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The Marathon Man

  • Thomas Elsaesser
Published/Copyright: February 27, 2008
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From the journal Volume 38 Issue 2

Abstract

I have to admit I do not care for jogging. But I have always had an admiration for runners. “Nurmi Nurmi” were the first words I remember ever hearing on the radio. I had to ask what they meant, because – at that age – I had understood “nur mich, nur mich”. My first sporting hero was Emil Zatopek, maybe because I suspected him to be an outsider, on account of the ‘Z’ of his surname, the last letter of the alphabet. My father once tried to comfort me, by saying, after I told him that in the line-up in gym class I was always last, because of my height: “Mach dir nichts draus, die Letzten werden die Ersten sein”. Experience told me there was no reason to believe him, but Zatopek seemed to prove him right, and I still recall the Czech national anthem, played at the Helsinki Olympics in 1952. In November 2000, I chanced to read about Zatopek's death, and I suddenly had this image of a man running and running all these years, somewhere in the Moravian mountains, past Communists and Russian tanks, past the Velvet Revolution, past his country's partition and Vaclav Havel's presidency.

Published Online: 2008-02-27
Published in Print: 2003-10-14

© Walter de Gruyter

Articles in the same Issue

  1. Portrait of an Interdisciplinary Life. John Neubauer zum 70. Geburtstag
  2. Introduction
  3. Thought-Images: A Brief History of Time
  4. The Return of the Dinosaurs: About Scientific Imagination and its Affects
  5. Borders and Monuments: Goethe's Reconstruction of the World as Knowledge
  6. History, Theory and Abraham Gottlob Werner
  7. Mynheer Peeperkorn's Fever
  8. Introduction
  9. History, Empire, Opera
  10. Music Albums: A Tiny Gesamtkunstwerk?
  11. Listening to Kurt Schwitters' Ursonate. A Dadaistic-Romantic transposition d'arts?
  12. Introduction
  13. Reading Melling's Voyage pittoresque de Constantinople. Topography and Control
  14. Penumbra
  15. Bruno Freddi's Vissuto
  16. From Stony Facts to Paper Flowers
  17. Picturing It. The Issue of Visuality in the Classical Theory of Metaphor
  18. Introduction
  19. The Practical Use of Historiography: from Haffner to Herodotus
  20. The Gap between Hannah Arendt and Franz Kafka
  21. Literature and Art in History
  22. Cultural Memory, Cultural History and Cultural Canons in the Third Millennium
  23. Cross-border Histories
  24. Introduction
  25. The Intolerable
  26. History, Theory and the Middle Voice
  27. Sacred Memory or Relics: Should Holocaust Documents Be Altered?
  28. Blasting the Historical Continuum: Stories of my Grandmother
  29. Der Erlkönig in Sarajevo: Did the monument forecast the catastrophe?
  30. Introduction
  31. Hans Mayer – Ansichten eines komparatistischen Außenseiters
  32. Mastering Adolescence in the Age of Cultural Studies
  33. Bamboozled by Literature
  34. Arguments for a Cross-Cultural Literary History. Theoretical and Practical Implications
  35. Comparative Literary History, Theory and Practice: John Neubauer's Contribution
  36. “Rich Seeds We Must Sow … But If Only a Few Will Take”
  37. John Neubauer's Cultural Geographies
  38. The Marathon Man
  39. Embracing the Horizon
  40. Rezensionen
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