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8 American Romanticism and Esotericism

  • Everett Messamore
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Handbook of American Romanticism
This chapter is in the book Handbook of American Romanticism

Abstract

This essay considers the influence of the range of beliefs and practices commonly referred to as Western esotericism on a selection of American Romantic writers. The nature of this influence varies between the authors considered, ranging from selective appropriation to polemic rejection. The examples chosen include the Transcendentalists Ralph Waldo Emerson and Margaret Fuller, both of whom drew on esoteric notions of natural correspondence. The former Transcendentalist-turned-Catholic Orestes Brownson serves as an example of a strong rejection of occult practices and the human hubris implied by them. Walt Whitman exemplifies the blurred line between the poetic imagination and esoteric revelation, while also, like Fuller, embracing a mystically sexualized understanding of the cosmos. Less polemical than Brownson, Nathaniel Hawthorne employs ambivalent esoteric themes in his writings to probe the dangers of spiritual control of one person over another and the lust for personal power. Lastly, Harriet Beecher Stowe underlines the high degree of compatibility between the esoteric and the Romantic emphasis on direct and unmediated experience of the divine. The essay argues that, while a number of valuable studies seek to unravel the esoteric cultural currents that inspired these figures, such influences have generally been underestimated or ignored by the majority of scholars, as have the lasting legacies of such influence.

Abstract

This essay considers the influence of the range of beliefs and practices commonly referred to as Western esotericism on a selection of American Romantic writers. The nature of this influence varies between the authors considered, ranging from selective appropriation to polemic rejection. The examples chosen include the Transcendentalists Ralph Waldo Emerson and Margaret Fuller, both of whom drew on esoteric notions of natural correspondence. The former Transcendentalist-turned-Catholic Orestes Brownson serves as an example of a strong rejection of occult practices and the human hubris implied by them. Walt Whitman exemplifies the blurred line between the poetic imagination and esoteric revelation, while also, like Fuller, embracing a mystically sexualized understanding of the cosmos. Less polemical than Brownson, Nathaniel Hawthorne employs ambivalent esoteric themes in his writings to probe the dangers of spiritual control of one person over another and the lust for personal power. Lastly, Harriet Beecher Stowe underlines the high degree of compatibility between the esoteric and the Romantic emphasis on direct and unmediated experience of the divine. The essay argues that, while a number of valuable studies seek to unravel the esoteric cultural currents that inspired these figures, such influences have generally been underestimated or ignored by the majority of scholars, as have the lasting legacies of such influence.

Chapters in this book

  1. Frontmatter I
  2. The Editors’ Preface V
  3. Contents VII
  4. 0 Introduction 1
  5. Part I: Definitions, Backgrounds, Contexts
  6. 1 Antebellum Period and Romanticism: Definitions and Demarcations 9
  7. 2 Antebellum Literary Culture: The Institutions of Romanticism 33
  8. 3 Transnational Dimensions of Romanticism 55
  9. 4 American Romanticism and Religion 81
  10. 5 Romanticism and European Philosophy, or “Idealism As It Appears in 1842” 119
  11. Part II: Intellectual, Spiritual, and Political Debates
  12. 6 Romanticism and Democracy 143
  13. 7 Romanticism and Social Reform 163
  14. 8 American Romanticism and Esotericism 185
  15. 9 America as Interior Space: Artificial Landscapes and the Modernization of Literature in Edgar Allan Poe’s Short Fiction 207
  16. Part III: Contestations of Authorship and Genre
  17. 10 Authorship as Profession and the Uses of Genre in Antebellum America 229
  18. 11 Poet-Prophets and Seers: American Romanticism, Authorship, and Literary Institutions 249
  19. 12 Life Writing and Romantic Expressivism 269
  20. 13 The Fireside and Sentimental Poets 293
  21. Part IV: Close Readings
  22. 14 Ralph Waldo Emerson’s Nature (1836): American Romantic “Manifesto” 313
  23. 15 Woman in the Nineteenth Century (1845): Romanticism and (Proto)Feminism 335
  24. 16 The Continuous Creation of Walden 355
  25. 17 Herman Melville’s Moby-Dick (1851) 375
  26. 18 Nathaniel Hawthorne’s The Scarlet Letter (1850) and the Historical Imagination in American Romanticism 389
  27. 19 Romanticism and History: Göttingen and George Bancroft’s History of the United States (1834) 415
  28. 20 Uncle Tom’s Cabin (1852) and the Politics of Sentimentalism 435
  29. 21 Myth and Mythmaking in the Douglass Circle 453
  30. 22 “The Soul Selects Her Own Society”: Emily Dickinson’s Poetry and the Creation of the Self 477
  31. 23 The Great Psalm of the Republic: Walt Whitman’s Democratic Poetics 495
  32. Part V: Reception Histories
  33. 24 Transcendentalist Legacies in American Philosophy 517
  34. 25 Rethinking Gender in Antebellum American Literature 537
  35. 26 “In the Woods We Return to Reason and Faith”: American Romanticism, Environmentalism, and Seeker Spirituality 561
  36. Index of Names 579
  37. Index of Subjects 589
  38. List of Contributors 599
https://doi.org/10.1515/9783110592238-009

Chapters in this book

  1. Frontmatter I
  2. The Editors’ Preface V
  3. Contents VII
  4. 0 Introduction 1
  5. Part I: Definitions, Backgrounds, Contexts
  6. 1 Antebellum Period and Romanticism: Definitions and Demarcations 9
  7. 2 Antebellum Literary Culture: The Institutions of Romanticism 33
  8. 3 Transnational Dimensions of Romanticism 55
  9. 4 American Romanticism and Religion 81
  10. 5 Romanticism and European Philosophy, or “Idealism As It Appears in 1842” 119
  11. Part II: Intellectual, Spiritual, and Political Debates
  12. 6 Romanticism and Democracy 143
  13. 7 Romanticism and Social Reform 163
  14. 8 American Romanticism and Esotericism 185
  15. 9 America as Interior Space: Artificial Landscapes and the Modernization of Literature in Edgar Allan Poe’s Short Fiction 207
  16. Part III: Contestations of Authorship and Genre
  17. 10 Authorship as Profession and the Uses of Genre in Antebellum America 229
  18. 11 Poet-Prophets and Seers: American Romanticism, Authorship, and Literary Institutions 249
  19. 12 Life Writing and Romantic Expressivism 269
  20. 13 The Fireside and Sentimental Poets 293
  21. Part IV: Close Readings
  22. 14 Ralph Waldo Emerson’s Nature (1836): American Romantic “Manifesto” 313
  23. 15 Woman in the Nineteenth Century (1845): Romanticism and (Proto)Feminism 335
  24. 16 The Continuous Creation of Walden 355
  25. 17 Herman Melville’s Moby-Dick (1851) 375
  26. 18 Nathaniel Hawthorne’s The Scarlet Letter (1850) and the Historical Imagination in American Romanticism 389
  27. 19 Romanticism and History: Göttingen and George Bancroft’s History of the United States (1834) 415
  28. 20 Uncle Tom’s Cabin (1852) and the Politics of Sentimentalism 435
  29. 21 Myth and Mythmaking in the Douglass Circle 453
  30. 22 “The Soul Selects Her Own Society”: Emily Dickinson’s Poetry and the Creation of the Self 477
  31. 23 The Great Psalm of the Republic: Walt Whitman’s Democratic Poetics 495
  32. Part V: Reception Histories
  33. 24 Transcendentalist Legacies in American Philosophy 517
  34. 25 Rethinking Gender in Antebellum American Literature 537
  35. 26 “In the Woods We Return to Reason and Faith”: American Romanticism, Environmentalism, and Seeker Spirituality 561
  36. Index of Names 579
  37. Index of Subjects 589
  38. List of Contributors 599
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