Home I’m going home, Riv? Yes, Richie. I’m a take you home... African American Homeplaces and Resistance in Jesmyn Ward’s Sing, Unburied, Sing
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I’m going home, Riv? Yes, Richie. I’m a take you home... African American Homeplaces and Resistance in Jesmyn Ward’s Sing, Unburied, Sing

  • Natthapol Boonyaoudomsart EMAIL logo
Published/Copyright: September 22, 2025
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Abstract

This article explores the concept of African American homeplaces in Ward’s third novel Sing, Unburied, Sing (2017). Through a textual analysis, it lays bare the racial oppressions endured by Richie, a twelve-year-old African American boy who dies whilst imprisoned at Parchman Prison, Mississippi. Drawing on bell hooks’ theoretical concept of homeplaces as resistance (1991), I argue that Richie embodies the longing of Black people – living and dead – for returning to their places of origin in both tangible and intangible forms. This homecoming represents his spiritual quest to escape the white-dominated world rife with racial hostility, whilst also challenging the notion that hopelessness in the novel intervenes in his search for home. The essay concludes by asserting that homes are integral to the reconstruction of African American identity as they provide a healing outlet both in life and afterlife.


Acknowledgments

I am grateful to Suriyan Panlay for his valuable reading of the manuscript, for his comments were instrumental in refining this research topic.


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Published Online: 2025-09-22
Published in Print: 2025-09-09

© 2025 Walter de Gruyter GmbH, Berlin/Boston

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