Peirce and the logic of image
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Ahti-Veikko Pietarinen,
Ahti-Veikko Pietarinen (b. 1971) is full professor at the University of Helsinki 〈ahti-veikko.pietarinen@helsinki.fi〉. His research interests include logic, philosophy, pragmatics, and semiotics. His publications includeGame theory and linguistic meaning (ed., 2007).
Abstract
Peirce divided hypoicons into images, diagrams, and metaphors. For diagrams, he developed a logical theory of graphs: many-dimensional linguistic expressions analyzing meaning by virtue of iconicity of logical form. He neglected the logic of images as well as metaphors, however. Metaphors relate to non-standard meanings that combine complex diagrammatic representations. Images are elementary constituents of qualitative space. I will argue that the interpretation of images corresponds to the interpretation of non-logical vocabularies. This raises the question of whether images are also linguistic, in other words whether the simple qualities they partake of are the simple qualities of some propositional content. I will argue that Peirce favored a picture theory of language that takes images to interpret elementary characters of objects that constitute propositions. He did not ascribe images with properties of propositions, as that would have rendered them non-hypoiconic signs.
About the author
Ahti-Veikko Pietarinen (b. 1971) is full professor at the University of Helsinki 〈ahti-veikko.pietarinen@helsinki.fi〉. His research interests include logic, philosophy, pragmatics, and semiotics. His publications include Game theory and linguistic meaning (ed., 2007).
©[2012] by Walter de Gruyter Berlin Boston
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Artikel in diesem Heft
- Masthead
- Urban morphogenesis
- The mirrored Madonna: Text and symbol in body writing artworks
- Termes d'adresse et liste
- Vision science: An empirical basis for Roentgen semiotics
- Do metaphoric gestures influence how a message is perceived? The effects of metaphoric gesture-speech matches and mismatches on semantic communication and social judgment
- Text semiotics: Between philology and hermeneutics – from the document to the work
- Audiovisual texture in scene transition
- Le chronotope littéraire de l'étranger
- Pointing to show agreement
- Intertextuality, translation, and the semiotics of museum presentation: The case of bilingual texts in Chinese museums
- Codes, heterogeneities, and structures: Visual information and visual art
- The world has changed forever: Semiotic reflections on the experience of sudden change
- Michel Foucault's moral subjectivity and the semiotic modeling of knowledge
- Peirce and the logic of image
- Shaking grounds, unearthing palimpsests: Semiotic anthropology of disaster
- A Romantic quest: Meyerbeer's adaptation of the Faust theme
- See no evil? Only implicit attitudes predict unconscious eye movements towards images of climate change
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- Review of Søren Brier's (2008) Cybersemiotics: Why information is not enough
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