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“All Things to All Men”: Decadence as Represented in Lionel Johnson’s Early Literary Journalism

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Published/Copyright: September 22, 2025
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Abstract

Lionel Johnson is sometimes described as a decadent writer with little thought of what that label means beyond the clichés that have come to define his literary reputation. Analysis of three essays he wrote during his initial and highly prolific years as a literary journalist – “Criticism in Corruption”, “The Cultured Faun”, and “A Note upon the Practice and Theory of Verse at the Present Time Obtaining in France” – enables an examination of how he positioned himself in relation to decadence during this early period of his literary career, as he catered to the sensibilities of a privileged male readership. It also allows for consideration of the versatility of his prose writing and his use of theatrical journalistic strategies, which see him mixing pejorative conceptions of ‘decadence’ with an evolving understanding of the term as a complex literary genre.

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Published Online: 2025-09-22
Published in Print: 2025-09-09

© 2025 Walter de Gruyter GmbH, Berlin/Boston

Articles in the same Issue

  1. Frontmatter
  2. Frontmatter
  3. Introduction: Late-Victorian Decadence as Mode, Theory and Attitude
  4. Vernon Lee’s Decadent Vision of History: Waste and Possibility
  5. Absinthe as a Cypher for Decadence and Catalyst of Degeneration in Marie Corelli’s Wormwood: A Drama of Paris
  6. Aestheticism and Decadence in the Essays of Robert Louis Stevenson
  7. The Closed Buds of Decadence: Reproductive Idleness in the Poetry of Alice Meynell and Rosamund Marriott Watson
  8. “All Things to All Men”: Decadence as Represented in Lionel Johnson’s Early Literary Journalism
  9. Dramatic Adaptations and Worldview Translations: The Implied Metaphysics of Roger Howard’s Margery Kempe. A Ballad Play (1978) and Heidi Schreck’s Creature (2009)
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