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Vernon Lee’s Decadent Vision of History: Waste and Possibility

  • James Dowthwaite EMAIL logo
Veröffentlicht/Copyright: 22. September 2025
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Aus der Zeitschrift Anglia Band 143 Heft 3

Abstract

This article considers the notion of decadence in relation to Vernon Lee’s concept of history, looking particularly at her late play, Satan the Waster (1920). In the play, Lee offers a portrayal of decadence not – as other thinkers concerned with history and decay such as Oswald Spengler or Max Nordau would have it – as destruction and collapse, but rather as potential. For Lee, decadence is seen as a moment in which old ideas, systems, or institutions fall apart and come to be replaced by something new. Instead of offering a lament, however, she offers decadence as a process of potential opening up of opportunities for change for the better. This is an ethical perspective on decadence. In this article, I trace this idea from Lee’s early aestheticist writings to the late, overtly political drama of Satan the Waster.

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Published Online: 2025-09-22
Published in Print: 2025-09-09

© 2025 Walter de Gruyter GmbH, Berlin/Boston

Artikel in diesem Heft

  1. Frontmatter
  2. Frontmatter
  3. Introduction: Late-Victorian Decadence as Mode, Theory and Attitude
  4. Vernon Lee’s Decadent Vision of History: Waste and Possibility
  5. Absinthe as a Cypher for Decadence and Catalyst of Degeneration in Marie Corelli’s Wormwood: A Drama of Paris
  6. Aestheticism and Decadence in the Essays of Robert Louis Stevenson
  7. The Closed Buds of Decadence: Reproductive Idleness in the Poetry of Alice Meynell and Rosamund Marriott Watson
  8. “All Things to All Men”: Decadence as Represented in Lionel Johnson’s Early Literary Journalism
  9. Dramatic Adaptations and Worldview Translations: The Implied Metaphysics of Roger Howard’s Margery Kempe. A Ballad Play (1978) and Heidi Schreck’s Creature (2009)
  10. The Neoliberal Impasse: Economy in Kazuo Ishiguro’s Never Let Me Go
  11. Eating the Archive: Food Recipes, Migrant Women, and Decolonizing Multiculturalism in Alibhai-Brown’s The Settler’s Cookbook
  12. I’m going home, Riv? Yes, Richie. I’m a take you home... African American Homeplaces and Resistance in Jesmyn Ward’s Sing, Unburied, Sing
  13. Reviews
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  21. Debamitra Kar. 2025. Conflict Zone Literatures: A Genre in the Making. London: Routledge, 196 pp., £ 145.00.
  22. Pramod K. Nayar. 2024. Vulnerable Earth: The Literature of Climate Crisis. Cambridge: Cambridge University Press, x + 295 pp., £ 90.00.
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Heruntergeladen am 8.10.2025 von https://www.degruyterbrill.com/document/doi/10.1515/ang-2025-0033/html
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