The encyclopedia in Umberto Eco's semiotics
-
Paolo Desogus,
Paolo Desogus (b. 1980) is a PhD candidate at the University of Siena and at Paris-Sorbonne University 〈paolodesog@yahoo.it〉. His research interests include semiotics, literature, and philosophy of language. His publications include “Open city and its incomplete narratives” (2009); and “The episteme of the Name of the Rose” (2010).
Abstract
In Umberto Eco's semiotics, the encyclopedia is a multidimensional space of semiosis. It is a complex system of shared knowledge that governs the production and interpretation of signs inside communicative contexts. Every semiotic act involves the elements that form the encyclopedia.
By means of several examples and comparisons with different semiotic theories, my paper aims to show how semiosis is governed by semantic categorizations, pragmatic rules, and narrative frames that the encyclopedia articulates and makes operative for interpreters and producers of signs.
About the author
Paolo Desogus (b. 1980) is a PhD candidate at the University of Siena and at Paris-Sorbonne University 〈paolodesog@yahoo.it〉. His research interests include semiotics, literature, and philosophy of language. His publications include “Open city and its incomplete narratives” (2009); and “The episteme of the Name of the Rose” (2010).
©[2012] by Walter de Gruyter Berlin Boston
Articles in the same Issue
- Masthead
- Urban morphogenesis
- The mirrored Madonna: Text and symbol in body writing artworks
- Termes d'adresse et liste
- Vision science: An empirical basis for Roentgen semiotics
- Do metaphoric gestures influence how a message is perceived? The effects of metaphoric gesture-speech matches and mismatches on semantic communication and social judgment
- Text semiotics: Between philology and hermeneutics – from the document to the work
- Audiovisual texture in scene transition
- Le chronotope littéraire de l'étranger
- Pointing to show agreement
- Intertextuality, translation, and the semiotics of museum presentation: The case of bilingual texts in Chinese museums
- Codes, heterogeneities, and structures: Visual information and visual art
- The world has changed forever: Semiotic reflections on the experience of sudden change
- Michel Foucault's moral subjectivity and the semiotic modeling of knowledge
- Peirce and the logic of image
- Shaking grounds, unearthing palimpsests: Semiotic anthropology of disaster
- A Romantic quest: Meyerbeer's adaptation of the Faust theme
- See no evil? Only implicit attitudes predict unconscious eye movements towards images of climate change
- Language contextualization in a Hebrew language television interview: Lessons from a semiotic return to context
- Semiotic value in advertisements in Silesian Catholic periodicals from the second half of the nineteenth to early twentieth centuries
- Legal interpretation: Meaning as social construction
- Introduction to the semiotics of belonging
- The branding of a quality liquor as a symbolic effort toward bringing China forward culturally: A comparative study of Wuliangye and Absolut Vodka
- The encyclopedia in Umberto Eco's semiotics
- On semiotics in language education
- Icons of novel thought: A new perspective on Peirce's definition of metaphor (CP 2.277)
- Review of Søren Brier's (2008) Cybersemiotics: Why information is not enough
- Tarasti's existential semiotics: Towards a functional model
Articles in the same Issue
- Masthead
- Urban morphogenesis
- The mirrored Madonna: Text and symbol in body writing artworks
- Termes d'adresse et liste
- Vision science: An empirical basis for Roentgen semiotics
- Do metaphoric gestures influence how a message is perceived? The effects of metaphoric gesture-speech matches and mismatches on semantic communication and social judgment
- Text semiotics: Between philology and hermeneutics – from the document to the work
- Audiovisual texture in scene transition
- Le chronotope littéraire de l'étranger
- Pointing to show agreement
- Intertextuality, translation, and the semiotics of museum presentation: The case of bilingual texts in Chinese museums
- Codes, heterogeneities, and structures: Visual information and visual art
- The world has changed forever: Semiotic reflections on the experience of sudden change
- Michel Foucault's moral subjectivity and the semiotic modeling of knowledge
- Peirce and the logic of image
- Shaking grounds, unearthing palimpsests: Semiotic anthropology of disaster
- A Romantic quest: Meyerbeer's adaptation of the Faust theme
- See no evil? Only implicit attitudes predict unconscious eye movements towards images of climate change
- Language contextualization in a Hebrew language television interview: Lessons from a semiotic return to context
- Semiotic value in advertisements in Silesian Catholic periodicals from the second half of the nineteenth to early twentieth centuries
- Legal interpretation: Meaning as social construction
- Introduction to the semiotics of belonging
- The branding of a quality liquor as a symbolic effort toward bringing China forward culturally: A comparative study of Wuliangye and Absolut Vodka
- The encyclopedia in Umberto Eco's semiotics
- On semiotics in language education
- Icons of novel thought: A new perspective on Peirce's definition of metaphor (CP 2.277)
- Review of Søren Brier's (2008) Cybersemiotics: Why information is not enough
- Tarasti's existential semiotics: Towards a functional model
