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Wittgenstein and Hegel on Art and the Everyday

  • Gabriele Tomasi
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Abstract

This chapter explores the intersection of art and the everyday through the philosophical lenses of Wittgenstein and Hegel. Wittgenstein’s concept of viewing life ‘from outside’ correlates with an ‘antitheatrical’ (Michael Fried) artistic stance that reveals the aesthetic value of the ‘everyday’, exemplified in Jeff Wall’s masterpiece Morning Cleaning (1999). The chapter delves deeper into this perspective by linking it with William Wordsworth’s ideas on the creative imagination’s role in reshaping everyday experiences. Additionally, it discusses Hegel’s analysis of seventeenth-century Dutch painting to illustrate how these artists aesthetically transformed the everyday. However, Hegel’s insights also hint at a potential issue: the dependence of this transformation on a pre-existing framework of value, such as religion, which raises questions about art’s ability to genuinely transmute the everyday or if it merely superimposes meaning onto it. This examination highlights the complexities of interpreting the everyday through art without a traditional value system.

Abstract

This chapter explores the intersection of art and the everyday through the philosophical lenses of Wittgenstein and Hegel. Wittgenstein’s concept of viewing life ‘from outside’ correlates with an ‘antitheatrical’ (Michael Fried) artistic stance that reveals the aesthetic value of the ‘everyday’, exemplified in Jeff Wall’s masterpiece Morning Cleaning (1999). The chapter delves deeper into this perspective by linking it with William Wordsworth’s ideas on the creative imagination’s role in reshaping everyday experiences. Additionally, it discusses Hegel’s analysis of seventeenth-century Dutch painting to illustrate how these artists aesthetically transformed the everyday. However, Hegel’s insights also hint at a potential issue: the dependence of this transformation on a pre-existing framework of value, such as religion, which raises questions about art’s ability to genuinely transmute the everyday or if it merely superimposes meaning onto it. This examination highlights the complexities of interpreting the everyday through art without a traditional value system.

Kapitel in diesem Buch

  1. Frontmatter I
  2. Acknowledgements V
  3. Table of Contents VII
  4. List of Abbreviations of Wittgenstein’s Works IX
  5. Notes on Authors XI
  6. Introduction: Wittgenstein and Classical German Philosophy – Logic, Language, Life 1
  7. I Logic
  8. Differences in Form, Identities in Content – Wittgenstein and Hegel on Two Complementary Aspects of Meaning 13
  9. What Might Hegel and Wittgenstein Have Seen in Goethe’s Colour Theory? 35
  10. Shining and Showing 53
  11. Two Faces of Contradiction 81
  12. Infinity as the Form of the Finite: Wittgenstein’s Philosophical Remarks, XII and the Notion of the Infinite in the Critique of Pure Reason 101
  13. II Language
  14. Talking is Lying: On One Suspicious Metaphor 125
  15. Rhetoric, Negativity, and Philosophy of Language – Hegel’s Sophists as Early Wittgensteinians 137
  16. Reflections on Rule-Following 147
  17. Wittgenstein’s Übersichtliche Darstellung and Hegel’s Speculative Philosophy 167
  18. Wittgenstein and Schlegel on Forms of Life: Talking To or Past Each Other 183
  19. III Life
  20. Hegel, the Pragmatic Turn, and the Later Wittgenstein 201
  21. Following the Rule Without Interpreting It? – Gadamarian and Kantian Revision of Brandom’s Solution to the Wittgensteinian Problem 213
  22. Following a Rule Blindly: Hegel and Wittgenstein on the Immediacy of Habit 225
  23. Wittgenstein and Critical Theory – From ‘Sub Specie Aeterni’ to the ‘Entanglement in Our Rules’ – Wittgenstein, Adorno, Marx 255
  24. Wittgenstein and Hegel on Art and the Everyday 277
  25. Subject Index 297
  26. Person Index 307
Heruntergeladen am 3.11.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9783110698497-018/html
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