Chapter 8. The Transformation of the Typical Page in the Handpress Era in the Southern Netherlands, 1473–c. 1800
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Goran Proot
Abstract
This chapter discusses how the layout of the typical page in handpress books evolves between the introduction of the handpress in the Southern Netherlands and the beginning of the Industrial Revolution. It links this constant and delicate transformation to changing societal needs and developments, which are in turn reinforced themselves by changing book design. The fundamental argument in this contribution is that the book was, is, and will always be a cultural instrument at the service of the community, and a deeper understanding of its layout requires an understanding of its function within user’s communities, in which economy and tradition keep each other in pace. The longue durée of this survey is essential, because typically typographical evolutions are slow and delicate. Elements of page design include the three dimensions of paper, the relationships between book block and text block, text and paratext, and navigation features both in Latin and vernacular (mainly Dutch) editions. Title pages are not included in this survey. Furthermore, the focus is on the common book - not on the sometimes unrepresentative highlights of printing.
Abstract
This chapter discusses how the layout of the typical page in handpress books evolves between the introduction of the handpress in the Southern Netherlands and the beginning of the Industrial Revolution. It links this constant and delicate transformation to changing societal needs and developments, which are in turn reinforced themselves by changing book design. The fundamental argument in this contribution is that the book was, is, and will always be a cultural instrument at the service of the community, and a deeper understanding of its layout requires an understanding of its function within user’s communities, in which economy and tradition keep each other in pace. The longue durée of this survey is essential, because typically typographical evolutions are slow and delicate. Elements of page design include the three dimensions of paper, the relationships between book block and text block, text and paratext, and navigation features both in Latin and vernacular (mainly Dutch) editions. Title pages are not included in this survey. Furthermore, the focus is on the common book - not on the sometimes unrepresentative highlights of printing.
Chapters in this book
- Frontmatter I
- Contents V
- List of Figures VII
- List of Tables XIII
- List of Contributors XV
- Introduction 1
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I Slips, Scrolls, and Leaves: Before the Codex
- Chapter 1. Text and Paratext in the Greek Classical Tradition 23
- Chapter 2. Tabernacles of Text: A Brief Visual History of the Hebrew Bible 47
- Chapter 3. Impagination, Reading, and Interpretation in Early Chinese Texts 93
- Chapter 4. Sūtra Text in Pecha Format: Page Layout of the Tibetan Vimalakīrtinirdeśa 111
- Chapter 5. Between the Lines and in the Margins: Linguistic Change and Impagination Practices in South Asia 151
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II The Printed World
- Chapter 6. The Margin as Canvas: A Forgotten Function of the Early Printed Page 185
- Chapter 7. Page Layout and the Complex Semiotic System of Fifteenth- and Sixteenth-Century Chosŏn’s Samganghaengsildo 209
- Chapter 8. The Transformation of the Typical Page in the Handpress Era in the Southern Netherlands, 1473–c. 1800 237
- Chapter 9. Writer’s Block or Printer’s Block: The Book and Its Openings in Early Modern China 273
- Chapter 10. Placing Texts on Chinese Pages: From Bamboo Slips to Printed Paper 301
- Chapter 11. Recovering Translation Lost: Symbiosis and Ambilingual Design in Chinese/Manchu Language Reference Manuals of the Qing Dynasty 323
- Chapter 12. Japanophone Glosses (kunten) in Printed and Digitized Manuscripts 351
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III Beyond the Book
- Chapter 13. Beyond the Physical Page: Latest Practice of Scientific Publication 377
- Index 399
Chapters in this book
- Frontmatter I
- Contents V
- List of Figures VII
- List of Tables XIII
- List of Contributors XV
- Introduction 1
-
I Slips, Scrolls, and Leaves: Before the Codex
- Chapter 1. Text and Paratext in the Greek Classical Tradition 23
- Chapter 2. Tabernacles of Text: A Brief Visual History of the Hebrew Bible 47
- Chapter 3. Impagination, Reading, and Interpretation in Early Chinese Texts 93
- Chapter 4. Sūtra Text in Pecha Format: Page Layout of the Tibetan Vimalakīrtinirdeśa 111
- Chapter 5. Between the Lines and in the Margins: Linguistic Change and Impagination Practices in South Asia 151
-
II The Printed World
- Chapter 6. The Margin as Canvas: A Forgotten Function of the Early Printed Page 185
- Chapter 7. Page Layout and the Complex Semiotic System of Fifteenth- and Sixteenth-Century Chosŏn’s Samganghaengsildo 209
- Chapter 8. The Transformation of the Typical Page in the Handpress Era in the Southern Netherlands, 1473–c. 1800 237
- Chapter 9. Writer’s Block or Printer’s Block: The Book and Its Openings in Early Modern China 273
- Chapter 10. Placing Texts on Chinese Pages: From Bamboo Slips to Printed Paper 301
- Chapter 11. Recovering Translation Lost: Symbiosis and Ambilingual Design in Chinese/Manchu Language Reference Manuals of the Qing Dynasty 323
- Chapter 12. Japanophone Glosses (kunten) in Printed and Digitized Manuscripts 351
-
III Beyond the Book
- Chapter 13. Beyond the Physical Page: Latest Practice of Scientific Publication 377
- Index 399