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8 All the Children are Insane, or People are Strange

The (un)holy Trinity. The Doors/Velvets/Stooges
  • John Robb
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The art of darkness
This chapter is in the book The art of darkness

Abstract

In the 1960s, a new darkness entered music via the (un)holy trinity. In sunny California in 1965, four disillusioned America-dream dropouts formed The Doors. Their vocalist, Jim Morrison, had a dark, erotic air to him and frequently got in trouble with alcohol and the law. As true goth rock heroes, the legacy of The Doors would heavily inform the culture that followed. Meanwhile, The Velvet Underground and The Stooges were equally integral to the goth template. The Velvet’s created a musical hybrid of droning and guitar pop. The Stooges, profoundly affected punk and goth through their minimalistic primitivism and dark nihilism. Frontman Iggy Pop engaged in shocking acts of violence on stage, with both the audience and himself. This chapter traces the the (un)holy trinity’s journey through sex, drugs, death and psychodrama, revealing how these three bands became the pinnacles of gothic rock and roll.

Abstract

In the 1960s, a new darkness entered music via the (un)holy trinity. In sunny California in 1965, four disillusioned America-dream dropouts formed The Doors. Their vocalist, Jim Morrison, had a dark, erotic air to him and frequently got in trouble with alcohol and the law. As true goth rock heroes, the legacy of The Doors would heavily inform the culture that followed. Meanwhile, The Velvet Underground and The Stooges were equally integral to the goth template. The Velvet’s created a musical hybrid of droning and guitar pop. The Stooges, profoundly affected punk and goth through their minimalistic primitivism and dark nihilism. Frontman Iggy Pop engaged in shocking acts of violence on stage, with both the audience and himself. This chapter traces the the (un)holy trinity’s journey through sex, drugs, death and psychodrama, revealing how these three bands became the pinnacles of gothic rock and roll.

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