8 All the Children are Insane, or People are Strange
-
John Robb
Abstract
In the 1960s, a new darkness entered music via the (un)holy trinity. In sunny California in 1965, four disillusioned America-dream dropouts formed The Doors. Their vocalist, Jim Morrison, had a dark, erotic air to him and frequently got in trouble with alcohol and the law. As true goth rock heroes, the legacy of The Doors would heavily inform the culture that followed. Meanwhile, The Velvet Underground and The Stooges were equally integral to the goth template. The Velvet’s created a musical hybrid of droning and guitar pop. The Stooges, profoundly affected punk and goth through their minimalistic primitivism and dark nihilism. Frontman Iggy Pop engaged in shocking acts of violence on stage, with both the audience and himself. This chapter traces the the (un)holy trinity’s journey through sex, drugs, death and psychodrama, revealing how these three bands became the pinnacles of gothic rock and roll.
Abstract
In the 1960s, a new darkness entered music via the (un)holy trinity. In sunny California in 1965, four disillusioned America-dream dropouts formed The Doors. Their vocalist, Jim Morrison, had a dark, erotic air to him and frequently got in trouble with alcohol and the law. As true goth rock heroes, the legacy of The Doors would heavily inform the culture that followed. Meanwhile, The Velvet Underground and The Stooges were equally integral to the goth template. The Velvet’s created a musical hybrid of droning and guitar pop. The Stooges, profoundly affected punk and goth through their minimalistic primitivism and dark nihilism. Frontman Iggy Pop engaged in shocking acts of violence on stage, with both the audience and himself. This chapter traces the the (un)holy trinity’s journey through sex, drugs, death and psychodrama, revealing how these three bands became the pinnacles of gothic rock and roll.
Kapitel in diesem Buch
- Front Matter i
- Contents vii
- Introduction 1
- 1 Floorshow 3
- 2 The Fall of Rome 13
- 3 Deep in the Forest 16
- 4 ‘Mad, Bad and Dangerous to Know’ 20
- 5 Euro Visions 41
- 6 The Devil has the Best Tunes 46
- 7 Paint it, Black 53
- 8 All the Children are Insane, or People are Strange 66
- 9 Wham Bam thank you Glam 77
- 10 Proto Post-Punk 117
- 11 The Punk Wars 124
- 12 ‘What was Once Unhealthily Fresh is Now a Clean Old Hat’ 131
- 13 Spellbound 137
- 14 Feel the Pain 159
- 15 Ridicule is Nothing to be Scared of 175
- 16 New Dawn Fades 194
- 17 ‘The Wreckers of Western Civilisation…’ 213
- 18 ‘I Must Fight this Sickness… Find a Cure’ 234
- 19 The Naughty North and the Sexy South 250
- 20 All We Ever Wanted Was Everything 265
- 21 Lord of Chaos 281
- 22 Release the Bats! 297
- 23 ‘I am not Avant-Garde; I am a Deserter’ 313
- 24 Voodoo Idols 329
- 25 First, Last and Always 345
- 26 Vagabonds - Bradford 372
- 27 Flowers in the Forest 381
- 28 Wanted Dead or Alive 398
- 29 Do You Believe in the Westworld? 409
- 30 A New Form of Beauty - Virgin Prunes, Dublin 419
- 31 ‘Good Poetry Can Still Resonate Louder Than a Thousand Guns’ 428
- 32 At The Gates of Silent Memory 440
- 33 Darklands 447
- 34 ‘We Sing to the Gods to Be Free’ 467
- 35 Trans Europe Express 483
- 36 In the Flat Field, Suburbs & Satellite Towns 490
- 37 Apocalypse Now! Goth’s End Days 499
- Index 513
Kapitel in diesem Buch
- Front Matter i
- Contents vii
- Introduction 1
- 1 Floorshow 3
- 2 The Fall of Rome 13
- 3 Deep in the Forest 16
- 4 ‘Mad, Bad and Dangerous to Know’ 20
- 5 Euro Visions 41
- 6 The Devil has the Best Tunes 46
- 7 Paint it, Black 53
- 8 All the Children are Insane, or People are Strange 66
- 9 Wham Bam thank you Glam 77
- 10 Proto Post-Punk 117
- 11 The Punk Wars 124
- 12 ‘What was Once Unhealthily Fresh is Now a Clean Old Hat’ 131
- 13 Spellbound 137
- 14 Feel the Pain 159
- 15 Ridicule is Nothing to be Scared of 175
- 16 New Dawn Fades 194
- 17 ‘The Wreckers of Western Civilisation…’ 213
- 18 ‘I Must Fight this Sickness… Find a Cure’ 234
- 19 The Naughty North and the Sexy South 250
- 20 All We Ever Wanted Was Everything 265
- 21 Lord of Chaos 281
- 22 Release the Bats! 297
- 23 ‘I am not Avant-Garde; I am a Deserter’ 313
- 24 Voodoo Idols 329
- 25 First, Last and Always 345
- 26 Vagabonds - Bradford 372
- 27 Flowers in the Forest 381
- 28 Wanted Dead or Alive 398
- 29 Do You Believe in the Westworld? 409
- 30 A New Form of Beauty - Virgin Prunes, Dublin 419
- 31 ‘Good Poetry Can Still Resonate Louder Than a Thousand Guns’ 428
- 32 At The Gates of Silent Memory 440
- 33 Darklands 447
- 34 ‘We Sing to the Gods to Be Free’ 467
- 35 Trans Europe Express 483
- 36 In the Flat Field, Suburbs & Satellite Towns 490
- 37 Apocalypse Now! Goth’s End Days 499
- Index 513
