Home History Chapter 7. Page Layout and the Complex Semiotic System of Fifteenth- and Sixteenth-Century Chosŏn’s Samganghaengsildo
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Chapter 7. Page Layout and the Complex Semiotic System of Fifteenth- and Sixteenth-Century Chosŏn’s Samganghaengsildo

  • Keysook Choe
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Impagination – Layout and Materiality of Writing and Publication
This chapter is in the book Impagination – Layout and Materiality of Writing and Publication

Abstract

This chapter analyzes the Samganghaengsildo (삼강행실도三綱行實圖, picture book on the execution of the three fundamental principles of human relations) as a complex semiotic system composed of scripts (hanmun [Chinese script] and Hangeul [Korean script]), narratives, and illustrations, and analyzes their mutual interaction on the printed page. It demonstrates how the editors of Samganghaengsildo tried to close the cultural gaps between male elites, female elites, and commoners with lettered and pictorial presentations on the page. This chapter argues that the Samganghaengsildo served a cultural politics that implemented Confucian ideas in Joseon life by connecting historical knowledge, emotion, and ethics with three narratives - two textual (and of two languages) and one pictorial.

Abstract

This chapter analyzes the Samganghaengsildo (삼강행실도三綱行實圖, picture book on the execution of the three fundamental principles of human relations) as a complex semiotic system composed of scripts (hanmun [Chinese script] and Hangeul [Korean script]), narratives, and illustrations, and analyzes their mutual interaction on the printed page. It demonstrates how the editors of Samganghaengsildo tried to close the cultural gaps between male elites, female elites, and commoners with lettered and pictorial presentations on the page. This chapter argues that the Samganghaengsildo served a cultural politics that implemented Confucian ideas in Joseon life by connecting historical knowledge, emotion, and ethics with three narratives - two textual (and of two languages) and one pictorial.

Chapters in this book

  1. Frontmatter I
  2. Contents V
  3. List of Figures VII
  4. List of Tables XIII
  5. List of Contributors XV
  6. Introduction 1
  7. I Slips, Scrolls, and Leaves: Before the Codex
  8. Chapter 1. Text and Paratext in the Greek Classical Tradition 23
  9. Chapter 2. Tabernacles of Text: A Brief Visual History of the Hebrew Bible 47
  10. Chapter 3. Impagination, Reading, and Interpretation in Early Chinese Texts 93
  11. Chapter 4. Sūtra Text in Pecha Format: Page Layout of the Tibetan Vimalakīrtinirdeśa 111
  12. Chapter 5. Between the Lines and in the Margins: Linguistic Change and Impagination Practices in South Asia 151
  13. II The Printed World
  14. Chapter 6. The Margin as Canvas: A Forgotten Function of the Early Printed Page 185
  15. Chapter 7. Page Layout and the Complex Semiotic System of Fifteenth- and Sixteenth-Century Chosŏn’s Samganghaengsildo 209
  16. Chapter 8. The Transformation of the Typical Page in the Handpress Era in the Southern Netherlands, 1473–c. 1800 237
  17. Chapter 9. Writer’s Block or Printer’s Block: The Book and Its Openings in Early Modern China 273
  18. Chapter 10. Placing Texts on Chinese Pages: From Bamboo Slips to Printed Paper 301
  19. Chapter 11. Recovering Translation Lost: Symbiosis and Ambilingual Design in Chinese/Manchu Language Reference Manuals of the Qing Dynasty 323
  20. Chapter 12. Japanophone Glosses (kunten) in Printed and Digitized Manuscripts 351
  21. III Beyond the Book
  22. Chapter 13. Beyond the Physical Page: Latest Practice of Scientific Publication 377
  23. Index 399
https://doi.org/10.1515/9783110698756-008

Chapters in this book

  1. Frontmatter I
  2. Contents V
  3. List of Figures VII
  4. List of Tables XIII
  5. List of Contributors XV
  6. Introduction 1
  7. I Slips, Scrolls, and Leaves: Before the Codex
  8. Chapter 1. Text and Paratext in the Greek Classical Tradition 23
  9. Chapter 2. Tabernacles of Text: A Brief Visual History of the Hebrew Bible 47
  10. Chapter 3. Impagination, Reading, and Interpretation in Early Chinese Texts 93
  11. Chapter 4. Sūtra Text in Pecha Format: Page Layout of the Tibetan Vimalakīrtinirdeśa 111
  12. Chapter 5. Between the Lines and in the Margins: Linguistic Change and Impagination Practices in South Asia 151
  13. II The Printed World
  14. Chapter 6. The Margin as Canvas: A Forgotten Function of the Early Printed Page 185
  15. Chapter 7. Page Layout and the Complex Semiotic System of Fifteenth- and Sixteenth-Century Chosŏn’s Samganghaengsildo 209
  16. Chapter 8. The Transformation of the Typical Page in the Handpress Era in the Southern Netherlands, 1473–c. 1800 237
  17. Chapter 9. Writer’s Block or Printer’s Block: The Book and Its Openings in Early Modern China 273
  18. Chapter 10. Placing Texts on Chinese Pages: From Bamboo Slips to Printed Paper 301
  19. Chapter 11. Recovering Translation Lost: Symbiosis and Ambilingual Design in Chinese/Manchu Language Reference Manuals of the Qing Dynasty 323
  20. Chapter 12. Japanophone Glosses (kunten) in Printed and Digitized Manuscripts 351
  21. III Beyond the Book
  22. Chapter 13. Beyond the Physical Page: Latest Practice of Scientific Publication 377
  23. Index 399
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