The mirrored Madonna: Text and symbol in body writing artworks
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Elvira K. Katić,
Elvira K. Katić (b. 1973) is an associate professor at Ramapo College 〈ekatic@ramapo.edu〉. Her research interests include visual and social semiotic research, artworks analysis, visual literacies, and emergent technological literacies. Her publications include “Eyewax cybernetic: Visualizing images of human/technological fusion” (2003); “Study of a crippled goddess: An interpretation of cybernetic images in the exploration of conceptions of technology” (2006); “From frontrunners, to paper dolls, to fiends: Semiotic analyses of premeditated teacher images” (2008); “Sophrosyne and simulacra: Probing the nature of a constructed self-image” (2009).
Abstract
This study analyzed several body writing artworks by a poet/artist whose poems served as the inspirations for his artistic compositions. One of the poems served as both a catalyst for the artworks as well as a motivated element in the artworks that helped to signify the artist's meaning. Through semiotic analysis of the artworks, relationships between the poetic text, the body text, and the body writing construct were explored. These artworks conveyed a multiplicity of meanings that seemed both superimposed and refracted, one upon another like the reflections in a mirrored room. The inscribed text on the body served as both a linguistic and artistic element that imparted a multi-faceted level of meaning to the artworks as a whole.
About the author
Elvira K. Katić (b. 1973) is an associate professor at Ramapo College 〈ekatic@ramapo.edu〉. Her research interests include visual and social semiotic research, artworks analysis, visual literacies, and emergent technological literacies. Her publications include “Eyewax cybernetic: Visualizing images of human/technological fusion” (2003); “Study of a crippled goddess: An interpretation of cybernetic images in the exploration of conceptions of technology” (2006); “From frontrunners, to paper dolls, to fiends: Semiotic analyses of premeditated teacher images” (2008); “Sophrosyne and simulacra: Probing the nature of a constructed self-image” (2009).
©[2012] by Walter de Gruyter Berlin Boston
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Articles in the same Issue
- Masthead
- Urban morphogenesis
- The mirrored Madonna: Text and symbol in body writing artworks
- Termes d'adresse et liste
- Vision science: An empirical basis for Roentgen semiotics
- Do metaphoric gestures influence how a message is perceived? The effects of metaphoric gesture-speech matches and mismatches on semantic communication and social judgment
- Text semiotics: Between philology and hermeneutics – from the document to the work
- Audiovisual texture in scene transition
- Le chronotope littéraire de l'étranger
- Pointing to show agreement
- Intertextuality, translation, and the semiotics of museum presentation: The case of bilingual texts in Chinese museums
- Codes, heterogeneities, and structures: Visual information and visual art
- The world has changed forever: Semiotic reflections on the experience of sudden change
- Michel Foucault's moral subjectivity and the semiotic modeling of knowledge
- Peirce and the logic of image
- Shaking grounds, unearthing palimpsests: Semiotic anthropology of disaster
- A Romantic quest: Meyerbeer's adaptation of the Faust theme
- See no evil? Only implicit attitudes predict unconscious eye movements towards images of climate change
- Language contextualization in a Hebrew language television interview: Lessons from a semiotic return to context
- Semiotic value in advertisements in Silesian Catholic periodicals from the second half of the nineteenth to early twentieth centuries
- Legal interpretation: Meaning as social construction
- Introduction to the semiotics of belonging
- The branding of a quality liquor as a symbolic effort toward bringing China forward culturally: A comparative study of Wuliangye and Absolut Vodka
- The encyclopedia in Umberto Eco's semiotics
- On semiotics in language education
- Icons of novel thought: A new perspective on Peirce's definition of metaphor (CP 2.277)
- Review of Søren Brier's (2008) Cybersemiotics: Why information is not enough
- Tarasti's existential semiotics: Towards a functional model
