Antikenrezeption im akademischen Aktstudium
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Susanne Müller-Bechtel
Abstract
The article focuses on the transformative potential of the artistic task academic nude. The protagonists are Spanish and German professors and students at the Accademia del Nudo in Rome between about 1750 and 1800. Based on selected case studies, the article separates the numerous transformative processes in the reception of antiquity during drawing academic nudes step by step. The observed complexity is compounded by the fact that, as a further level of reception, not only the antique sculptures as such were a reference for the artists, but also the new masters who confirm the status of the chosen model to be a reference. Their complexity makes the often-tried identification of only a single reference difficult. The figures of the transformative can be recognized in the personnel of the setting (the draftsmen and the nude models) and in the media (the drawn academic nudes and the ancient sculptures as their models)
Abstract
The article focuses on the transformative potential of the artistic task academic nude. The protagonists are Spanish and German professors and students at the Accademia del Nudo in Rome between about 1750 and 1800. Based on selected case studies, the article separates the numerous transformative processes in the reception of antiquity during drawing academic nudes step by step. The observed complexity is compounded by the fact that, as a further level of reception, not only the antique sculptures as such were a reference for the artists, but also the new masters who confirm the status of the chosen model to be a reference. Their complexity makes the often-tried identification of only a single reference difficult. The figures of the transformative can be recognized in the personnel of the setting (the draftsmen and the nude models) and in the media (the drawn academic nudes and the ancient sculptures as their models)
Chapters in this book
- Frontmatter I
- Danksagung V
- Inhaltsverzeichnis VII
- Einführung 1
- Introducción 13
- La configuración semántica de πολιτικὸν ζῷον y su transformación en los comentarios medievales y modernos a la Política de Aristóteles 25
- Die Inscriptiones sacrosanctæ vetustatis (1534) 57
- Kulturtransfer und Transformation durch Übersetzung 75
- Antikenrezeption im akademischen Aktstudium 99
- Requeno und Winckelmann: Aneignung, Transformation und Aktualisierung antiken Wissens im maltechnischen Diskurs des 18. Jahrhunderts 131
- Keine Antike? Überlegungen zur faschistischfranquistischen Monumentalarchitektur in Spanien 161
- Transformation as Legitimation of a “New State”: The role of Visual Media in Mass Celebrations during and after the Spanish Civil War (1936–1940) 195
- ,Älteste Geschichte des Westens‘ 217
- Der stolze Kastilianer: Die Romanze des 18. Jahrhunderts als Transformationsmedium altspanischer soberbia 239
- Namensregister 263
- Orts- und Länderregister 269
- Autorenverzeichnis 271
Chapters in this book
- Frontmatter I
- Danksagung V
- Inhaltsverzeichnis VII
- Einführung 1
- Introducción 13
- La configuración semántica de πολιτικὸν ζῷον y su transformación en los comentarios medievales y modernos a la Política de Aristóteles 25
- Die Inscriptiones sacrosanctæ vetustatis (1534) 57
- Kulturtransfer und Transformation durch Übersetzung 75
- Antikenrezeption im akademischen Aktstudium 99
- Requeno und Winckelmann: Aneignung, Transformation und Aktualisierung antiken Wissens im maltechnischen Diskurs des 18. Jahrhunderts 131
- Keine Antike? Überlegungen zur faschistischfranquistischen Monumentalarchitektur in Spanien 161
- Transformation as Legitimation of a “New State”: The role of Visual Media in Mass Celebrations during and after the Spanish Civil War (1936–1940) 195
- ,Älteste Geschichte des Westens‘ 217
- Der stolze Kastilianer: Die Romanze des 18. Jahrhunderts als Transformationsmedium altspanischer soberbia 239
- Namensregister 263
- Orts- und Länderregister 269
- Autorenverzeichnis 271
