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The Closed Buds of Decadence: Reproductive Idleness in the Poetry of Alice Meynell and Rosamund Marriott Watson

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Published/Copyright: September 22, 2025
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Abstract

This article investigates the idiosyncratic nexus of idleness, reproduction, and decadence in the poetry of two influential late-Victorian women poets, Alice Meynell and Rosamund Marriott Watson. Exploring a new perspective on their works, it investigates their complementary responses to the socio-cultural anxiety that cast non-reproducing women as the breeders of incurable hereditary idleness and decadent men as their progeny. Contributing to the prevalent interest in fin de siècle aestheticism, it is concerned with idleness as a conceptual mode of resistance to reproductive pressure and as an aesthetic choice that subverts the call for social and biological efficiency. I argue that the two women poets imagine the idle moment of reproductive inactivity as an ambiguous decadent condition between disenchantment and defiance, but invaluable to a different kind of reproduction: aesthetic fruition.

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Published Online: 2025-09-22
Published in Print: 2025-09-09

© 2025 Walter de Gruyter GmbH, Berlin/Boston

Articles in the same Issue

  1. Frontmatter
  2. Frontmatter
  3. Introduction: Late-Victorian Decadence as Mode, Theory and Attitude
  4. Vernon Lee’s Decadent Vision of History: Waste and Possibility
  5. Absinthe as a Cypher for Decadence and Catalyst of Degeneration in Marie Corelli’s Wormwood: A Drama of Paris
  6. Aestheticism and Decadence in the Essays of Robert Louis Stevenson
  7. The Closed Buds of Decadence: Reproductive Idleness in the Poetry of Alice Meynell and Rosamund Marriott Watson
  8. “All Things to All Men”: Decadence as Represented in Lionel Johnson’s Early Literary Journalism
  9. Dramatic Adaptations and Worldview Translations: The Implied Metaphysics of Roger Howard’s Margery Kempe. A Ballad Play (1978) and Heidi Schreck’s Creature (2009)
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