Startseite Altertumswissenschaften & Ägyptologie Σοφίσματα θεῶν. Götterdämmerung, Kontingenzerfahrung und Kulturpessimismus in Euripides’ „Phönikierinnen“
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Σοφίσματα θεῶν. Götterdämmerung, Kontingenzerfahrung und Kulturpessimismus in Euripides’ „Phönikierinnen“

  • Johannes Buhl
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Abstract

Euripides’ play Phoenissae describes Thebes in a perilous crisis. In the present article, I analyse how the characters of the play react to this situation. While some of them show confidence in the traditional Gods, other figures act like politicians of the 5th century BC yearning for power. Thus, Euripides thwarts the idea of self-sacrifice for the community, especially by his way of describing the suicide of Menoiceus. Drawing both on Sigmund Freud’s article Das Unbehagen in der Kultur and on Christian Meier’s concept of Greek ‘Konnensbewusstsein’, I seek to show that the problem underlying Theban society is the inability to acknowledge human contingency.

Abstract

Euripides’ play Phoenissae describes Thebes in a perilous crisis. In the present article, I analyse how the characters of the play react to this situation. While some of them show confidence in the traditional Gods, other figures act like politicians of the 5th century BC yearning for power. Thus, Euripides thwarts the idea of self-sacrifice for the community, especially by his way of describing the suicide of Menoiceus. Drawing both on Sigmund Freud’s article Das Unbehagen in der Kultur and on Christian Meier’s concept of Greek ‘Konnensbewusstsein’, I seek to show that the problem underlying Theban society is the inability to acknowledge human contingency.

Heruntergeladen am 21.9.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9783110656893-006/html
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