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Chapter 8. Cognitive grammar and reconstrual

Re-experiencing Margaret Atwood’s “The Freeze-Dried Groom”
  • Chloe Harrison and Louise Nuttall
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Experiencing Fictional Worlds
This chapter is in the book Experiencing Fictional Worlds

Abstract

This chapter examines the cognitive and experiential processes of re-reading, and their contribution to the conceptualisation of a fictional world. Fictional worlds are experienced dynamically, and often in multiple sittings, separated by varying lengths of time. While the myriad of contextual factors which distinguish sittings makes re-reading a difficult object of study, this aspect of our natural, everyday encounters with texts is worthy of consideration in stylistic discussion. As a first step in this direction, this chapter demonstrates an awareness of multiple readings, and the distinct experiences they represent, as part of a cognitive stylistic account of textual interpretation.

Firstly, a theoretical account of re-reading is outlined in terms of Cognitive Grammar and, in particular, its concept of construal. This account is demonstrated through analysis of the short story “The Freeze-Dried Groom” from Margaret Atwood’s 2014a collection Stone Mattress. Applying Cognitive Grammar's multidimensional model of construal, and a further process of reconstrual, we make specific predictions concerning readers’ experiences of this story’s fictional world on a first- and second-reading, looking in particular at changing conceptualisations of tone, atmosphere and narrative perspective, and the linguistic processing responsible. Based on this analytical case study, we propose a need for further investigation of texts which surprise readers, or which feature a twist or reveal, and the ways in which information is attended to across multiple readings.

Abstract

This chapter examines the cognitive and experiential processes of re-reading, and their contribution to the conceptualisation of a fictional world. Fictional worlds are experienced dynamically, and often in multiple sittings, separated by varying lengths of time. While the myriad of contextual factors which distinguish sittings makes re-reading a difficult object of study, this aspect of our natural, everyday encounters with texts is worthy of consideration in stylistic discussion. As a first step in this direction, this chapter demonstrates an awareness of multiple readings, and the distinct experiences they represent, as part of a cognitive stylistic account of textual interpretation.

Firstly, a theoretical account of re-reading is outlined in terms of Cognitive Grammar and, in particular, its concept of construal. This account is demonstrated through analysis of the short story “The Freeze-Dried Groom” from Margaret Atwood’s 2014a collection Stone Mattress. Applying Cognitive Grammar's multidimensional model of construal, and a further process of reconstrual, we make specific predictions concerning readers’ experiences of this story’s fictional world on a first- and second-reading, looking in particular at changing conceptualisations of tone, atmosphere and narrative perspective, and the linguistic processing responsible. Based on this analytical case study, we propose a need for further investigation of texts which surprise readers, or which feature a twist or reveal, and the ways in which information is attended to across multiple readings.

Chapters in this book

  1. Prelim pages i
  2. Table of contents v
  3. List of contributors vii
  4. Preface xi
  5. Acknowledgments xiii
  6. Chapter 1. Introduction 1
  7. Part 1. Foundations of fictional worlds
  8. Chapter 2. Immersion and emergence in children’s literature 15
  9. Chapter 3. A predictive coding approach to Text World Theory 33
  10. Chapter 4. World-building as cognitive feedback loop 53
  11. Part 2. Forming fictional worlds
  12. Chapter 5. Experiencing horrible worlds 75
  13. Chapter 6. Framing the narrative 97
  14. Chapter 7. Constructing inferiority through comic characterisation 119
  15. Chapter 8. Cognitive grammar and reconstrual 135
  16. Part 3. Fictional worlds in context
  17. Chapter 9. Immersive reading and the unnatural text-worlds of “Dead Fish” 157
  18. Chapter 10. Experiencing literature in the poetry classroom 177
  19. Chapter 11. Sharing fiction 199
  20. Chapter 12. Afterword 219
  21. Subject index 225
https://doi.org/10.1075/lal.32.08har

Chapters in this book

  1. Prelim pages i
  2. Table of contents v
  3. List of contributors vii
  4. Preface xi
  5. Acknowledgments xiii
  6. Chapter 1. Introduction 1
  7. Part 1. Foundations of fictional worlds
  8. Chapter 2. Immersion and emergence in children’s literature 15
  9. Chapter 3. A predictive coding approach to Text World Theory 33
  10. Chapter 4. World-building as cognitive feedback loop 53
  11. Part 2. Forming fictional worlds
  12. Chapter 5. Experiencing horrible worlds 75
  13. Chapter 6. Framing the narrative 97
  14. Chapter 7. Constructing inferiority through comic characterisation 119
  15. Chapter 8. Cognitive grammar and reconstrual 135
  16. Part 3. Fictional worlds in context
  17. Chapter 9. Immersive reading and the unnatural text-worlds of “Dead Fish” 157
  18. Chapter 10. Experiencing literature in the poetry classroom 177
  19. Chapter 11. Sharing fiction 199
  20. Chapter 12. Afterword 219
  21. Subject index 225
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