imagination and its Affects
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- Music Albums: A Tiny Gesamtkunstwerk?
- Listening to Kurt Schwitters' Ursonate. A Dadaistic-Romantic transposition d'arts?
- Introduction
- Reading Melling's Voyage pittoresque de Constantinople. Topography and Control
- Penumbra
- Bruno Freddi's Vissuto
- From Stony Facts to Paper Flowers
- Picturing It. The Issue of Visuality in the Classical Theory of Metaphor
- Introduction
- The Practical Use of Historiography: from Haffner to Herodotus
- The Gap between Hannah Arendt and Franz Kafka
- Literature and Art in History
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- The Intolerable
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- Hans Mayer – Ansichten eines komparatistischen Außenseiters
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