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“Rich Seeds We Must Sow … But If Only a Few Will Take”
Published/Copyright:
February 27, 2008
Abstract
When John Neubauer became my teacher at the University of Pittsburgh in 1979, lessons for life abounded everywhere – “everything was a seedling,” (HKA II: 563) as Novalis had once noted. Recalling some of these lessons 25 years later brings back fond memories of a period of challenge and growth.
Published Online: 2008-02-27
Published in Print: 2003-10-14
© Walter de Gruyter
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Articles in the same Issue
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- Introduction
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- Borders and Monuments: Goethe's Reconstruction of the World as Knowledge
- History, Theory and Abraham Gottlob Werner
- Mynheer Peeperkorn's Fever
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- Music Albums: A Tiny Gesamtkunstwerk?
- Listening to Kurt Schwitters' Ursonate. A Dadaistic-Romantic transposition d'arts?
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- Penumbra
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- From Stony Facts to Paper Flowers
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- Introduction
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- Sacred Memory or Relics: Should Holocaust Documents Be Altered?
- Blasting the Historical Continuum: Stories of my Grandmother
- Der Erlkönig in Sarajevo: Did the monument forecast the catastrophe?
- Introduction
- Hans Mayer – Ansichten eines komparatistischen Außenseiters
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- Arguments for a Cross-Cultural Literary History. Theoretical and Practical Implications
- Comparative Literary History, Theory and Practice: John Neubauer's Contribution
- “Rich Seeds We Must Sow … But If Only a Few Will Take”
- John Neubauer's Cultural Geographies
- The Marathon Man
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- Rezensionen
Articles in the same Issue
- Portrait of an Interdisciplinary Life. John Neubauer zum 70. Geburtstag
- Introduction
- Thought-Images: A Brief History of Time
- The Return of the Dinosaurs: About Scientific Imagination and its Affects
- Borders and Monuments: Goethe's Reconstruction of the World as Knowledge
- History, Theory and Abraham Gottlob Werner
- Mynheer Peeperkorn's Fever
- Introduction
- History, Empire, Opera
- Music Albums: A Tiny Gesamtkunstwerk?
- Listening to Kurt Schwitters' Ursonate. A Dadaistic-Romantic transposition d'arts?
- Introduction
- Reading Melling's Voyage pittoresque de Constantinople. Topography and Control
- Penumbra
- Bruno Freddi's Vissuto
- From Stony Facts to Paper Flowers
- Picturing It. The Issue of Visuality in the Classical Theory of Metaphor
- Introduction
- The Practical Use of Historiography: from Haffner to Herodotus
- The Gap between Hannah Arendt and Franz Kafka
- Literature and Art in History
- Cultural Memory, Cultural History and Cultural Canons in the Third Millennium
- Cross-border Histories
- Introduction
- The Intolerable
- History, Theory and the Middle Voice
- Sacred Memory or Relics: Should Holocaust Documents Be Altered?
- Blasting the Historical Continuum: Stories of my Grandmother
- Der Erlkönig in Sarajevo: Did the monument forecast the catastrophe?
- Introduction
- Hans Mayer – Ansichten eines komparatistischen Außenseiters
- Mastering Adolescence in the Age of Cultural Studies
- Bamboozled by Literature
- Arguments for a Cross-Cultural Literary History. Theoretical and Practical Implications
- Comparative Literary History, Theory and Practice: John Neubauer's Contribution
- “Rich Seeds We Must Sow … But If Only a Few Will Take”
- John Neubauer's Cultural Geographies
- The Marathon Man
- Embracing the Horizon
- Rezensionen