17 Herman Melville’s Moby-Dick (1851)
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John Evelev
Abstract
This chapter considers Herman Melville’s 1851 novel Moby-Dick, identifying it as the most canonical novel of American Romanticism and an emblematic product of Romanticism’s formation of a hierarchical notion of the literary. It roots its understanding of the novel in the context of Melville’s life, arguing that his early life gives him a unique perspective on class difference and social conflict in the US as well as insight into global developments, most especially colonialism. In addition to describing the distinctive narrative and other formal structures of the novel, the chapter reads the novel through the lenses of political allegory, sexuality, and the sciences of race and the environment, reflecting both long-standing and more recent analytic concerns of scholars of the novel since it was recovered in the 1920s.
Abstract
This chapter considers Herman Melville’s 1851 novel Moby-Dick, identifying it as the most canonical novel of American Romanticism and an emblematic product of Romanticism’s formation of a hierarchical notion of the literary. It roots its understanding of the novel in the context of Melville’s life, arguing that his early life gives him a unique perspective on class difference and social conflict in the US as well as insight into global developments, most especially colonialism. In addition to describing the distinctive narrative and other formal structures of the novel, the chapter reads the novel through the lenses of political allegory, sexuality, and the sciences of race and the environment, reflecting both long-standing and more recent analytic concerns of scholars of the novel since it was recovered in the 1920s.
Chapters in this book
- Frontmatter I
- The Editors’ Preface V
- Contents VII
- 0 Introduction 1
-
Part I: Definitions, Backgrounds, Contexts
- 1 Antebellum Period and Romanticism: Definitions and Demarcations 9
- 2 Antebellum Literary Culture: The Institutions of Romanticism 33
- 3 Transnational Dimensions of Romanticism 55
- 4 American Romanticism and Religion 81
- 5 Romanticism and European Philosophy, or “Idealism As It Appears in 1842” 119
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Part II: Intellectual, Spiritual, and Political Debates
- 6 Romanticism and Democracy 143
- 7 Romanticism and Social Reform 163
- 8 American Romanticism and Esotericism 185
- 9 America as Interior Space: Artificial Landscapes and the Modernization of Literature in Edgar Allan Poe’s Short Fiction 207
-
Part III: Contestations of Authorship and Genre
- 10 Authorship as Profession and the Uses of Genre in Antebellum America 229
- 11 Poet-Prophets and Seers: American Romanticism, Authorship, and Literary Institutions 249
- 12 Life Writing and Romantic Expressivism 269
- 13 The Fireside and Sentimental Poets 293
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Part IV: Close Readings
- 14 Ralph Waldo Emerson’s Nature (1836): American Romantic “Manifesto” 313
- 15 Woman in the Nineteenth Century (1845): Romanticism and (Proto)Feminism 335
- 16 The Continuous Creation of Walden 355
- 17 Herman Melville’s Moby-Dick (1851) 375
- 18 Nathaniel Hawthorne’s The Scarlet Letter (1850) and the Historical Imagination in American Romanticism 389
- 19 Romanticism and History: Göttingen and George Bancroft’s History of the United States (1834) 415
- 20 Uncle Tom’s Cabin (1852) and the Politics of Sentimentalism 435
- 21 Myth and Mythmaking in the Douglass Circle 453
- 22 “The Soul Selects Her Own Society”: Emily Dickinson’s Poetry and the Creation of the Self 477
- 23 The Great Psalm of the Republic: Walt Whitman’s Democratic Poetics 495
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Part V: Reception Histories
- 24 Transcendentalist Legacies in American Philosophy 517
- 25 Rethinking Gender in Antebellum American Literature 537
- 26 “In the Woods We Return to Reason and Faith”: American Romanticism, Environmentalism, and Seeker Spirituality 561
- Index of Names 579
- Index of Subjects 589
- List of Contributors 599
Chapters in this book
- Frontmatter I
- The Editors’ Preface V
- Contents VII
- 0 Introduction 1
-
Part I: Definitions, Backgrounds, Contexts
- 1 Antebellum Period and Romanticism: Definitions and Demarcations 9
- 2 Antebellum Literary Culture: The Institutions of Romanticism 33
- 3 Transnational Dimensions of Romanticism 55
- 4 American Romanticism and Religion 81
- 5 Romanticism and European Philosophy, or “Idealism As It Appears in 1842” 119
-
Part II: Intellectual, Spiritual, and Political Debates
- 6 Romanticism and Democracy 143
- 7 Romanticism and Social Reform 163
- 8 American Romanticism and Esotericism 185
- 9 America as Interior Space: Artificial Landscapes and the Modernization of Literature in Edgar Allan Poe’s Short Fiction 207
-
Part III: Contestations of Authorship and Genre
- 10 Authorship as Profession and the Uses of Genre in Antebellum America 229
- 11 Poet-Prophets and Seers: American Romanticism, Authorship, and Literary Institutions 249
- 12 Life Writing and Romantic Expressivism 269
- 13 The Fireside and Sentimental Poets 293
-
Part IV: Close Readings
- 14 Ralph Waldo Emerson’s Nature (1836): American Romantic “Manifesto” 313
- 15 Woman in the Nineteenth Century (1845): Romanticism and (Proto)Feminism 335
- 16 The Continuous Creation of Walden 355
- 17 Herman Melville’s Moby-Dick (1851) 375
- 18 Nathaniel Hawthorne’s The Scarlet Letter (1850) and the Historical Imagination in American Romanticism 389
- 19 Romanticism and History: Göttingen and George Bancroft’s History of the United States (1834) 415
- 20 Uncle Tom’s Cabin (1852) and the Politics of Sentimentalism 435
- 21 Myth and Mythmaking in the Douglass Circle 453
- 22 “The Soul Selects Her Own Society”: Emily Dickinson’s Poetry and the Creation of the Self 477
- 23 The Great Psalm of the Republic: Walt Whitman’s Democratic Poetics 495
-
Part V: Reception Histories
- 24 Transcendentalist Legacies in American Philosophy 517
- 25 Rethinking Gender in Antebellum American Literature 537
- 26 “In the Woods We Return to Reason and Faith”: American Romanticism, Environmentalism, and Seeker Spirituality 561
- Index of Names 579
- Index of Subjects 589
- List of Contributors 599