Censored discourse in anthologies and collections of the Far West
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Marie del Carmen Camus-Camus
Abstract
This paper explores Franco’s censorship of narratives of the Far West published in collections and anthologies. The study was based on a catalogue of 727 censorship files compiled for the Western genre, TRACEniO. 55% of the files corresponded to national popular Westerns (pseudotranslations) published in a standard format in mass-produced collections. The incidence of censorship of the collections was slightly lower than for the TRACEniO overall. Although anthologies of imported American Westerns translated into Spanish were not subjected to any form of cuts or modification under the official censorship procedure, a microtextual analysis of Haycox’s short story, Mrs. Benson, reveals that the translators and/or publishers resorted to self-censorship and applied similar techniques and criteria to those used by the official censors as revealed in the TRACEniO catalogue.
Abstract
This paper explores Franco’s censorship of narratives of the Far West published in collections and anthologies. The study was based on a catalogue of 727 censorship files compiled for the Western genre, TRACEniO. 55% of the files corresponded to national popular Westerns (pseudotranslations) published in a standard format in mass-produced collections. The incidence of censorship of the collections was slightly lower than for the TRACEniO overall. Although anthologies of imported American Westerns translated into Spanish were not subjected to any form of cuts or modification under the official censorship procedure, a microtextual analysis of Haycox’s short story, Mrs. Benson, reveals that the translators and/or publishers resorted to self-censorship and applied similar techniques and criteria to those used by the official censors as revealed in the TRACEniO catalogue.
Kapitel in diesem Buch
- Prelim pages i
- Table of contents v
- Foreword vii
- Introduction: Translation anthologies and collections 1
-
I. Discursive practices and scholarly agency
- Forms and functions of anthologies of translations into French in the nineteenth century 17
- The short story in English meets the Portuguese reader 35
- Cancioneiro Chinez 57
- Academic navel gazing? Playing the game up front? 75
- Las antologías sobre la traducción en la Península Ibérica 89
-
II. National and international canonization processes
- Poetry anthologies as Weltliteratur projects 107
- Publishing translated literature in late 19th century Portugal 123
- Short stories from foreign literatures in Portugália’s series Antologias Universais 137
- Patterns in the external history of Portuguese collections with translations of Polish literature (1855–2009) 153
- Extra-European literatures in anthology during the Estado Novo (1933–1974) 171
-
III. Selection and censorship
- Children’s literature in translation 189
- Translating German poetry into French under the Occupation 205
- The reception of science fiction and horror story anthologies in the last years of Francoist Spain 217
- Censored discourse in anthologies and collections of the Far West 229
- Philosophical collections, translation and censorship 247
- Translation anthologies and British literature in Portugal and Hungary between 1949 and 1974 259
- Notes on contributors and editors 275
- Name index 281
- Subject index 285
Kapitel in diesem Buch
- Prelim pages i
- Table of contents v
- Foreword vii
- Introduction: Translation anthologies and collections 1
-
I. Discursive practices and scholarly agency
- Forms and functions of anthologies of translations into French in the nineteenth century 17
- The short story in English meets the Portuguese reader 35
- Cancioneiro Chinez 57
- Academic navel gazing? Playing the game up front? 75
- Las antologías sobre la traducción en la Península Ibérica 89
-
II. National and international canonization processes
- Poetry anthologies as Weltliteratur projects 107
- Publishing translated literature in late 19th century Portugal 123
- Short stories from foreign literatures in Portugália’s series Antologias Universais 137
- Patterns in the external history of Portuguese collections with translations of Polish literature (1855–2009) 153
- Extra-European literatures in anthology during the Estado Novo (1933–1974) 171
-
III. Selection and censorship
- Children’s literature in translation 189
- Translating German poetry into French under the Occupation 205
- The reception of science fiction and horror story anthologies in the last years of Francoist Spain 217
- Censored discourse in anthologies and collections of the Far West 229
- Philosophical collections, translation and censorship 247
- Translation anthologies and British literature in Portugal and Hungary between 1949 and 1974 259
- Notes on contributors and editors 275
- Name index 281
- Subject index 285
