“There’s, like, total silence again, roysh, and no one says anything”
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Carolina P. Amador-Moreno
Abstract
The way the complexities of fictional dialogue are creatively exploited in a play, a film or a novel can reveal much about the management of ordinary conversation. Although it is evident that fictional dialogue and naturally occurring conversation are different types of communication, it is no less true that fictional representations of dialogue and narratives creatively exploit linguistic features which may be characteristic of spoken language. This chapter discusses how discourse markers such as like and roysh, and quotative patterns such as be + like, go, and be + there are employed in the work of Irish author Paul Howard in order to recreate contemporary Dublin English.
Abstract
The way the complexities of fictional dialogue are creatively exploited in a play, a film or a novel can reveal much about the management of ordinary conversation. Although it is evident that fictional dialogue and naturally occurring conversation are different types of communication, it is no less true that fictional representations of dialogue and narratives creatively exploit linguistic features which may be characteristic of spoken language. This chapter discusses how discourse markers such as like and roysh, and quotative patterns such as be + like, go, and be + there are employed in the work of Irish author Paul Howard in order to recreate contemporary Dublin English.
Chapters in this book
- Prelim pages i
- Table of contents v
- Introduction 1
- The Pragmatics of Irish English and Irish 17
- “I always think of people here, you know, saying ‘like’ after every sentence” 37
- A corpus-based investigation of pragmatic markers and sociolinguistic variation in Irish English 65
- Kind of and sort of 89
- A comparative study of the pragmatic marker like in Irish English and in south-eastern varieties of British English 114
- “Actually, it’s unfair to say that I was throwing stones” 135
- “’Tis mad, yeah” 156
- Turn initiators in professional encounters 176
- “And your wedding is the twenty-second <.> of June is it?” 203
- “Hurry up baby son all the boys is finished their breakfast” 229
- Pragmatic markers as implicit emotive anchoring 248
- “Sure this is a great country for drink and rowing at elections” 270
- Blathering Beauties 292
- Pragmatic markers in contemporary radio advertising in Ireland 318
- “Yeah well, probably, you know I wasn’t that big into school, you know” 348
- “There’s, like, total silence again, roysh, and no one says anything” 370
- Now in the speech of newcomers to Ireland 390
- The significance of age and place of residence in the positional distribution of discourse like in L2 speech 408
- Name index 433
- Subject index 437
Chapters in this book
- Prelim pages i
- Table of contents v
- Introduction 1
- The Pragmatics of Irish English and Irish 17
- “I always think of people here, you know, saying ‘like’ after every sentence” 37
- A corpus-based investigation of pragmatic markers and sociolinguistic variation in Irish English 65
- Kind of and sort of 89
- A comparative study of the pragmatic marker like in Irish English and in south-eastern varieties of British English 114
- “Actually, it’s unfair to say that I was throwing stones” 135
- “’Tis mad, yeah” 156
- Turn initiators in professional encounters 176
- “And your wedding is the twenty-second <.> of June is it?” 203
- “Hurry up baby son all the boys is finished their breakfast” 229
- Pragmatic markers as implicit emotive anchoring 248
- “Sure this is a great country for drink and rowing at elections” 270
- Blathering Beauties 292
- Pragmatic markers in contemporary radio advertising in Ireland 318
- “Yeah well, probably, you know I wasn’t that big into school, you know” 348
- “There’s, like, total silence again, roysh, and no one says anything” 370
- Now in the speech of newcomers to Ireland 390
- The significance of age and place of residence in the positional distribution of discourse like in L2 speech 408
- Name index 433
- Subject index 437
