The Good, the Bad, and the lnbetween

Kapitel in diesem Buch

1. Frontmatter 1
2. Inhalt 5
3. Preface 11
4. I. Keynotes
5. Clash at Clash of Realities 19
6. How C lose Are We to the Holodeck? 29
7. The Potential of Procedurally-Generated Narrative in Video Games 45
8. Cinema and Game Spaces 57
9. More About EVERYTHING 77
10. Play, Games, and the Good Life 83
11. II. 1 Game Studies Summit
12. Introduction 93
13. Transmedia Storytelling 97
14. Worlds Apart? 127
15. Playing (with) STAR WARS 143
16. Time, Memory, and Longing in Transmedial Storytelling 159
17. Playing with Stories, Playing in Worlds 175
18. A Game of Playful Art 195
19. Marshmallows and Bullets 217
20. Teaching Game Studies 235
21. II. 2 Media Pedagogy and Media Ethics Summit
22. Introduction 245
23. Not Just a Game 249
24. This Moral of Mine 267
25. Making Ethical Decisions in Serious Games 291
26. Moral Dilemmas in Digital Games 311
27. The Good, the Bad, and the lnbetween 323
28. Bioethics and Biofacts in Digital Games 339
29. POKÉMON Go 365
30. Spaces of Possibility? 377
31. Beyond the Multi-Player 387
32. Camping NOOb-Tuber and Other Annoying Players 401
33. Bodies That Matter in the Pursuit of Esports 417
34. Garners(’) Talk 441
35. II.3 Film and Games Summit
36. Introduction 461
37. Serial Games 465
38. Games That Play People 481
39. Abu Goat 489
40. II. 4 Game Development Summit
41. Introduction 507
42. The Aesthetics of Choice 509
43. Games as a Source of Future Memory 523
44. My Hyperideal Self 547
45. Play lt Again, Sam Michael Erlhoff 559
46. Open Development as Disruptive Game Design Practice 565
47. II. 5 Games Preservation Summit
48. Introduction 593
49. Play, Things and Playthings 595
50. Preserving Games from Concept to Creation 611
51. Contributors 625