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Experiencing Fictional Worlds
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Edited by:
Benedict Neurohr
and Lizzie Stewart-Shaw
Language:
English
Published/Copyright:
2019
About this book
Experiencing Fictional Worlds is not only the title of this book, but a challenge to reveal exactly what makes the “experience” of literature. This volume presents contributions drawing upon a range of theories and frameworks based on the text-as-world metaphor. This text-world approach is fruitfully applied to a wide variety of text types, from poetry to genre-specific prose to children’s story-books.
This book investigates how fictional worlds are built and updated, how context affects the conceptualisation of text-worlds, and how emotions are elicited in these processes. The diverse analyses of this volume apply and develop approaches such as Text World Theory, reader-response studies, and pedagogical stylistics, among other broader cognitive and linguistic frameworks. Experiencing Fictional Worlds aligns with other cutting-edge research on language conceptualisation in fields including cognitive linguistics, stylistics, narratology, and literary criticism. This volume will be relevant to anyone with interests in language and literature.
This book investigates how fictional worlds are built and updated, how context affects the conceptualisation of text-worlds, and how emotions are elicited in these processes. The diverse analyses of this volume apply and develop approaches such as Text World Theory, reader-response studies, and pedagogical stylistics, among other broader cognitive and linguistic frameworks. Experiencing Fictional Worlds aligns with other cutting-edge research on language conceptualisation in fields including cognitive linguistics, stylistics, narratology, and literary criticism. This volume will be relevant to anyone with interests in language and literature.
Topics
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Benedict Neurohr and Lizzie Stewart-Shaw Requires Authentication Unlicensed Licensed |
1 |
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Part 1. Foundations of fictional worlds
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Peter Stockwell Requires Authentication Unlicensed Licensed |
15 |
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Benedict Neurohr Requires Authentication Unlicensed Licensed |
33 |
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Ernestine Lahey Requires Authentication Unlicensed Licensed |
53 |
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Part 2. Forming fictional worlds
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Lizzie Stewart-Shaw Requires Authentication Unlicensed Licensed |
75 |
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The “fictive publisher” as a bridge builder between intra- and extratextual world Natalia Igl Requires Authentication Unlicensed Licensed |
97 |
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Self-deprecating humour and cringe comedy in High Fidelity and Bridget Jones’s Diary Agnes Marszalek Requires Authentication Unlicensed Licensed |
119 |
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Re-experiencing Margaret Atwood’s “The Freeze-Dried Groom” Chloe Harrison and Louise Nuttall Requires Authentication Unlicensed Licensed |
135 |
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Part 3. Fictional worlds in context
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Jessica Norledge Requires Authentication Unlicensed Licensed |
157 |
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Marcello Giovanelli Requires Authentication Unlicensed Licensed |
177 |
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A text-world approach to storytime Sarah Jackson Requires Authentication Unlicensed Licensed |
199 |
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Joanna Gavins Requires Authentication Unlicensed Licensed |
219 |
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Requires Authentication Unlicensed Licensed |
225 |
Publishing information
Pages and Images/Illustrations in book
eBook published on:
February 1, 2019
eBook ISBN:
9789027263032
Pages and Images/Illustrations in book
Main content:
228
eBook ISBN:
9789027263032
Keywords for this book
Writing and literacy; Theoretical literature & literary studies; Cognition and language
Audience(s) for this book
Professional and scholarly;