Home Linguistics & Semiotics Verbale Aggression im Realsozialismus und ihre Literarisierung
Chapter
Licensed
Unlicensed Requires Authentication

Verbale Aggression im Realsozialismus und ihre Literarisierung

  • Manuel Ghilarducci
Become an author with De Gruyter Brill
Verbale Aggression
This chapter is in the book Verbale Aggression

Abstract

This article analyses form, structure and role of verbal aggression in three literary texts: Vladimir Sorokin’s Happy New Year, Marek Hłasko’s The Workers and Kurt Drawert’s Silence. In spite of differences regarding their form, language and cultural context, these three texts share a performative reflection upon verbal aggression in Real Socialism. Not only do they reproduce the politically intended (and latent) aggression of the official discourse, but also individual (and manifest) invectives against the State. The latter are usually interpreted by scholars as attempts to a “liberation” from political oppression, but this is questionable when taking a more differentiated look at it. The struggle between the symbolic violence of the State and the hate speech of singular persons is far more complex and cannot be explained with the help of dichotomies. Instead of merely fighting against structural violence, literature actually feeds it: the violence appears in these works as all-encompassing. This leads to failure, as shown by the fact that the protagonists of the texts are either killed (Happy New Year) or fall victims to a total silence (The Workers and Silence). Through an interdisciplinary approach (linguistic, philosophy of language and theory of power) this paper shows how these texts deconstruct theoretical dichotomies and lead to a new interpretation of the relationship between language, violence and power in Real Socialism.

Abstract

This article analyses form, structure and role of verbal aggression in three literary texts: Vladimir Sorokin’s Happy New Year, Marek Hłasko’s The Workers and Kurt Drawert’s Silence. In spite of differences regarding their form, language and cultural context, these three texts share a performative reflection upon verbal aggression in Real Socialism. Not only do they reproduce the politically intended (and latent) aggression of the official discourse, but also individual (and manifest) invectives against the State. The latter are usually interpreted by scholars as attempts to a “liberation” from political oppression, but this is questionable when taking a more differentiated look at it. The struggle between the symbolic violence of the State and the hate speech of singular persons is far more complex and cannot be explained with the help of dichotomies. Instead of merely fighting against structural violence, literature actually feeds it: the violence appears in these works as all-encompassing. This leads to failure, as shown by the fact that the protagonists of the texts are either killed (Happy New Year) or fall victims to a total silence (The Workers and Silence). Through an interdisciplinary approach (linguistic, philosophy of language and theory of power) this paper shows how these texts deconstruct theoretical dichotomies and lead to a new interpretation of the relationship between language, violence and power in Real Socialism.

Downloaded on 20.9.2025 from https://www.degruyterbrill.com/document/doi/10.1515/9783110522976-019/html
Scroll to top button