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The Neoliberal Impasse: Economy in Kazuo Ishiguro’s Never Let Me Go

  • Amirhossein Nemati Ziarati EMAIL logo , Hossein Pirnajmuddin und Pyeaam Abbasi
Veröffentlicht/Copyright: 22. September 2025
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Abstract

This article offers a reading of Kazuo Ishiguro’s Never Let Me Go in terms of economy. Drawing on insights from the New Economic Criticism, we situate this novel within a neoliberal and biopolitical context to illustrate the many ways in which the clones’ emotional and mental states interplay with a larger neoliberal economic system that ruthlessly commodifies and exploits them. We argue that the economy of affect in Ishiguro’s novel partakes of a certain ambivalence ultimately originating in contradictions and mystifications of capitalism. We refer to Giorgio Agamben, Franco Berardi, and Mark Fisher to explore the subtle intersections between Ishiguro’s novel and the broader socioeconomic paradigms. Another seminal issue we look into in this regard is how mental health issues are depoliticized to further conceal the insidiousness of economic exploitation. We also discuss how aesthetic issues in Ishiguro’s novel bear on its critique of neoliberalism. We hope that our economically-informed reading will contribute to understanding Ishiguro’s subtle socioeconomic critique of neoliberal capitalism and how readers are engaged to think beyond the neoliberal impasse, hauntingly bodied forth by the writer, as a crucial step towards overcoming it.

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Published Online: 2025-09-22
Published in Print: 2025-09-09

© 2025 Walter de Gruyter GmbH, Berlin/Boston

Artikel in diesem Heft

  1. Frontmatter
  2. Frontmatter
  3. Introduction: Late-Victorian Decadence as Mode, Theory and Attitude
  4. Vernon Lee’s Decadent Vision of History: Waste and Possibility
  5. Absinthe as a Cypher for Decadence and Catalyst of Degeneration in Marie Corelli’s Wormwood: A Drama of Paris
  6. Aestheticism and Decadence in the Essays of Robert Louis Stevenson
  7. The Closed Buds of Decadence: Reproductive Idleness in the Poetry of Alice Meynell and Rosamund Marriott Watson
  8. “All Things to All Men”: Decadence as Represented in Lionel Johnson’s Early Literary Journalism
  9. Dramatic Adaptations and Worldview Translations: The Implied Metaphysics of Roger Howard’s Margery Kempe. A Ballad Play (1978) and Heidi Schreck’s Creature (2009)
  10. The Neoliberal Impasse: Economy in Kazuo Ishiguro’s Never Let Me Go
  11. Eating the Archive: Food Recipes, Migrant Women, and Decolonizing Multiculturalism in Alibhai-Brown’s The Settler’s Cookbook
  12. I’m going home, Riv? Yes, Richie. I’m a take you home... African American Homeplaces and Resistance in Jesmyn Ward’s Sing, Unburied, Sing
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