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34 ‘We Sing to the Gods to Be Free’

American Gothic and the Dark Art of the American Dream
  • John Robb
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The art of darkness
This chapter is in the book The art of darkness

Abstract

The United States had its own goth moment in the 1980s, one coloured by the country’s distinct rock’n’roll history and the cult of Southern Gothic. Punk and post-punk were less of an explosion in this geographically vast territory than they were in the UK, but little by little they had their effect, galvanising an amazing array of micro scenes. This chapter explores a number of goth and goth-adjacent bands and artists, including Black Flag, The Germs, Misfits, Lydia Lunch and Swans.

Abstract

The United States had its own goth moment in the 1980s, one coloured by the country’s distinct rock’n’roll history and the cult of Southern Gothic. Punk and post-punk were less of an explosion in this geographically vast territory than they were in the UK, but little by little they had their effect, galvanising an amazing array of micro scenes. This chapter explores a number of goth and goth-adjacent bands and artists, including Black Flag, The Germs, Misfits, Lydia Lunch and Swans.

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